Hey! You should know that Canon has released a newer version of this product: the Canon EOS 50D.
Canon EOS 40D
Editor's Review
The 40D is still a great pro-sumer camera, but it's been replaced by the Canon EOS 50D. We recommend buying that one. Here's what we had to say about the 40D when it was released in August 2007:
It's finally here! Canon's much talked about, much rumored 40D has arrived, and it's even better than you might have heard. A fine successor to the well-received 30D and 20D, the 40D brings the Canon EOS SLR line up to ten megapixels, brings the advanced DIGIC III image processor, and gussies itself up with a luxurious 3.0-inch LCD screen. Stay tuned to this page for more information as initial reports and reviews begin to roll in!
Specifications
- 10.1 megapixel CMOS sensor
- DIGIC III Image Processor
- RAW, JPEG file format
- Canon EF/EF-S Lens Mount
- Auto and manual focus
- Auto and manual exposure
- ISO 100-1600 (3200 Enhanced)
- 3.0-inch LCD display
- Compact Flash memory (no memory supplied)
- Lithium-ion battery
- Part Number: eos40d
- UPC: 8714574508740
- Release Date: Aug 19, 2007
Shop for EOS 40D Accessories
Canon EOS 40D Comments & Questions (write your own!)
First you have to figure out what mount type your lenses are -- Hanimex was a third-party lens maker, and as such, made lenses for Nikon F mount, Olympus OM mount, and Pentax K mount (didn't see any for Canon, but they may have made those too). Once you figure out which mount you have (it's usually etched somewhere on the mount-side of the lens), then you can find an adapter. Good luck.
Thanks for any help anyone can shed!
Suzette
To enable Live View, Set the lens focus mode switch to <MF>
Set the Shooting mode to a "creative zone" mode.
Select the Live View function settings from the tools tab and press set.
Select Live View Shoot from the Mode dial.
Select Enable and press Set.
What type of settings are you setting up.
The 40D's C1/C2/C3 and Green Star Menu features are one of the most overlooked features of the 40D.
Last week I just bought Canon EOS 40D, So I guess I am now part of the club
Took few shots and looks better than my old Nikon D40, however I do have slight problem.
I realized that the viewfinder is showing thousand of soft dots and only vissible if you point a maximum close up focus on a bright objects. I did not spotted this when I test the camera due to it was night time. This dots did not effect the picture so the problem would only reside in either the mirror, focusing screen or view finder
I have taken the camera to Canon and they already blow the focusing screen twice!!, but the same thousand of tiny dots still there. One of the technician mentioned that its the texture of the focusing lens , since I am holding my first Canon camera so I dont know whether its true or not but what I can see from my old Nikon is that the focusing screen is very clear. I am begining to feel that maybe my view finder or my focusing screen is defective . Somehow the tiny dots did not look obvious if you are taking a wide picture but its very clear in a telephoto-maximum zoom. Btw, I am using kit lens EFS18-55mmIS
Could any existing owner of Canon EOS 40D be so kind help me share their experienced please? I really need some backup and fact from you guys before I come to Canon service center again.
FYI The dots are really soft and form some kind of structured as if it was nailed/sticking into the focusing screen/viewfinder and it is spread equally as if there are millions of them.
Any comment would be very appreciated
Al
The answer to your questions has several variables. Are you using a flash? What focal length lens are you using? Are you shooting from too far away? Are you shooting in full auto mode? Try aperature priority and choose a wide aperature (low number). That will let more light in, but you will lose depth of field.
Are you using the 40D? If so, it's a fantastic camera and has a great learning curve - I recommend taking a look at the manual and just playing with M mode to see how the different settings react. If you look inside the lens while on M mode and adjust the dials, the camera tells you when you are under and over-exposed (not at the right light setting) with the flashing bar inside the viewfinder.
Barring all of that, shoot in RAW. The possibilities of recovering some data even from a very dark photo are much greater.
Is this possible with the 40D?
Amazon.com has the Sigma 50-500 for Canon EOS mount. Both Sigma's price and Amazon's are very well priced. Is there too much of a difference in quality of the Sigma 50-500 versus the Canon IS 50-500?
Thanks so much for your help.
I am not familiar with the Canon 50-500 IS, but go to CameraLabs.com and take a look at their lens reviews. They may have all 3 lenses reviewed there and you will get a very good comparison with the same photos taken with each lens. Then you can decide which you think is worth the money. There is also a DSLR lens buyer guide that could be helpful.
Have fun.
I think I will go ahead and get the Sigma with OS,''
Marlene
The pop-up flash is comparable to the flash on most compact digital cameras, not good for distance or wide angles. This pretty much guarantees your high quality DSLR will take photos that look very similar to the point-and-shoot cheapies, at least from a lighting perspective.
The 430EX-II or 580EX-II speedlites are the best options for the 40D, they are designed to allow control from the camera body menu system if desired. The main difference between the two is total power output and cost, the higher power in the 580 costs a real premium.
With the speedlites you not only have more power, you have angle adjustments and a pull out reflector for bouncing the flash off ceilings or walls. I strongly recommend them.
The built-in flash of 40D is powerful, but doesn't have a mobile head to use bounce lights (lateral or butterfly illumination not possible with built-in flash).
The features that are improved in 40D are the following: low noise to high ISO (800-1600), better processing speed and quality - thanks to the Digic III image processor, bigger image sensor, bigger back LCD. The biggest new feature is LiveView (which can be used with a tripod, autofocus is non-existent).
If you don't need a bigger image resolution and low noise at high ISO, you can buy 30D. Personally I'll choose good lens instead of the newest camera body.
Outdoors typically means landscapes and maybe includes buildings. More megapixels is a real advantage if she ever wants to print large or poster size prints, so the 40D is a decent improvement over the 30D, the Rebel XSi at 12.2MP is even better and costs a lot less than the 40D.
The larger Viewfinder on the 40D makes it MUCH easier to see if you are in focus, especially in darker settings.
The larger 3" LCD is on both the 40D and XSi
The higher ISO performance of the 40D will be useful in darker settings if handheld, with a tripod it doesn't matter as much.
What type of wildlife? If it's moving fast the 30D or 40D have much faster focus and frame-rate (6fps) than the Rebels (3fps). The 40D focus speed is a little better than the 30D, but it's not a biug difference.
I have to agree with Catalin's statement about good lenses, a 30D with a high quality lens will take better looking photos than a 40D or XSi with the kit lens. My philosophy is get good glass first, then get the best body you can afford. I now have the 50D and love it, but I already had some of the best lenses you can buy, such as EF-S 17-55 2.8 IS, 70-200 2.8L IS, and Sigma 150 macro.
Besides a higher pixel count (12.2 vs 10.1 on the 40D), the XSi has auto-focus in Live View without losing the Live View (albeit a bit slower to focus). On the 40D, the Live View disengages when you auto focus (using the special AF button). But that has not been a hinderence since it focuses so fast with the right lens and good lighting.
The 40D has quite a few customizable features, even more custom settings on the mode wheel than the 50D. For the money, I perfer the much more rugged 40D over the XSi (The XSi is my backup camera). The 40D will stand up to a lot more punishment outdoors than the XSi. There are some pretty good deals on the 40D now since the 50D came out. Get your wife the 40D and she'll be very pleased.
I have seen err99 2 times, once 4 years ago with the 20D and a rented 100-400 lens. My second err99 was the 2nd time I turned on the new 50D with a Sigma 300mm f2.8 lens on it. I removed the lens and put it back on, and have never seen the error again. I think it was a contact problem that was fixed by moving things around. (I noticed my Sigma lenses are a little loose on both the 40D and 50D bodies)
Don't worry yourself sick or into paralysis. There is always some risk with electronic devices, if it happens to you also, then you just have to send it back and get another one that works fine. The risk is the same with all the major SLR manufacturers. The highest risk period for one of these products is always the first 1-3 months. The 40D is a mature product and the operators know what they are doing with this camera better than ever. The price is lower than ever also, so now it the BEST time to get a 40D.
Find the camera you want and buy it!
If you regularly watch the news you know the Corporations are still at it, business is down so they lay off even more people. Less people have disposable income so sales goes down more, and the cycle continues because the Corporations refuse to admit their tactics have created their own doom. We are not at the bottom yet, and nobody knows how low the bottom will be or when we will start to pull out of it.
Yes, chances are the price could drop a little more but I dare not say how much, the 40D body only is going for as little as $800, that's 600 less than it started last year. With the XSi body going for $600, down from $899 just a few months ago, significant drops have already happened.
Watch for Black Friday specials, that's only 1 week away. If the Holiday sales are as lousy as suspected then maybe there will be one more price drop just before, but more likely just AFTER, Christmas. It really depends on actual sales and inventories, I cannot predict those. The week between Xmas and New Years is often the best time to get a good deal on a new car also, especially December 31st.
Happy shopping!
Let me assure you, open the battery door all the way (90 degrees to the body), grab it firmly with your fingers then just pull on it giving some sideways pressure and it will come off quite easy, and nothing will break. It goes back on just as easy.
Remember to put the door in the battery grip so you don't lose it, the instruction sheet shows you where.
It really is easy!
Jew
If that alone does not solve your problem, at the bottom of the Tools Menu #2 (yellow wrench with 2 dots) is a Flash Control section, you can turn it completely off there, and also manage the external flash functions if you have the 580EX-II or 430EX-II mounted.
One more thing, sometimes the flash will pop up in low light if the Auto-Focus assist beam is enabled, you can disable that in the Custom Functions-III screen.
Regards Jew
this camera is an expensive camera that will produce excellent pictures.
but you do not need to spend this much money to get great results.
the panasonic lumix tz5 at $280 will give all you want from a camera
it has a great 10 -15x zoom ,all metal body and a great macro lens which can zoom in to a close as 2 inches(5cm)
here is a link to a album showing what a tz5 can do
flickr.com/photos/respres/2...
I agree with Steve. The Canon 40 D is a fantastic camera and one that your daughter would be able to enjoy well into adulthood. However it is fairly expensive. You may want to opt for the brand new Canon EOS XS which will use all the same lenses that the 40D uses but is about half the price (still expensive compared to the $280 Lumix that Steve recommends). You would need a macro lens to get up close or a telephoto lens to get close shots without getting up close. The XS comes with an 18-55 mm image stabilized lens that would work well for close up photos.
First, what is the best camera (w/lens recommendation-close ups) for capturing superior gemstones images, small sizes of about 3mm - 10mm in size and jewelry items; images will be captured in light box?
Second, a camera that can do the above and shoot exceptional images of a model in a formal gown; gowns are pageant type which usually have a lot of crystal beading and rhinestones on them. Dress colors can range from white to Neon colors.
I would appreciate any assistance or recommendations. Thanks!
on the nikon side - the D60 is where I'd be looking.
enjoy!
You can get a good side by side comparison of the features of these three dSLRs here ( dpreview.com/reviews/compar... ). That should give you a pretty clear view of the differences in their specs.
In broader terms, one important thing to consider is that the 450D and 40D are about 1 to 1.5 years newer than the D80. This is a long time in the digital camera world, and a lot of things change. Another thing to consider is that the 40D is a significantly more advanced model than either the D80 or the 450D. It's simply a higher class of dSLR--a semi-pro dSLR (if a low end one) rather than an entry-level dSLR.
In short, though, all three are great cameras and can produce great results. What you really need to do is read some customer reviews, and maybe google "40D vs. D80" or "40D vs. 450D" and see how the opinions on display strike you. If you're not a terribly advanced photographer, any of the three would make an equally good starting point.
Hope this helps!
Its not CF card problem as my camera was set to shoot without card. also I am not getting menu on 3" LCD. Nothing is there on LCD
when Menu button is pressed.
I tried by removing both batteries, but doesn't work .
also cleaned up lens mount contacts.
Canon told me it is a main board problem.
someone please suggest me price for Main board.
Thanks for responding.
Praveen
i´m interested whether you´ve found a solution for your problem.
I´ve the same problem with my Canon 40D.
Thanks for your replay.
Greetings
Christian
Sorry for the many questions...
Canon makes a 70-300mm f4-5.6 IS USM lens that has received good reviews. I have it an it is a good lens. The 40D kit lens, 28-135mm IS USM is a very good all around lense. Canon also makes a 55-200mm USM lens but I have not read any reviews on it. There are many other lenses available, also. Go to B&H Camera on the web and check out all the available Canon lenses. Of course, there are Sigma, Tokina and other 3rd party lenses available, as well.
I have both the Canon 40D and the 450D. The 40D is a much more robust camera. It can do 6.5 frames/sec. It has live view, 10.1 MP. It has to shut down live view for a short time to autofocus while in live view. It has many more user selectable functions than the 450D. The 450D is smaller and lighter, 3.5 frames/sec. It also has live view and can focus while in live view without having to get out of live view, but it is a bit slower. But, it also has the same focus function in live view as the 40D, ie, it has 2 auto-focus functions while in live view. The 450D has 12.1 MP, but I honestly cannot tell the difference between pictures taken on the 40D and the 450D. The 450D uses the SD memory card while the 40D uses the compact flash memory card. The compact flash card is more robust, in my opinion, than the SD card.
The 40D is my main camera. The 450D is used as my backup camera to take hand-held shots while the 40D is on the tripod. They're both excellent cameras. The build quality of the 40D is quite a bit higher than the 450D. That's the main reason I use it the most, especially when in the field in unwelcoming weather. Hope this helps.
Thankyou so much for your advice! Its good to know they both are good camera's and have great pic's. I will only be able to get one of the camera's so just have to decide which will suit me best! your advice has helped me already
thanks
If you're an iTunes user, you may also want to check out Chris Marquart's Digital Photography Tips from the Top Floor podcast. There's other digital photography stuff there as well including in iTunes U.
mininova.org/get/945772 (torrent)
Good Luck
amazon.com/Canon-Made-Easy-...
Many years ago Canon made a fairly decent adapter, attempting to help professional photographers transition to the EOS mount camera bodies. They only made them for a few years and quantities were low then. If you can find one of those original adapters you might be satisfied with the results. I investigated this 4 years ago and gave up after a couple months of looking.
So the practical answer is no, lenses made for the F-1 & T-90 will not work on the 40D or any new SLR camera on the market today.
You already know most of what really counts, how to adjust aperture and shutter settings, and judge when you need more light like a flash or strobe. That hasn't changed, but the amount of equipment options has grown drastically since then. I still have a Canon AE-1 Program I bought new in 1982, hardly ever use it but cant seem to let it go. I still haven't owned a modern 50mm lens that equals the performance of my old "plain" Canon 50 1.8. So I understand why you want to use the old lenses.
Just Do It! And have some fun in the process.
For wide angle scenery shots you could get the EF-S 10-22 USM, it's a great lens but at $675 not reasonably priced in my opinion. Many professional photographers on a budget have opted for the Tokina 12-24 f4 which sells for $499 and has build quality that rivals Canon L lenses.
When you are out on the road with your truck you might not need the widest of the wides, maybe 18mm is adequate for your needs. If so, consider the recently released Canon EF-S 18-55 IS "Super-Kit-Lens". It sells for about $200 and is getting great reviews. It has been improved to be the kind of quality the kit lens should have been all along, plus it has Image Stabilization for low light shots.
Check it out at slrgear.com/reviews/showpro... you can afford it, one of the best all around lenses you can get is the Tamron SP AF17-50mm F/2.8 Di II, for about $440 it produces some of the sharpest photos from any standard zoom lens. My personal favorite lens is the Canon EF-S 17-55 2.8 IS USM, its simply the best standard focal range zoom lens you can put on the 40D. But at $1,000 not many people say it's reasonably priced, and I agree. I have it for making money doing events and weddings.
Good luck shopping, I hope some of this helps.
-George
So my question is therefor - what is the different between Canon rebel xti 400D and Canon eos 40D???
The Canon 40D ( digitalcamera-hq.com/digita... ) is a more advanced camera. It has a faster processor, a broader ISO range, and faster shutter speeds. While both are good cameras, if you have the budget, I would go for the Canon 40D ( digitalcamera-hq.com/digita... ). Good luck and happy shooting.
Andrew
Also, have you ever heard of - 1wayphoto.com? Are they reputable they have the canon 40d body starting at $599? Is this a scam?
resellerratings.com
1 Way Photo
resellerratings.com/store/1... Addict
resellerratings.com/store/C... both seem to be scams - steer clear of them!
1 way business = no way for customers come back
1 way business = order + call in + waiting + cancel => waist time
Not sure about this site, but there seems very good review from here for the site:
shopcartusa.com/1wayphoto/D...
You have been warned from a believable source, proceed at your own peril......
BAIT AND SWITCH
YOU THINK YOUR BUYING ONE PRODUCT BUT THEY SWITCH IT OUT FOR ANOTHER AND THEY INFLATE THE PRICE ON ITEMS THAT ARE LESS THAN $20.00 BUT THEY MARK THE PRICE UP TO $299.00
EG. THEY SENT A TRIPOD THEY WERE SELLING ON THERE SITE FOR $299.00 BUT I RESEARCHE THERE "DISTRIBUTOR" AND THE VALUE WAS $14.00
1wayphoto and shopcartusa.com are in the same bed together THIS IS A SCAM
YOU WERE WARNED!!!!!
Bait and Switch Fraud Site - 1wayphoto.com
This company is illegally debiting credit cards if customers suspect they are being scammed. They are also posing as visa or mastercard merchants but they are not. They are a shady scamming company from New York, countless complaints, countless rip offs and no one is doing anything about it.
They own other sites that are ran in the same manor
Can someone please at least take a look at the other complaints
We have filed with our Credit Card holder, this company has stolen $3,000.00 from us
They are holding peoples credit card numbers and if you get into a fight with them they debit your credit card to recoup there losses... but there equipment that they are selling seems to be stolen or not meant to be sold in the US because the serial numbers are removed from the boxes and the markings on the equipment are in chinese
This site is deceiving customers by having visa/master card images printed on there website.
This is a shady company from Brooklyn New York who are running a credit card scam.
Using false/misleading advertising
search.yahoo.com/search;_yl...
I'm creating a youtube video that will attract ANYONE who's out to purchase a Prosumer Camera.
-E
The 40D is more of an action/wild life/photojournalist type of camera, which often needs longer zoom and fast speed to capture the moving targets at a distance.
For Canon EOS, there are two types of lenses: EF and EFs. EF lenses will work on all cameras, but EFs lenses will only work on the digital Rebels (300D, 350D, and 400D) and on the 20D, 30D, and 40D. EF-s lenses are all zooms to my knowledge, with the exception of one macro lens.
EF zoom lenses such as the 17-40L f/4 (field of view is about equivalent to 27-64mm on film/full frame, I have this lens myself and find it pretty good, slightly expensive) and 20-35mm f/3.5-4.5 (quite a bit cheaper, FOV equivalent to 32-56mm, apparently decent image quality).
The widest truly EF-compatible lens I know is Sigma AF 12-24mm f/4.5-5.6, which is an ultra-wide lens even on non-fullframe Canon cameras and rather amazingly wide on full-frame cameras.
How wide angle do you want? The Canon's widest lens (10-22 zoom, which gives the approximate field of view equivalent on full-frame/35mm film of 16-35mm lens) is unfortunately an EF-S lens, so you can't use that if you move to a camera with a larger sensor. Moving slightly up from that, there is the 14mm f/2.8L. However, it's very expensive.
Sigma 10-22mm if you're on a budget, Canon 10-22mm if you have the money.
Sigma 10-20mm f/4-5.6 EX DC HSM is a real bargain for an ultrawide zoom for sub-frame cameras. If you want to shoot really wide with your DSLR, this lens looks like a good way to go about it.
What's it good for?
While the "traditional" uses of wide-angle lenses are in landscape and architectural photography . wide-angles are by no means limited to this. In particular, WA's are excellent for interior and situational/street photography, and have their uses even in portraiture.
1.Situational photography, lens brightness is very valuable Sigma EX 20/1.8
2.For a portrait lens is something between 80 mm [50 mm] and 135 mm [85 mm] or so.
3.Even more than for landscapes, nothing is too wide for architecture: the Sigma 12-24 would suggest itself for this application, at least for the crop-factor cameras.
4.For serious landscape photography, the critical lens characteristic is performance stopped-down: in particular, evenness across the frame, and resolution. For example, the Sigma 15-30 excels at this type of work -- it's razor-sharp, and the greater-than-average barrel distortion won't matter for this application.
I have owned about 10 different lenses over the past 4 years, seeking "the best of the best" both for my personal satisfaction and also for making money doing events and weddings. My favorite zoom is the Canon EF-S 17-55mm f/2.8 IS, because it captures high quality photos in more settings than any other standard focal-length zoom lens, period. If you are interested in taking photos at night or dimly lit indoor places where a flash is not allowed or desired, the IS of this lens will help you capture images you never thought possible. At $1,000 it's not the first lens someone on a tight budget will think of.
My 2nd choice for your requirement is the lens "Mr. Helpful" James DeRuvo suggested, the 24-105 f4L has a larger zoom range and covers the portrait head-shot closeup focal lengths up to 105mm, gets you a LOT closer than the 55mm does. Another consideration is this lens is probably the best quality single travel lens you can buy. I used it last summer on a 5D and captured some amazing photos in San Francisco, and didn't need to carry around any other lenses. Also priced at about $1,000, you can get this lens for about $700 if you buy it in a kit with the 5D camera, then immediately sell the camera while it's still new and before it loses value. Watch for Spring Canon rebates that are expected to be starting in the next month or so.
My 3rd choice for a single zoom lens that can capture both full body and head shots is the Tamron SP 28-75 f2.8. It focuses slower than the Canon lenses but is hard to beat for sharpness, and the price of $275 is just right for someone on a budget. This is the lens that got me into professional level events and weddings. After my friends saw the photos I took with this lens I started getting regular requests to photograph birthday parties, anniversaries and graduations.
As good as all these zooms are, there are still other options you should consider at some point. Fixed focal length "primes" offer the sharpest and lowest distortion photos achievable, along with wider apertures that produce more pleasing out of focus backgrounds or "bokeh". These not-too-expensive lenses would be GREAT for your stated purposes:
Full body shots: Canon 35mm f2.0 for about $225
Head shots or distant body shots: Canon 50mm F1.8; the $75-85 cheapo "nifty-fifty", excellent images at lowest price.
Tight Head shots: Canon 85mm F1.8; at about $350 the #1 recommended portrait lens on the planet.
Special mention: Portrait/macro dual purpose lenses:
The Canon EF-S 60mm f2.8 macro for about $399 is one of the sharpest lenses made by Canon, almost non-existent distortion and the ability to focus up-close for real macro work.
An even better dual purpose, the Sigma 70mm f2.8 macro lens also about $399 has even better sharpness that rivals the impressive 180mm macro lenses, and it can be used on full frame cameras also. This lens is on my "need-to-buy" list.
Happy Shopping!
Thank you George for a really fantastic outline!
24-105 f4L looks attractive, but f4 embarrasses me..
it is strange nobody mentioned 24-70 f2.8 ... Any opinions?
But whatever you buy now, remember these quality lenses have great resale value. Take care of it and it will always be worth about 10% less than whatever the same lens is going for new. Camera bodies lose value big-time when a new model comes out, lens are not updated on a regular basis and hold their value. With that in mind, get what works best with the camera you have now, and if you upgrade the body later know you can always sell what you have to fund the next purchase.
one of many sample pictures portrait at ,flickr.com/photos/peterjaen... gear:
Canon EOS Rebel XTI
Canon EF 50-1.8
Sigma 10-20mm f/4-5.6 EX DC HSM
Sigma DC 18-50MM 2.8 EX Macro
Sigma 24-70 f2.8 EX DG
The Sigma 18-50 2.8 EX is one of the many lenses I have owned and I liked it ALMOST as much as the Tamron 28-75.
Try again to get that same photo without a flash or the strobe you used. The Canon 17-55 2.8 IS is the only lens I know of that will even come close.
I really like the 18-50, its small, light, useful range, reasonable AF, build quality seems good. I wish it had HSM but its not a massive issue, and its sharp. I debated whether to spend twice the money right now? I would rather shell out the big bucks on an ultra wide (sigma 10-20 mm $ 439.95 which i bought with the money i saved by buying sigma) a telephoto eventually.
I spent a couple of weeks agonizing over this and ended up buying the Sigma for my Rebel XTI. Performance was roughly comparable (each has strengths and weaknsses) but the Sigma was much cheaper.
Canon EF-S 17-55mm f/2.8 IS USM Lens for Canon DSLR $998.88
Sigma 18-50mm F/2.8 EX DC Lens for Canon Digital SLR Price: $349.95
I am not a professional photographer but i read of reviews and this being a hobby i had to make some hard decisions. I learnt a lot from your post, for which i thank you.
My dream car for some reason (my being a auto tech ) is a Mustang Saline edition, but i drive a corolla with over 208,000 miles.
Mine's a 67 Mustang. Convertible. Had on in my mispent youth and I miss it terribly!
I believe you made a great choice for your needs, the performance per dollar from select lenses made by Sigma, Tokina, and Tamron is clearly better than either Canon or Nikon, it must be for them to make any sales. Competition is great, without it the Canon 17-55 2.8 would probably go for $1,500-$2,000 or more.
I too have a limited budget and have repeatedly made similar agonizing choices. Just so you know I'm not stuck on Canon only, I currently have 3 lenses:
1) Canon EF-S 17-55 2.8 IS
2) Newly released Sigma 70-200 2.8-II EX DG Macro (not sure yet if I like it better than the older version I used to have)
3) Sigma 150mm 2.8 Macro (the sharpest lens I have owned to date, and I had the Canon 135 2.0L for a few months)
Remember above I mentioned the Sigma 70mm Macro is on my "need to buy" list, when I have that I will be 25% Canon and 75% Sigma. Oh, did you know about the recent announcement from Sigma about their upcoming 50mm f1.4 EX, also on my list and I expect it to make the Canon 50mm 1.4 almost obsolete. I was investigating a Leica or Zeiss manual focus 50mm until I saw this announcement, now I just sit back and wait to see the results.
My dream car is a new BMW 750i, but I have owned a 1989 Chev S-10 pickup 10 years for the same reason you have the Corolla. I suspect we are more similar than different. Anyway, the original post asked about the BEST lens for portrait full body and head shots, I think we have answered that question from many angles now.
Good luck to everybody, I wish you all success in your hobby and professional life. For me these may become the same thing, only time will tell.
I have a question about sigma:
What is the difference between sigma 70-200mm f/2.8 II EX DG APO HSM Macro and Sigma 70-200 2.8-II EX DG Macro.That is my next lense.
I was very much interested in Canon EF 24-105mm f/4 L IS USM,Canon EF 24-70mm f/2.8L IS USM but i chose to go the other way. I may at some point buy one or both of those.
How about starting a new question so one of us can make some more points!
I have come along way from the throw away cameras, just a few short years ago. I am worried about making this type of investment and not really knowing what I need. Is the Cannon EOS 40D, a good choice for my needs or is there another SLR, that I should consider? - Thanks for any feedback. Luanne
as a busy mum you need a camera that is light and adaptable to the pace of modern living.
in my opinion that camera is the panasonic tz3 at 8.2 ounces you can carrry it with you at all times..
below is alink to a viideo review of this camera
cameras.co.uk/videoguides/p...
the great pictures, the one you will wish to cherish happen unexpectedly
a slr takes time to set up a camera such as the tz3 can capture that unique moment with ease
1. Prefocus. Hold down the shutter half way to get a prefocus of the image you're shooting. When it changes, prefocus again. This will speed up your camera's performance during picture taking since it won't have to autofocus before it shoots the shot.
2. Use faster SD cards. Yes, there are faster cards and it does make a difference in writing the image file to the card. This is especially key if you're taking multiple or burst images.
3. Fresher batteries. Use alkalines at least. But I recommend using high energy batteries designed for digital photography. Varta is a good brand. They are usually sold in camera shops, are long lasting (because they are sold in small quantities) put out alot of energy.
4. Pan with the action. You can create some pretty cool shots by panning with your shot, focusing on your subject. This will create the effect of your subject in sharp contrast to the blurry background.
6. Stick with 100-400 ISO. Going higher will cause more noise/grain in your shots, particularly in darker settings.
Doing these, particularly prefocusing and panning with the action will cut your shutter lag by as much as 80%.
Thank you both very much for your recommendations. It is greatly appreciated. Do you have a recommendation as to which SD card has provided you the best results?
Thanks again!
Luanne
The internet is a very helpful resource, and I appreciate your input and advise!
As far as buying from internet retailers goes, if it's not a recognizable name (Amazon, Buy.com, Office Depot, etc.) you should definitely check the company out at resellerratings.com before placing an order. Razzphoto.com, for instance, has a rating of 0.0/10.0, with 6 negative reviews and no positives. There are lots and lots of gray market retailers out there that use scam tactics, the hard sell, etc, to rip you off. However, there are some retailers that you would initially think are in this group, like Beach Camera for instance, which are actually quite reliable. You really need to do your homework before placing an order.
As for picking a camera that can do it all... frankly, any dSLR is going to be able to get great shots. There hasn't been one made yet that was less than excellent. The real questions are: 1) how much do you want to spend, 2) how much use will you get out of the small gains the much more expensive bodies will bring you and 3) what line of lenses do you want to marry yourself to? In dSLR photography, the bodies are all fundamentally pretty similar and it's the lenses where the big gains in image quality are made. You need to research the various lens lines and find out which sounds best for you. For example, Pentax offers probably the best backwards compatibility with older lenses, meaning you can pick up lots of old manual glass on the cheap. However, their lineup of new lenses pales somewhat in comparison to what Canon and to a lesser extent Nikon can offer. You need to weigh your preferences.
Hope this helps!
Thank you for all the information!! The link you gave to check out the websites will come in handy! Thanks so much!
Tonya
This is one of the best Canon general purpose lenses made... it will work well for landscape.
And it is great for portrait.
And it is perfect for groups and full-body portrait.
Take this one.
The 40D is more of an action/wild life/photojournalist type of camera, which often needs longer zoom and fast speed to capture the moving targets at a distance.
For Canon EOS, there are two types of lenses: EF and EFs. EF lenses will work on all cameras, but EFs lenses will only work on the digital Rebels (300D, 350D, and 400D) and on the 20D, 30D, and 40D. EF-s lenses are all zooms to my knowledge, with the exception of one macro lens.
EF zoom lenses such as the 17-40L f/4 (field of view is about equivalent to 27-64mm on film/full frame, I have this lens myself and find it pretty good, slightly expensive) and 20-35mm f/3.5-4.5 (quite a bit cheaper, FOV equivalent to 32-56mm, apparently decent image quality).
The widest truly EF-compatible lens I know is Sigma AF 12-24mm f/4.5-5.6, which is an ultra-wide lens even on non-fullframe Canon cameras and rather amazingly wide on full-frame cameras.
How wide angle do you want? The Canon's widest lens (10-22 zoom, which gives the approximate field of view equivalent on full-frame/35mm film of 16-35mm lens) is unfortunately an EF-S lens, so you can't use that if you move to a camera with a larger sensor. Moving slightly up from that, there is the 14mm f/2.8L. However, it's very expensive.
Sigma 10-22mm if you're on a budget, Canon 10-22mm if you have the money.
Sigma 10-20mm f/4-5.6 EX DC HSM is a real bargain for an ultrawide zoom for sub-frame cameras. If you want to shoot really wide with your DSLR, this lens looks like a good way to go about it.
What's it good for?
While the "traditional" uses of wide-angle lenses are in landscape and architectural photography . wide-angles are by no means limited to this. In particular, WA's are excellent for interior and situational/street photography, and have their uses even in portraiture.
1.Situational photography, lens brightness is very valuable Sigma EX 20/1.8
2.For a portrait lens is something between 80 mm [50 mm] and 135 mm [85 mm] or so.
3.Even more than for landscapes, nothing is too wide for architecture: the Sigma 12-24 would suggest itself for this application, at least for the crop-factor cameras.
4.For serious landscape photography, the critical lens characteristic is performance stopped-down: in particular, evenness across the frame, and resolution. For example, the Sigma 15-30 excels at this type of work -- it's razor-sharp, and the greater-than-average barrel distortion won't matter for this application.
Do you have any of your old lenses? A lot of the modern dSLR cameras will work with older lenses, so you can save money that way. I would also see what lenses your future studio partner has. If you plan on trading lenses, I would get the same brand body. I've found that RAW records the pictures in a base format and you can blow them up larger than JPEGs. That being said, I've blown up slightly cropped JPEGs to 20x30 without loss to resolution.
As for what camera is best for the industry, I personally prefer the Canon's but the Nikons are great as well. With a large format memory card, these cameras will store hundreds of pictures at a time before needing to download. I use 4GB cards when I shoot weddings ( blackdoorphotos.com/wedding... ) to minimize card trade outs. The Canon 40D ( digitalcamera-hq.com/digita... ) you linked to this question would be a fantastic camera for work as a professional photographer when coupled with a few good lenses. Good luck in your venture and happy shooting.
Andrew
Black Door Photography ( blackdoorphotos.com )
Online Photo Gallery ( gallery.blackdoorphotos.com )
This camera is terrific, but there are others out there. The Nikon D40x ( digitalcamera-hq.com/digita... ) is one of the best values out there right now. It is a great entry level dSLR that works with some great lenses. If you're looking for a favorite by professionals and your budget isn't that much of a question, you might try the Canon 40D ( digitalcamera-hq.com/digita... ) with advanced light metering and custom settings that you might like for winter sports photography.
In any case, lenses and filters are going to be key for the specific photography you are looking for. I would get a polarized filter to reduce glare. To avoid blue hues in your photos (often seen from glare on snow), I would get an 85B filter to adjust the light accordingly. As for lenses, I would invest in a good 70-300mm lens. Since you can't get up close and personal with the athletes, the greater magnification will help you fill the frame better.
I hope this helps.
Andrew
I'm glad we could help. Please come back with any questions or issues.
Andrew
I have a couple different lens types that I use. What camera are you going to go with?
Andrew
Angus
Tamron ( tamron.com/ ) actually makes some decent lenses for both Nikon and Canon. I would recommend their 18-250mm lens for versatility. I'm not really sure where you heard the Canon wasn't good for snow or why. I wouldn't have a problem using it there. In either case, I would definitely get a lens with at least 200mm capability if not more.
Andrew
A Speedlite 430 ( amazon.com/Canon-430EX-Spee... ) should work great for you on portraits. For your flower photos, how close are you getting to the flowers? If you're getting within a few feet, I would recommend a flash diffuser ( amazon.com/SBM-Supreme-Ligh... ) to soften the light.
Andrew
The 530 should be fine too (with a diffuser). If you're getting closer, I would try a ring flash ( amazon.com/Opteka-RL-500-Ma... ). They cost a little more that what is referenced above, but will work great for what you're doing.
Andrew
Professionals going out to shoot wildlife like longer L Lenses, the 100-400 F4-5.6L IS is a popular and versatile lens, at a cost of $1650 it isn't the first one everybody thinks of.
Good luck!
I've had very good luck with Lexar and the SanDisk Ultra II ( amazon.com/SanDisk-PERFORMA... ) lines. Batteries, I usually go with the actual Canons for backups, but I do have a couple backups that I got cheap on eBay that haven't given me any issues in the 2(+) years I've had them. As for filters and other accessories, you can get by decently with deals on eBay. Good luck and happy shooting.
Andrew
I use SanDisk Extreme III CF Cards. They are very fast and reliable. I exclusively use 2 GB cards because the camera can write to them very fast. I carry several 2 GB cards. I have never used a 4 GB card so I do not know if they slow down when they start getting full.
Slowest-- (that I have owned)
Sandisk Ultra-II cards in 512MB and 1GB sizes.
Intron 2GB 80X (this was really cheap and labeled 80X, but didn't perform like 80X, very close to the Ultra-II)
Lexar Professional 2GB 80X - This was the fastest stuff available in it's hayday.
Sandisk Extreme-III 16GB, used in a 5D for a long trip and never filled up the one card.
Fastest-- That I have used
Lexar Professional 8GB 133X - Like the previous 80X generation, this was the fastest available in it's hayday.
Now there is Sandisk Extreme-IV and Lexar 300X. I think Lexar still has a slight edge, but you wont notice it in the 40D, and maybe not on the computer either. The Lexar 300X was developed concurrently with the Canon 1D Mark-III, that camera can utilize the speed of the latest cards with its dual Digic-III processor chips. The 40D cannot write to these cards fast enough to make the extra cost worthwhile, but the faster operation on the computer may justify the cost to many high tech fanatics.
You can actually do this with almost any camera when you turn the flash off and have a longer shutter opening. You will need a tripod or a steady surface to lay the camera on to get the photo though. I would recommend lying it back on a sturdy surface or using a tripod that swivels the camera up and using the timer on any camera to take a the picture. This will allow the camera to use a longer shutter opening and avoid any camera shake. I hope this helps.
Andrew
When using longer shutter speeds (such as on night shots) with the camera on a tripod, turn off the IS function on your lens, if you have it on the lens you are using. Sometimes the IS feature will continue to cause the lense to hunt for stability (even though the camera is on a tripod) thereby causing some unwanted camera shake. Also, if possible, use the mirror up function so that the mirror is flipped up before taking the shot. Remember, when using the mirror up function, you will need to press the shutter button twice. The first press puts the mirror up and the second takes the shot. You may want to use a remote shutter release to do both of these actions. By doing all this, you will help eliminate any camera shake that can blur the picture. Another trick is to use the time delay feature on your camera to help eliminate camera shake.
Thanks for the assist on this. Those are great suggestions.
Andrew
With extended time skyshots you want to keep the exposure time to no more than needed to get the exposure. Otherwise, the earth's rotation will cause the stars to show up as curved arcs instead of dots.
got home and tried gun on my 400d works fine . it flashes when connected to 300d but pics come out very dark. tried another flash gun and same thing but it works on 450d therefore no flashgun apart from built in works on this 300d it sounds like all external flash has been turned off 300d but i have not done this and i dont know how to reset if poss.
thanks for your help with this
david king
You might have dirty connections in your flash shoe. Try rubbing a pencil eraser on the connectors to clean them. You might find that does the trick. Good luck.
Andrew
thanks, david
You are lucky, there is an adapter that allows you to use these lenses with any Canon EOS mount Dslr.
Check this out... digitalrokkor.altervista.or... that isn't enough information, then do a Google search like this... adapter EOS MC Tele Rokkor lens
Good luck!
If you're going to use glass to fix FtI, you're losing light, so it's like stopping down the lens, or having one with a smaller aperture anyway. All this Rokkor-ruining is also making the remaining examples rare, and driving prices through the roof, so why not just buy a real Canon lens instead, and get auto-focus?
The Canon system is /awash/ in lenses far superior to the Rokkors, with big apertures in focal lengths that were never offered by Minolta. If you bought a Canon body, you obviously have deep pockets, so securing top-notch Canon big glass shouldn't be a problem.
If you have a Canon 50mm 1.2L I will gladly trade you for a 58mm 1.2 Rokkor. Of course, I would probably just sell it to buy more Rokkors. In my personal opinion, the Canon equivalents are inferior, and the 58 1.2 is a rather excellent lens.
I don't really get what you're complaining about, is it that you can't afford one now that they are in such high demand? If you really loved Minolta and its lenses so much, you should be happy that people are buying them and actually using them, as opposed to sitting on a shelf somewhere collecting dust and fungus until they are completely worthless. I highly doubt there are still that many Minolta film shooters to justify all the stock available to the public.
My Rokkors and small collection of Minolta film gear was given to me by my father when I was a teenager, and is what got me into photography in the first place. When I received them they hadn't been used in decades, and now get regular use on my Canon equipment and are well cared for. The way I see it, I'm doing them a service by converting them.
graphicssoft.about.com/od/a...
RD...
Thanks
I own all Canon gear myself, but have been watching the industry progression closely for the past 3-4 years. When Nikon announced the D300 and D3 a few months ago I almost went into shock. From reading the initial spec sheets and Nikon promo information, I expected the D300 to totally trounce the 40D in all technical aspects, and was seriously considering selling all my gear and switching to Nikon. So now you know, I'm not a Canon fanboy, but rather a fan of the quality equipment that I own and use, which happens to be all Canon right now.
The color difference is gone with this latest round of cameras, both are 14-bit and therefore produce the highest color accuracy currently available in a 35mm DSLR. So color is not a deciding factor anymore.
High ISO performance is nearly equal now, I have read reviews that claim the D300 now has a slight edge, but others that say Canon still has the lowest noise at ISO 1600. Considering the Nikon has more megapixels crammed into the same space, it would be a remarkable achievement for Nikon to be equal. Being very technically savvy, I give Canon the slight edge because of the not-too-complicated physics involved. I say slight edge, only the darkest rooms and fastest movement will bring out the differences, which are not as large as the the difference between the previous generation D200 which was far behind the Canon 20D & 30D. So, ISO performance is close enough that I tend to think it also is not a deciding factor, at least not as much as what is next.
Speed: The 40D can rip off up to 6.5 frames per second for up to 75 images. The D300 is close at 6 frames/sec but for 100 frames. With the optional battery grip the D300 can do up to 8 frames/sec. Decent advantage goes to Nikon especially when you consider the focusing mechanisms. 40D has 9 cross-point sensors. The D300 has 51 total sensors and 15 that are cross-point. Knowing the Nikon is processing information from 51 sensors and saving more photos at higher megapixles, it's clear the Nikon is a quicker thinker, and that translates into a higher percentage of shots in focus. Here is a tangible advantage, one that directly relates to what you plan use the camera for.
The LCD screen on the D300 is nothing less than amazing. Makes the Canon look like it has a cell phone screen in comparison, Oh wait, it does! This you have to see to understand whether it makes a difference to you.
As for lenses, Canon has a larger selection and more versatile overall system. Nikon has an edge in image quality at the wide-angle end, especially with the new 14-24 f2.8. Canon has a better selection overall but especially at the long end. If you watch professional sports you will notice all the lenses on Football & Baseball fields are the big white Canons. The Nikon D3 should start changing that scenario though.
Here is a list of a good starting semi-to-pro setup for each camera: Todays prices at B&H Photo Video
Canon 40D $1,149
Canon 50mm 1.8 $89
Canon 17-55 2.8 IS $929
Canon 70-200 2.8L IS $1,569
EX-580 flash $359
Canon TOTAL $4,095
d300 $1,799
NIkkor 50mm 1.8 $109
Nikkor 17-55 2.8 $1,199
Nikkor 70-200 2.8 VR $1,625
SB-800 flash $315
Nikon TOTAL $5,047
I do have one strong Canon bias when it comes to lenses. Nikon has nothing to answer to the lens that stays on my 40D the most. The EF-S 17-55 f2.8 IS with Image stabilization is amazing. Nikon charges a couple hundred more for their 17-55 2.8 DX, but it doesn't have the VR Vibration Reduction. The image stabilization makes low light photography possible in scenarios you would normally never even consider taking a shot. When trying to make money, every advantage you have in your gear helps to insure you WILL sell some good photos.
Final words for now (I'm getting sleepy), you really cant go wrong with either system. Just go look at them and get a feel for how they work.
Happy shopping!
Thanks for the answer! I am in a similar but different situation. Like you I have canon gear, but am thinking about the nikon d300. I'll continue shopping, maybe I'll figure it out soon.
Once you've used digital you won't go back. And what the hell sort of photography course were you attending that didn't give you any grounding with digital gear or editing?
The recommended Canon gear is all excellent. I'd have a 10-22 EF-S in there too I reckon.
I feel compelled to comment about the degree-comment. Joshua stated it's a BFA degree, that means Bachelor of FINE ARTS. He also said his experience is with the 4x5 format. I think it's fair to guess he knows a lot about how to take incredible photos that can be used as eye-catching advertisements and probably even billboards. That's something most of us 35mm SLR users can only dream about and just hope that someday the the price of a full frame 30MP 1Ds-V will be within our reach. Knocking this education shows a lot of ignorance.
On the other hand, "The Dark Side" scenario coming from the Fine Arts camp also displays an equal amount of ignorance. So I understand the origin of the comment, and agree that Joshua will never dump digital after he gets into it.
Joshua, I am curious if there was any discussion about this type of product at any point during the degree program:
bhphotovideo.com/c/product/... also curious if you have made a purchase yet, if so what did you get?
Sending it off to Canon is the right answer. You can also have the camera professionally cleaned by sending it through a company like Ritz Camera. Because it is so new, I would use the free support from Canon.
Andrew
Last summer I sent in a 20D and my 17-55 f2.8 IS lens in for service at the California center. The lens needed focus calibration and cleaning, it came back after they had it for only 2 days. My camera needed a new sensor chip and all the associated calibrations, it took them about 7 days to fix it. I think that is decent turn-around time. Your experience could be different depending on how busy your closest repair facility is when you send it.
Since you are concerned about how long it will take, you might consider personally buying the return shipping label for the type and speed of shipping you desire. I used regular UPS ground service because the repair facility is close enough to my home that it only takes 3 days. I had my camera back exactly 2 weeks after I sent it in. I hope it works as good or better for you.
Best wishes,
George
Best regards,
Christian
And you wouldn't want it to digitally zoom the image anyway. Digital zoom doesn't really zoom. It "blows up" the pixels to create a cropped and enlarged image ... but an image that is artifacted, soft and suffering from camera shake. It's a marketing gimmick and should never be relied on.
Especially when you get better results by cropping and enlarging through Photoshop.
BTW if you haven't already done so, there's a firmware update available ( usa.canon.com/consumer/cont... ) that you should download and install.
I understand what you are saying...I have perfect vision and I have focused on whites blacks up at the sky etc, but sorry no black dots! It is very unlikely but it could be faulty glass in the viewfinder! Other than that I don't know what to make of it!!! Like I had mentioned before, I would go to your local dealer.
Hmmm, it sounds to me as though you might be focusing on the "focusing screen" itself.
- Are you near-sighted?
- Have you adjusted the Viewfinder diopter dial so the normal lens image looks in focus?
- Are the viewfinder lights & ISO reading in focus at the same time?
If not, first adjust the diopter dial so the ISO number and other green lights in the viewfinder are at their best focus, then autofocus the lens on something large and flat enough that you can easily fine-tune focus the diopter adjustment even more, to make the image of the object you just focused-on it's clearest.
After doing that, can you still see the dots everywhere? If you can, then maybe the focusing screen is installed wrong, possibly not clicked down all the way in it's mount. This camera has alternate focusing screens and it's easy to get it mounted "not quite right". Another potential is a dirty mirror, that would be a serious QC failure if it that is the case. Either of these can be taken care of at any reputable dealership that knows how to clean properly, this is much faster than sending the camera back and starting over. Of course, you might discover that is the only route...
Good Luck,
George
But it could also be dirty, or like radswin said it could also be inside of the viewfinder glass. If this is the case, you MUST send it to Canon. The sooner you send it the better.
Another possibility, but less likely... this is a longshot suggestion. Do you have a filter on the lens? If so, take it off and see if the dots go away. One more thought, remove the lens and look through the viewfinder, if the dots are still there you know it's inside the camera for sure.
The focusing screen in the 40D has some rugged texture, that when put against the light you can see tiny spots. If you want to check this, you can take the focusing screen out and check how it looks. You will see what I'm telling you, so don't worry about your eyes, it's the focusing screen.
Please be very very very careful if you're replacing or manipulating the focusing screen since you can scratch it if you don't manipulate it the right way. There are tools to manipulate and replacements for your focusing screen.
HTH
For Nikon, there's the Nikon D40X ( digitalcamera-hq.com/digita... ) and the D80. For Canon, you're looking at the entry level Digital Rebel XTi ( digitalcamera-hq.com/digita... ) or the new XSi, the EOS 40D ( digitalcamera-hq.com/digita... ), or if money is no option, then you'd be looking at the EOS-1Ds Mark III.
Where you really want to think about tossing your money is in the glass. Better lenses make for better images, plain and simple. and if you're going into business, you want the best money can buy.
So let us know what your budget is and we can give you some ideas.
Try this link from Canon themselves:
web.canon.jp/imaging/cmos/f... yet, try this site: it's got lots and lots of other information that you may find useful - I use it all the time:
shortcourses.com/sensors/se...
That's almost an open ended question, because you specify a large and diverse set of lenses. I'm sure you have read the specs for the camera, and your question is based on understanding that the "up to" portion of the phrase "up to 6.5 fps continuous" means there are multiple variables which affect the actual frames per second in a specific shooting condition. You also know that different brands of lenses have different focusing speeds, and slower focusing may limit how many photos you get in a certain time-frame after pressing the shutter button. Simply put, you want to know which lenses allow you to obtain the 6.5fps.
The simple "technically correct" answer is this, 6.5fps can be achieved with ALL lenses, regardless of brand. Let me pretend I'm a Canon rep who knows the official company terminology and methods for explaining this spec to customers. For starters, when SLR camera makers defined this "specification", they limited it's scope of operations to what they can predict. Focus speed varies from lens to lens and from one situation to another with the same lens, so focus speed is NOT a consideration for this spec, but we all know it does affect the real life "overall speed" of operations. The official fps calculation begins when the shutter closes for the first shot, and it's assumed the shots will be repeated at the same focus point. Another assumption is that the photos you are taking are not a long exposure, that also limits total time "per frame". The next assumption is that each photo is being stored in the camera buffer memory which is much faster than writing to the compact flash memory card. The 6.5fps ends when the camera memory is full and it must wait until data is saved on the memory card, then you are limited to the speed of memory card which may be only 1fps.
Back to real world overall speed, which I think is your primary concern. General statement: Canon EF lenses which have the USM focus motor (Ultra-Sonic Motor) are the fastest focusing lenses you can buy for a Canon SLR. The lenses that do not have USM in the product name will focus much slower, more like the focus speed of aftermarket lens companies such as Tamron. Many Sigma lenses come with the HSM motor (Hyper-Sonic Motor) which is a similar design concept that operates "almost as fast" as Canon USM. Sigma HSM lenses are the only aftermarket lenses that don't significantly reduce focus speed to achieve the lower costs.
The simplest answer to what I believe your original question is goes like this, "Canon EF lenses with the USM focus motor allow you to obtain the fastest overall >Shots Per Minute<" (I just now made that up), followed closely by Sigma lenses which use the HSM motor.
Hope this helps!
For some reason the system doesn't display all the text I entered above, here is the final paragraph again...
The simplest answer to what I believe your original question is goes like this, "Canon EF lenses with the USM focus motor allow you to obtain the fastest overall >Shots Per Minute< (I just now made that up), followed closely by Sigma lenses which use the HSM motor. "
Hope this helps!
I congratulate you, for already identifying the best night time sports camera that costs under $2,800 (avg price of a used 1D MK-IIN). The 40D is in a league of it's own because of it's speed and good ISO 1600 performance at a price currently around $1,150. I like to think of it as the economy version of the $4,300 1D MK-III. Of course, the 40D is far behind the capabilities of the 1D MK-III, and likewise the XTi is far behind the capabilities of the 40D. Notice all three cameras are 10 MegaPixels, but yield three different end results in demanding situations.
For sports shooters, the 40D is easily worth the extra dollars due to its speed, better focus accuracy, and better low light performance. The 400D/XTi can take great photos, but it's not designed to be a workhorse or speed demon, it will let you down when you get into situations it cannot handle. The darker it gets, the faster the action moves, the more evident it becomes these two cameras have more differences than similarities.
Similarities between the 40D & XTi:
Spec sheet blurbs have lots of details that appear similar, but I think a good summary statement goes more like this...
Both cameras are made by Canon,
Both produce 10.1MP images,
Both can use the same EOS lenses and flashes,
Both save photos on Compact Flash cards,
Both have the same "sensor dust removal" feature.
But that's about it, inside and out these cameras are very different.
XTi has a smaller, plastic body. 3fps economy shutter, previous generation slower Digic II processor, etc.
40D has slightly larger sturdier magnesium body. 6.5fps longer-life shutter. Latest & faster Digic III processor, newer and faster focus system with 9 cross-type sensors, XTi only has only 1 cross-type focus sensor (in the center, the other 8 sensors are only one axis- I think horizontal).
Primary reasons to get the 40D:
In sports things move and change very fast. The photographer needs to be ready to quickly take a shot at any moment. Focus speed affects the number of photos you can take, and it impacts your ability to capture the event of the moment which often lasts only a split-second. Focus accuracy affects the keeper ratio, how many of the shots will actually show what you were attempting to capture. The 40D Focusing Mechanism is far better and faster. The shutter is also MUCH faster at up to 6.5 frames per second (vs 3 for the XTi).
The 40D viewfinder is bigger and brighter, you can see what you are shooting much better, also great when you want to manual focus.
The 40D and 400D/XTi both use the same base sensor chip, but the 40D has larger micro-lenses over each pixel, so it has less "dead space" between each pixel, meaning each pixel is therefore a little better defined, pulls in more light and has less noise and better performance at higher ISO speeds. 40D low-light/high-ISO performance is better.
There are more reasons, but these are the most significant ones and enough to justify the purchase. From my experience I would not want to shoot any sports, but especially nighttime, with the XTi, a used 30D or 20D is a much better candidate, next best after after the 40D.
Hope this helps,
George
Again, thank you for taking the time to write that great reply. It answered my concerns and I hope to purchase it in the next month or so. :)
One more thing, to get the quickest recharge times possible use the Energizer E2 Lithium batteries. These cost more to buy at first, but professional reviewers discovered these last so long they are actually cheaper to use than all the other disposables.
Rechargable batteries are cheapest of course, but they operate at a much lower voltage, the result is slower flash recharge times ALL the time, and much less time in the flash unit before you must take them out for a recharge.
OK, two more things... For even quicker-yet recharge times, Canon makes an external battery pack that sells for about $140 (I use the CP-E3, they are making a new model for the 580EX II), it holds another 8 batteries to provide extra electrical current and recharge the flash in less than half the time. Wedding & Event photographers use this or the $400 Quantum battery packs to take repeated flash shots. Even with the extra batteries there are times I wish it would recharge faster, that statement is justification for the newest 580EX II model.
Happy shopping then shooting!
In answer to your question is the canon 40D a good camera for night time sports photography? The answer is YES. It has a good size sensor, a bright LCD display, good ergonomics ( you have to be able to handle the camera well when taking quick action), the algorithms used by canon produces great color rendition, good saturation, less noise in high ISO - this again is quite important in low light sports photography. It has some weather sealing - another plus since it does rain outdoors; but please remember that the 40
d is probably just good in light drizzles. I say this because i have never ventured to use my camera in full rain. Dust cleaning mechanism is present - useful if you have to change lenses and are around the pitch which could be dusty around the edges. Of course, there is the continuous shooting of about 6.5 frames per second - that's something one really needs in shooting anything with lots of action.
But to expand my answer a bit beyond the camera issue since i think your true purpose is to have the best possible opportunities to take great pictures of you son playing nighttime soccer without having to worry about the capabilities of your photo gear. One thing you might also need to look into is the lens you will be using. For your purpose I would suggest the canon 70-200mm f/2.8 IS USM L lens and perhaps a 1.4x or 2xconverter. To explain: Canon L lenses are well built with good weather sealing (but not perfect). 70-200 is a very useful zoom range and if you couple it with a 1.4 or 2x converter then you increase your zoom range to 280-400mm. USM = quick, accurate, and silent focusing. Most important to what you intend to do is the Image Stabilization and the constant f stop of 2.8. making it a quick lens good for taking pics in low light settings. This lens by the way is also fantastic in taking portraits (great background blurring) -very useful especially when your son raises the trophy! 2 downsides to this lens: 1. size & weight= about 3.2lbs., 2. price= about 1,500.00 in Amazon.com
hope this helps you decide on the gear that will get you and your family that winning shot!
guy
There is one more lens to mention that would be good for Cecilia to consider for sports. Not as flexible as the zoom already mentioned, the fixed length 300mm F4L IS for about $1,100 will focus faster than the 70-200+1.4 Teleconverter combo, and it takes photos that are noticably sharper and even better color rendition. It also weighs less and is easier to carry around, but the length is about the same.
I have a teenager who plays LaCrosse. I usually take my 70-200 2.8 IS and 1.4x TC for shooting games, but one weekend I rented the 300mm F4 IS and used it instead. When I showed her the pictures she immediately noticed they are different and said "these look better than the pictures you usually take, what did you do different?". Only downside to the fixed lens, you must always be at a distance to fill the frame with an entire person. You would need to have another lens for group shots and maybe that trophy shot also if you are close.
Best of luck,
George
The 40D is very flexible, but not terribly complicated if you can rememeber these details...
1) The flash pops up and fires on the following Mode Dial settings:
"Green Box", fully automatic, I like to call it "snap-shot mode"
"Portrait", image of a head
"Macro", image of a flower
"Night", image of a dark person and a star
2) On all other Mode Dial settings the flash will not pop up on its own, but IF YOU LEAVE THE FLASH UP IT WILL FIRE.
Same goes for a hot-shoe mounted flash like the 580EX, if it's turned on it WILL fire if the camera metering thinks it's needed.
Thats talking about default operation from the factory. You can customize your camera in the Flash Control menu, it's on the bottom of the 2nd yellow tools menu. Here you can turn the flash off completely if you want to, and have the external hot shoe flash settings different from the internal pop-up flash. You have a great amount of control over how this cameras operates, just need to take the time to experiment with everything it has. Read the manual and actually practice doing what it tells you, remember it's digital and you can easily delete all photos that are not to your liking. Digital=Free practice, dont underestimate the need for practice. It can save you embarrasment and dissapointment later. It simply isn't possible on a film camera so many people dont even think of it at first. Practice a little inside the gym before the real action takes place.
Tryce gave you a good suggestion for how to set the camera for taking action shots. You need a fast enough shutter speed to freeze the action, unless you occasionally want some motion blurr to be an effect of the photo.
Good luck,
George
You mention A setting on a D10, I am not aware of a D10 model name from either Canon or Nikon, so I suspect you had a Canon 10D. It was a good camera for it's time, but high ISO performance wasn't close to what your 40D can do.
First thing to do is crank the ISO all the way to 1600, even at f2.8 you need to use the highest ISO to stop action. Your 40D is one of a very short list of cameras that takes decent photos at ISO 1600. Dont hesitate to use it when needed, indoors sports without a flash is a classic example of when you really need it.
After that you have two choices of strategy, each with counteracting benefits and drawbacks. I will discuss the mode you are most familiar with first.
Av setting: (Aperture priority mode)
You set the aperture then the camera picks the shutter speed for correct exposure.
Benefit: You define the in-focus depth of field. (I use this probably 70% of the time)
Drawback: Depending on lighting and the Aperture you choose, shutter speed may not be fast enough to freeze action.
Choose wider apertures (f2.8) for background blur/subject isolation and also fastest shutter speed for freezing action. Choose smaller apertures (f4-11) to increase the sharpness of subjects, foreground & background, at the cost of slower shutter speeds.
Tv setting: (Shutter/Time priority mode)
You set the shutter speed and the camera chooses the aperture for correct exposure.
Benefit: You define the shutter speed to be fast enough to freeze action, or slow enough to show motion.
Drawback: The in-focus depth of field will vary and/or be limited to something you may not have wanted for a particular shot.
If you pick a speed that's too fast for the light and maximum aperture of your lens, it will be underexposed. If you choose rediculous settings that just cant work, the camera is smart enough in some cases it just wont take the photo.
General recommendation that works for either mode: Set the exposure to be 1/3 or 2/3 stops underexposed, this will allow it to use a faster shutter speed in Av mode, or a smaller aperture when in Tv mode. You can brighten up the photos on the computer much easier than trying to sharpen a blurry photo.
I believe for basketball the Tv setting at 1/250th suggested by Tryce is the place to start. Only thing he forgot to mention is to set the ISO to 1600. For really fast action, and especially if you are at 200mm focal length on a 70-200 f2.8 zoom without the IS, speed it up to 1/325 or even 1/500 if you can. Using a mono-pod may help you stabilize the camera if shake is a problem.
Good luck!
1) The flash pops up and fires on the following Mode Dial settings:
"Green Box", fully automatic, I like to call it "snap-shot mode"
"Portrait", image of a head
"Macro", image of a flower
"Night", image of a dark person and a star
2) On all other Mode Dial settings the flash will not pop up on its own, but IF YOU LEAVE THE FLASH UP IT WILL FIRE.
Same goes for a hot-shoe mounted flash like the 580EX, if it's turned on it WILL fire if the camera metering thinks it's needed.
Thats talking about default operation from the factory. You can customize your camera in the Flash Control menu, it's on the bottom of the 2nd yellow tools menu. Here you can turn the flash off completely if you want to, and have the external hot shoe flash settings different from the internal pop-up flash. You have a great amount of control over how this cameras operates, just need to take the time to experiment with everything it has. Read the manual and actually practice doing what it tells you, remember it's digital and you can easily delete all photos that are not to your liking. Digital=Free practice, dont underestimate the need for practice. It can save you embarrasment and dissapointment later. It simply isn't possible on a film camera so many people dont even think of it at first. Practice a little inside the gym before the real action takes place.
Tryce gave you a good suggestion for how to set the camera for taking action shots. You need a fast enough shutter speed to freeze the action, unless you occasionally want some motion blurr to be an effect of the photo.
Good luck,
George
You mention A setting on a D10, I am not aware of a D10 model name from either Canon or Nikon, so I suspect you had a Canon 10D. It was a good camera for it's time, but high ISO performance wasn't close to what your 40D can do.
First thing to do is crank the ISO all the way to 1600, even at f2.8 you need to use the highest ISO to stop action. Your 40D is one of a very short list of cameras that takes decent photos at ISO 1600. Dont hesitate to use it when needed, indoors sports without a flash is a classic example of when you really need it.
After that you have two choices of strategy, each with counteracting benefits and drawbacks. I will discuss the mode you are most familiar with first.
Av setting: (Aperture priority mode)
You set the aperture then the camera picks the shutter speed for correct exposure.
Benefit: You define the in-focus depth of field. (I use this probably 70% of the time)
Drawback: Depending on lighting and the Aperture you choose, shutter speed may not be fast enough to freeze action.
Choose wider apertures (f2.8) for background blur/subject isolation and also fastest shutter speed for freezing action. Choose smaller apertures (f4-11) to increase the sharpness of subjects, foreground & background, at the cost of slower shutter speeds.
Tv setting: (Shutter/Time priority mode)
You set the shutter speed and the camera chooses the aperture for correct exposure.
Benefit: You define the shutter speed to be fast enough to freeze action, or slow enough to show motion.
Drawback: The in-focus depth of field will vary and/or be limited to something you may not have wanted for a particular shot.
If you pick a speed that's too fast for the light and maximum aperture of your lens, it will be underexposed. If you choose rediculous settings that just cant work, the camera is smart enough in some cases it just wont take the photo.
General recommendation that works for either mode: Set the exposure to be 1/3 or 2/3 stops underexposed, this will allow it to use a faster shutter speed in Av mode, or a smaller aperture when in Tv mode. You can brighten up the photos on the computer much easier than trying to sharpen a blurry photo.
I believe for basketball the Tv setting at 1/250th suggested by Tryce is the place to start. Only thing he forgot to mention is to set the ISO to 1600. For really fast action, and especially if you are at 200mm focal length on a 70-200 f2.8 zoom without the IS, speed it up to 1/325 or even 1/500 if you can. Using a mono-pod may help you stabilize the camera if shake is a problem.
Good luck!
If you look through the manual ( gdlp01.c-wss.com/gds/090000... ), on page 100 it states the reduction lamp will light by pushing the shutter button half way before completing your photo. This may be why your lamp is lighting with your photos. Try pushing completely instead of halfway first. It may work better for you. Good luck and happy shooting.
Andrew
John
I have both a Rebel XT ( digitalcamera-hq.com/digita... ) and a XTi ( digitalcamera-hq.com/digita... ), and neither of them do this. The only other explanation I have for this is a defective product. I would call Canon ( usa.canon.com/consumer/cont... ) for warranty support on this. I'm sure your camera is still under warranty. Good luck.
Andrew
Andrew said it right earlier, push the shutter fully and you won't get the strobing effect prior to the shot. The strobbing is so the camera can focus correctly while in auto mode. You may get a single burst flash prior to the full flash when the shutter opens and closes. The strobbing is used for red eye as well as focusing!! Good Luck.....I hope that this helps you!!
Thanks again,
John
No worries on picking and choosing. I'm glad we could help. Please come back with any further issues or questions. Good luck and happy shooting.
Andrew
I bought a new digital SLR camera a couple years ago and it wasn't the right camera for me, so I don't want to make another mistake.
Thanks
The 40D is in a league of it's own because of it's speed and good ISO 1600 performance at a price currently around $1,150. I like to think of it as the economy version of the $4,300 1D MK-III. Of course, the 40D is far behind the capabilities of the 1D MK-III, and likewise the XTi is far behind the capabilities of the 40D. Notice all three cameras are 10 MegaPixels, but yield three different end results in demanding situations.
For sports shooters and professionals, the 40D is easily worth the extra dollars due to its speed, better focus accuracy, and better low light performance. The 400D/XTi can take great photos, but it's not designed to be a workhorse or speed demon, it cannot handle situations the more advanced 40D is designed for. The darker it gets, the faster the action moves, the more evident it becomes these two cameras have more differences than similarities.
Similarities between the 40D & XTi:
Spec sheet blurbs have lots of details that appear similar at first, but I think a good summary statement goes more like this...
Both cameras are made by Canon,
Both produce 10.1MP images,
Both can use the same EOS lenses and flashes,
Both save photos on Compact Flash cards,
Both have the same "sensor dust removal" feature.
But that's about it, inside and out these cameras are very different.
XTi has a smaller, plastic body. 3fps economy shutter, previous generation slower Digic II processor, etc.
40D has larger sturdier magnesium body. 6.5fps longer-life shutter. Latest & faster Digic III processor, newer and faster focus system with 9 cross-type sensors, XTi only has only 1 cross-type focus sensor (in the center, the other 8 sensors are only one axis- I think horizontal).
Primary reasons to get the 40D:
In sports, weddings, airshows, and even childrens birthday parties, things move and change very fast. The photographer needs to be ready to quickly take a shot at any moment. Focus speed affects the number of photos you can take, and it impacts your ability to capture the event of the moment which often lasts only a split-second. Focus accuracy affects the keeper ratio, how many of the shots will actually show what you were attempting to capture. The 40D Focusing Mechanism is far better and faster. The shutter is also MUCH faster at up to 6.5 frames per second (vs 3 for the XTi).
The 40D viewfinder is bigger and brighter, you can see what you are shooting much better, also great when you want to manual focus.
The 40D has interchangeable focus screens, so you can customize the camera to your needs and photography style.
The 40D and 400D/XTi both use the same base sensor chip, but the 40D has larger micro-lenses over each pixel, so it has less "dead space" between each pixel, meaning each pixel is therefore a little better defined, pulls in more light and has less noise and better performance at higher ISO speeds. 40D low-light/high-ISO performance is better.
Closing statement:
If you dont care about snapping 6 photos per second, are happy using a flash more often and dont plan to push the limits of low light photography, dont plan to take more than 50,000 photos over the cameras lifetime, dont plan to do a lot of manual focusing (willing to live with smaller darker viewfinder), dont care if a certain percentage of photos are out of focus when things are moving fast, then the Xti will probably be all the camera you need. If all this is important to you, then you may be able to justify the extra cost to yourself.
Good luck!
Thanks!
If you want a good, all-round camera, I would suggest a good telephoto lens. I use a Tamron, and think it works great. While the Canon lenses do focus faster, they cost about twice as much for a comparible lens. I would suggest trying the Tamron 18-250mm lens ( amazon.com/Tamron-18-250mm-... ) for Canon cameras. Good luck and happy shooting.
Andrew
Photo Gallery ( gallery.blackdoorphotos.com/ )
You've bought a great camera, now you need a great lens; given your requiremens there is only one lens for you: the Canon 100-400m zoom
There is a general rule with Canon regarding these converters, or TC's, they are specifically designed to work with telephoto prime lenses that are 100mm or longer. Many L-Zooms work with the TC's, it depends on how far the glass on the lens extends back into the camera body.
As for autofocus, the 2X TC reduces the light 2 full f-stops, meaning an f2.8 lens becomes f5.6, f4 becomes f8, and f5.6 becomes f11. Autofocus starts suffering at anything beyond f5.6. I read a review where a man returned his 40D because he couldn't get good focusing with a lens+TC combo at f8. However, I have a friend who uses a 2X TC with his Canon 75-300 f4-5.6 IS (non-L) and it works for him, but the focus is very slow even out in daylight situations.
There is good news though, the Kenko Pro 300 and Tamron SP 2X TC's both work with many lenses that neither Canon TC will accept.
I have read that you can tape certain pins on other TC's to get the same effect, but don't remember exactly where. Do a Google search for with "Canon Tamron TC tape trick" and you will find the specifics.
Where I wrote "I have a friend who uses a 2X TC" it should read "I have a friend who uses a Tamron 2X TC"
Sorry to anyone that was misled!
George
This isn't your normal point and shoot. If the lens that you purchased with the camera is the 18-55mm, it should work just fine for shooting portraits. You can get fantastic photos with your basic lenses or a telephoto, but you have to make sure you have the right lighting as well.
What type of setting are you trying to take the photos in? If it is in low light, I would recommend getting a tripod to steady the camera. You could also invest in a bounce flash with a diffusor cap. It will help create a softer lighting effect which helps reduce any harsh shadows behind your subject(s). I hope this helps. Good luck and happy shooting.
Andrew
Portrait Gallery ( gallery.blackdoorphotos.com... )
Most photography books recommend using somewhere between 70 and 100 mm lens for portrait work for best results. The lights are very important also as Andrew described above.
Larry
No contest, the 40D is easily worth the extra dollars since you are planning to do "professional" weddings.
When you use the term professional I assume you will be paid, and the customer has a right to expect a certain level of expertise and results. The 400D/XTi can take great photos, but it's not designed to be a workhorse or speed demon, it will let you down when you get into situations it cannot handle.
Weddings can and do move very fast. The photographer needs to be ready to quickly take a shot at any moment. Focus speed affects the number of photos you can take, and it impacts your ability to capture the mood of the moment which sometimes lasts only a second or less, such as after the minister says something funny or the bride smears cake all over the groom. Focus accuracy affects the keeper ratio, how many of the shots you will want to show to the bride and groom, then how many they actually want.
For senior portraits, where the subject is stationary and you have time to compose each shot, both cameras can deliver somewhat comparable overall image quality. In this scenario the XTi should work just fine.
Why you need the 40D:
The 40D Focusing mechanism is far better and faster. The shutter is also MUCH faster at up to 6.5 frames per second (vs 3 for the XTi), meaning you can get up to 6 consecutive shots of a 1-second event, then keep only the ones that show what you want.
The 40D viewfinder is bigger and brighter, you can see what you are shooting much better.
The 40D and 400D/XTi both use the same base sensor chip, but the 40D has larger micro-lenses over each pixel, so it has less "dead space" between each pixel, meaning each pixel is therefore a little better defined, pulls in more light and has less noise and better performance at higher ISO speeds. 40D low-light/high-ISO performance is better.
There are more reasons, but these are the most significant ones and enough to justify the purchase. From my experience I would not want to shoot a wedding with the XTi, a used 30D (or even a 20D) is a much better candidate, next best after after the 40D.
Next, you will need to work on lens selections, but that is another topic...
If you haven't already, check out the wedding forums at FredMiranda.com. Real professionals who are nice enough to help out the people new to the business. And get a good book on wedding photography from Amazon.com. Good luck....
It's been a week and nobody else has responded to this question. Did you find this helpful at all?
There is something I forgot to suggest, rentals. Do you live close enough to a camera store that rents these cameras?
That is a great way to really get familiar with a piece of equipment. I live near Portland Oregon, there is one store that rents cameras and lenses, and applies the rental charge toward the purchase of the camera if you buy one within a week, making it a one-day free rental.
I suspect you have limited funds and are primarily looking for justification to go with the cheaper camera, if that's true then you are probably not thrilled with the rental concept, since a 40D rents for $100 a day. You may not live close enough to a store that rents cameras, but there are a couple mail-order rental websites. It's much cheaper to just try them in the store, or find somebody that already has one that will let you "play a little".
Good luck!
The closest competetor from Canon looks to be the new EOS 40D ( digitalcamera-hq.com/digita... ), while it doesn't have the "live display" on the LCD or 12MP resolution, it is still a great camera (and costs about $700 less). Good luck and happy shooting.
Andrew
YES: If you purchase the camera in one of the available kits, it comes with a removable lens.
NO: You can buy the camera body by itself, in this case it has no lense to remove!
I have shot both Platforms and I can tell you there are pros and cons on both!! So go to a camera shop and hold both of them, use both of them and just mess with them for a while, see which one feels better in your hand. Both platforms are great!! They will produce AMAZING results for you and you won't be dissatisfied either way!!
Thanks!!!!
Charles J.
And please remember that Promaster is not a manufacturer but instead is a brand name used by smaller, independent camera shops for the goods they get through their buying group. It's their way of competing with the huge dealers. A Promaster filter may be made by Hoya to Hoya's own specs, and the flash by a brand-name or OEM manufacturer.
Thank you for all your help and advice. As you know choosing photo equipment today is not like years ago.
(I'm 75)
However theirs always a silver lining. My Wife presented me with a Canon EXll Flash and said Happy Holladay’s, Birthday and Anniversary etc..
Thank you
Charles J Humphries
Both of these cameras are superb for blowing up photos. The 40D does have a faster frame rate and is great for ultra professional shots. Saying that, I use the XTi ( digitalcamera-hq.com/digita... ) and love it. I am probably going to end up with an upgrade to the 40D ( digitalcamera-hq.com/digita... ) (or some version of it), at some point, but the XTi ( digitalcamera-hq.com/digita... ) is working great for now. If you feel you need the faster capabilities, I would go with the more expensive camera, but with nature shots and family photos, the XTi ( digitalcamera-hq.com/digita... ) would be just fine. Good luck and happy shooting.
Andrew
Thanks. I appreciate your help. Any thoughts on image stabilizer lenses versus standard lenses?
I would say that the IS function is worth it in the longer lenses. It will help avoid camera shake when at the 200, 300, and higher ranges and allow you to shoot with a longer shutter opening. Good luck and happy shooting.
Andrew
ESO 40D with a 17-55mm Lens.
How does this combo stack up?
Thank you for your input
Charles
Quantaray 55 mm 1A/28-80 mm D
Quantaray 70 - 300 mm 1:4 - 5.6 D LDO MACRO
I hope that this clarifies things for you!!
camerahacker.com/Novoflex/E... sorry for the misunderstanding, and I hope this helps.
does anyone disagree?
D.
The negative on the Canon is the on/off switch!!! It is in the most awkward place. The Nikon is right at the index finger and the Canon 40D is on the back. The problem I have with it is it is sometimes difficult to turn on and off without looking at it!!
Either Camera produces Spectacular Photos!!! Also Check out the NEW Nikon D300!! It is a gorgeous camera!!!
Good Luck I also hope that this helps!!
How many other 40D users do we have that give it a thumbs up? Anyone dislike it? Any hardcore Nikon fans that made the switch and wished they had not?
D.
Autofocus speed is very good, images are very sharp (assuming you have good lenses). It has many nice features that make life easier, such as the fully customisable 'My menu' feature (which Nikon now also has on the D3), and the three custom shooting styles on the main wheen / knob. Live view is a nice feature-ette, mirror-lock up is good for low light shots, and many things more.
From what I have read, though, I think it is especially the lenses that make Canon a better choice than Nikon. The 50mm f/1.4 is exceptional, and there are fantastic wide angle selections (17-40 f/4, 16-35 f/2.8), great medium range teles (85mm f/1.2, 135mm f/2) and superb long telephoto lenses (e.g. 200mm f/2.8 and many more).
I have a Tamron 18-200mm lens for my Canon. I use it for weddings, event coverage, etc. I only have issues with the AF function in lower lighting. Otherwise, it works pretty well. The widest aperture is f/3.5 on it, so you should have better luck with the f/2.8 lens. Canon lenses are made for the camera specifically though. I have seen better reactions with the Canon lenses in my experience, but not a large amount. You really need to look at your budget vs. capabilities. The Tamron is a good lens though.
Andrew
Any comments that would be helpful
You can find them at the links on the top of this page if you want to order online. Stores like Ritz Camera, Wolf Camera, and Penn Camera can get them for you too. Good luck and happy shooting.
Andrew
To Charles J,
In answer to your question; which is similar to mine, Canon has a 17-55mm f/2.8, with an ultrasonic motor for quiet and fast focusing and a very good image stabilizer . Tamron also has a 17-50mm f/2.8 lens but no USM and IS. but it comes with a lens hood. In most of the reviews that i've read both lenses perform quite well. There are those who really like the canon lens esp. for its USM and IS. Draw backs with this lens is its weight and PRICE compared to the tamron model. I suppose in the back of some minds is you sort of want the security of putting a dedicated canon lens on your canon camera; who wouldn't! but third party lenses seem to be getting quite good with their products, at times better than the dedicated lenses, and their prices are definitely very hard to beat except in some instances like the canon 70-200mm f/4 L lens.
Thank you for all your input.
guy
I anticipate this is coming too late to help you decide, but the guy that tested 7 of each lens must not have been using them in real world situations if he said Tamron focus was as quick as the Canon, depending on the situation it's not even close. I agree the sharpness and overall image quality is very similar with both lenses. Price advantage clearly goes to Tamron, in many situations it is all the lens you will ever need. With fast moving subjects and in low light the Canon 17-55 IS blows away every other standard zoom lens, period. If Canon ever adds IS to the 24-70L then I might change that comment.
My experience: I have owned the Tamron SP 28-75 2.8, 24-135, and tried the 17-35 and 17-50 in the store. The 17-50 is essentially a wide angle version of the 28-75, with "slightly" improved focus speed. I recently upgraded from a 20D to the 40D. I switched to the Canon EF-S 17-55 2.8 IS about a year ago, and I am constantly admiring the versatility of this lens and it's ability to get shots that I could never get with any of the Tamrons.
I am a part time semi-pro Wedding & Event photographer, constantly dealing with low light indoor situations, and also like to photograph Christmas lights during December. When using Tamron lenses I had anywhere from 40-75% keeper rate depending on how fast people moved. 18 months ago I bought a 24-70L and my keeper rate instantly increased to 85% just because of the Canon USM focus speed. Two months after I got the 24-70 they announced the 17-55 IS. I waited 6 months to see the reviews before I bought it, and I'm very glad I had the courage to make the switch. Wow, my keeper rate is always over 90% unless I do something really dumb. I can take night Xmas light shots handheld, of course they turn out better on a tripod.
My humble yet experienced summary: If you are looking to make money with your camera, the Canon is definitely worth the extra $$$.
If you are just a hobbiest and/or have very limited funds, then the Tamron is an easy decision.
I am a manufacturing engineer with good optics knowledge, and photography has been my only life-long hobby, I am 49 years old and started when I was 16. I am a part-time wedding and event photographer, so I have been heavily studying lenses for the past 4 years, Here is my input.
Wayne clearly stated in his request that very closeup "macro" is what he is interested in doing. The Sigma 17-70 is a good quality general purpose zoom lens which happens to have the ability to focus up close. The image quality is better than some Canon zooms and not as good as others. The lower price makes the Sigma a better price-for-performance value vs comparable Canon lenses. That's it, the image quality is not close to ANY "true macro" lens, I am referring to all the primes.
However, The Sigma 70mm 2.8 macro happens to be probably the sharpest macro lens ever made, on a par with the very expensive 180mm macro lenses from Canon, Tamron and Sigma (all 3 are excellent and almost identical optically). This is the lens which can take great macro photos that have "pop" or great "wow factor", and also superb portraits. If WayneO bought the 17-70 based on inaccurate and biased advice (I recognize it is ALL with good intentions), then he is missing out on the experience he was asking for.
So yes, its all about the glass, the Sigma 70mm macro has some of the best glass you can put on a Canon or Nikon camera. Check it out on SlrGear.com for yourself! I almost bought it for myself, but I went with the Sigma 150 macro for increased working distance.
Everyone is entitled to their own opinion. I respect others and generally don't make comments unless I have something valuable to bring to the conversation. I wish everyone the best and fun with their photography.
I have owned digital rebel, Nikon d70 and the cannon 20d.
I hope that this helps!!
The camera does have a macro setting in auto mode and the flash is a pop up flash that is mounted on the top of the camera.
I hope that this helps you!
I came from the Nikon Platform ans recently switched to the Canon. I shoot the new Canon 40D and I love it. If your husband is looking to become a professional photographer/Enthusiast, I would suggest investing in either the Canon 40D or the New Nikon D300 which hasn't been released yet. These 2 cameras are closer in similarities. The technical information is going to be greek to you, so I will keep it simple. If you think he will use it more as a point and shoot (in the Automatic mode) then go with the Canon Rebel 400D XTi, or the Nikon D40x. Nikkor, the manufacturer of the lenses for nikon cameras are second to none. They have got it down pat. Canon lenses are a great lens, don't get me wrong. The optics are Amazing from Nikkor!
If you think he will use the camera in manual mode then I would suggest taking classes on how to focus correctly and go with the Canon 40D. Either format you choose will yield great photographs!
Good luck and I hope that gives you a little more insight in the difference between the 2 cameras!
For example, i have a 28-300 that will be difficult to replace.
I am thinking to upgrade to a 40D. Can I still use my lenses?
As far as the lenses you have, they should have no trouble working, as Canon keeps their mounts identical on all their dSLRs. HOWEVER, just to be certain, I would E-mail Tamron directly to get a definite answer. I've contacted them many times and they return E-mails within 24 hours.
But certainly you shouldn't have any problems.
I photograph mostly inside portret pictures , and landscapes,any suggestions???
As for the camera body themselves: The Canon has a few more performance upgrades to the Nikon, including much faster continuous shooting (up to 6.5fps vs. the Nikon's 3fps). It also has the nicer, 3" LCD screen and better form of JPEG and a second form or RAW (sRAW) you can use. On the other hand, the Nikon has a wider exposure compensation and is much smaller and lighter than the Canon (comparatively, of course.. they're both dSLRs! :)) Between these two options, I would suggest the Nikon d40x based on price and use. I don't think you're going to get an extra $500 worth out of the EOS 40D.
Are you sure you didn't mean to compare the Nikon to the Canon EOS 400D? (extra "0")...? Those are about the same price, and are actually the comparable cameras. If you did, then I can't choose between these two. They are both excellent cameras, and both are actually a good price (do NOT get the kit with the EOS 400D, get the body and buy your own lens!... the Nikon lens with the kit is good, though, but it sounds like you're getting a different lens anyway?)... Between these two cameras, personal preference takes over. Some people don't like Canon's small handgrip. Some people don't like Nikon's user interface. Either way, they're both excellent cameras, and you won't be making a mistake with either!
Also, the heft/weight of a 300mm lens is significant. Based just on what you're suggesting, the 18-200 would be plenty for you.
If the 40D was what you were considering, I think the money saved in camera bodies won't mar your picture quality, especially if you spend the money in great lenses. You can even find lenses that would work with Nikon and Canon (with or without adaptor, depending), so you don't have to worry about leaving them behind when you get your next camera years later.
Don't skimp on the lenses!! Even go so far as go to a camera speciality store like Ritz Camera, to get a professional opinion one-on-one. You don't have to buy the lens there, but they would be able to help fit what you're looking for into a lens that would suit you best.
Who knows, you may want to get two lens -- a low-light F1.8 lens with short zoom for indoor shots (so you can avoid flash in most cases) coupled with a 70-300mm image stabilized ultrazoom lens with conversion 2x converter on it. There are so many lenses to play around with. Take your time in buying one, and make it count!
Point being, you can't compare lenses until you have specific lenses in mind. Between just 28-200mm and 18-200mm, of course the 18-200mm is "better"... but what does it compromise on... how much does it cost? What's the aperture range? Does it have built in optical image stabilization? etc. A lot more specs are needed. Sorry I couldn't answer your questions specifically, but that's just not possible.
The Canon 40D is a much better and more expensive camera than the Nikon D40X, however, between these two lenses the flip side is true and Nikon has the clear winner for versatility. Image quality and distortion is similar for both lenses, not a deciding factor.
For indoor portraits, the Nikon has an advantage because of the Vibration reduction.
For landscapes, the Nikon has an advantage because of it's wider focal length, 17mm vs 28 for Canon.
I have to be honest here, I think one of the better super-zoom point and shoot cameras will take photos of similar quality for a lot less money. Neither of these lenses is a great performer, and neither one will help the SLR camera produce what it's capable of delivering.
If you are thinking of adding other lenses later on then stay on this course.
Final thoughts:
If you are interested in speed: Sports, airshows, flying birds, active 4-year-old kids, etc., you will be happier with the Canon 40D.
If you want to take low light indoor photos without always using a flash, you will be happier with the Canon 40D.
I like the Canon Xti Digital Rebel or 40D ( digitalcamera-hq.com/digita... ) and the Nikon D40x ( digitalcamera-hq.com/digita... ) or D80.
For point and shoots, I like the macro capability of the Olympus 560UZ. But again, you gotta think about a photobox and lighting.
Thanks
I am cleared with this , Yes I do Astrophotography , i am a Astronomer , my next question is now which digital camera holds the shutter open for maximum time automatically. not expensive and best.
Pankaj Sharma
ok then which digital camera have the maximum preset the time for long exposure photography.
Now I do Night Photography of stars in no lights this is astrophotography and i am searching a good camera for this kind of photography what is ur suggestion a digital not very expensive .
OLympus DSLR's will do this as well, up to 30 seconds.
Best wishes with your choice.
Robb
What is bulb exposure?
Thanks!
-r
myredbmw.net
"Thank you for your interest in Sigma products.
10-20mm 1:4-5.6 EX DC HSM (not the DG or Macro version) is fully compatible with Canon 40D.
Best regards,
Customer service
/technical assistance
Sigma Corp of America
15 Fleetwood Court
Ronkonkoma, NY 11779
631-585-1144
631-585-1895 Fax
smondesi@sigmaphoto.com"
As for lenses, there are Super Telephotos ( usa.canon.com/consumer/cont... ) that can take you out to 400mm and beyond. I think you're lens a good choice, but at the extreme range of the focal length, camera shake is going to be more pronounced. You should get a mono/tripod to minimize this, even if you're have image stabilization on. It can still happen. Also prefocus and pan with the action. Also, take advantage of your digital camera and and shoot dozens, if not hundreds of photographs. Because digital photography is so new to us, many are still of the mindset of being frugal with shooting pictures because you don't want to pay for developing of shots you don't want. But with digital, you can delete those you don't like even before you print them. And only 20% of people actually print anyway. Digital frees us from having to be frugal and that means you can shoot non stop if you want. This will also help compensate for random animal movements as will sports modes and faster shutter speeds. Don't use the flash, it scares away the animals. And I know this may sound odd, but odors can be picked up by animals miles away, so avoid using that cologne when you're out in the wild.
There are several more tips here ( malektips.com/digital_wildl... ) which may be of help.
Larry
James and Larry are correct about the flash, the 580EX is the best choice for your camera and use. (original or # II)
I would recommend the Kenko Pro 1.4X teleconverter instead of the 1.5X, its optics are better, but that's not your biggest problem. Professionals attempting the kind of shots you are taking use the Canon 100-400 L lens which costs over $1,600, or the 400mm 5.6 prime for about $1100.
For indoors, wider apertures are needed to stop the action. Here we go again, the expensive $1700 Canon 70-200 f2.8L IS lens is the #1 choice for indoor events. Much cheaper but limited alternatives for indoor sports are the Canon 100mm f2 prime for about $370, or the 135mm f2.8 w/soft-focus you can get for under $300. Either of these takes high quality photos that will make you want to put the zoom away.
For now, try the things James and Larry suggest plus the center focus point only. Crank the ISO to 1600 to get the shutter speed as high as possible, and hold your breath when you click the shutter.
Good luck, let us know how it goes..
George
Good Luck, and I hope that this helps you!!
I use a Sigma 70 macro lens with mine - excellent...
Good choice! I cannot comment on any Sigma and Tamron telephoto zoom. I am using a Canon 100-400mm IS zoom ken and love it. If you really wnated a Sigma zoom lens, rumor has it the 70-200mm is sharp! Depends on the kind of wildlife picture you are going to take, sometime 200mm is not enough. Like doing birds and small animals, go get a 100-400mm Canon zoom lens it match the 40D really really well. But if you insist either Sigma or Tamron, check out the following site for product review: photographyreview.com/cat/l...
What types of Landscape??
What types of Wildlife?? Small subjects (Mice and Birds) or Large (Elephants and Giraffes)? What weather conditions will you encounter the most (Western Canadas always dark and gray or Africa's always sunny and bright?? Any dawn or dusk photos?
If all goes well, how large to you want to make prints??
The wildlife will vary from Butterflies and Birds to Deer etc. So I am looking for a good telephoto lens and some thing to do Macro and Wide angle shots. I am not sure about the size of prints yet but would possibly like to take them to A2+ size?
The reason I asked all those questions is as follows.
For the small birds and such you will need a very powerfull lens. Usually a 200mm is not enough. For birding and small animals a 300mm or preferabbly a 400mm is much better. Specially for the Butterflies.
For Mid size animals a 200mm can work if you are stealthy enough. A bit of a challange getting close enough to deers but doable.
Now if you are going to try to get a bird or deer photo during a gray day and the animals are moving and you are using a 200mm or 300mm you will need a faster shutter speed. Minimum 125th sec but 250th sec would be better. This is really hard to get at Dawn or Dusk or a very gray day. Specially in the woods with an F4.5 - 5.6 Lens!!
So... typically you will find that Nature Photogtraphers (vs Landscape photographers that can use a tripod) use better quality Canon f2.8 Lenses. Tripods do not work well for Animals as they move to much and to quickly thus the fast shutter speeds required. Landscapes even at dusk on a gray day on a tripod with f5.6 can have a long exposure. No problem.
Were you looking at something like the Sigma 135-400mm 4.5-5.6 Aspherical APO that is fairly cheap to get?? It is only a 4.5 but at the 300 to 400 range it is f5.6!! Not great. If you are looking at something like the Sigma 100-300mm F/4 EX IF HSM APO for thrre times the price, at least you get a a constant f4.0. Better would be something like a true f2.8 with (IS) image stabiliser. But this gets expensive.
I would recommend the Sigma 120-300mm f/2.8 APO HSM Zoom Lens. No IS but for the price a great lens. On a Digital 40D this would be roughly a 185mm to 480mm. A great range lens for wildlife and wow, at f2.8 for this price.... Canon offerings in the same range are f4 to f5.6!
See the write up at ShutterBug - shutterbug.net/equipmentrev...
If you need help for pictures of Butterflies let me know. I have a great trick.
Francois
I suggest you check out the tamron 18-250mm lens. Its been highly praised in its reviews although it may have its short comings . Its not a very fast lens. Truly a wide angle and telephoto lens.
I abount to purchase the 40D and test it out in June on a trip to Italy. I plan to take the typical city shots, but looking for a lens to handle lanscape/hillside types of shots. I need a recommendation of a lens (s) that has IS for the zoom (300 or 400MM) and best size/type for buildings in the city settings. On a budget, but want a good-very good lens.
Thanks
If you are going to pursue a career in Photography then I would suggest the 40D! It has a Ton of features that when used will give you unbelievable results. It is a great Professional/enthusiat camera and more Professionals are using this camera as a second to their primary! Though the Rebel XTi is also a great Camera, I think that if you are serious about photography then go with the 40D! I have been shooting for a while and I am no where near being a professional, but I am very much an enthusiast and I use my camera almost daily. The Photos that I have gotten out of this camera so far are quite spectacular. I can't wait to take more lessons on photography!!! This camera has kept me focused on learning as much as I can...so it has another purpose other than photography, lol....Motivation!! While learning I suggest practice your manual mode shooting as often as possible. Take a lesson on focusing your camera....because you are new to the SLR world try to use it more as a manual camera than a Point and shoot! Good luck with your future endeavors in the photography world and a word of advise....Don't get frustrated, there is a lot that goes into being a great photography and the will be a lot of learning!! It may get confusing at first, but I assure you one day you will just get it!! Good luck again and I hope this helps you!!
If you aren't positive that you are going to be a photographer at a minimum level of an enthusiast then DON'T buy the 40D, Way too much camera for a beginner...You would be spending extra money on features that you won't even know the camera has.
My suggestion is to either go with the Rebel XTi or even the Nikon D40x! Both are great cameras but whichever you choose, be sure that you want to stick with that particular platform. Lenses are not cross compatible Nikon to Canon! I used to shoot Nikon platform and I will tell you that they are an amazing camera! I liked the usability of the Nikon better than I do the Canon (More beginner user Friendly)! But the Canon is an Amazing Camera like I had previously mentioned! I do LOVE Nikon/Nikkor lenses...their optics are a bit better I think! If you want to go a bit better than go with the D80 with the Nikkor 18-200 VR lens! This would be my suggestion to you if you wanted to go High end and not have to buy multiple lenses. That lens is absolutely AMAZING! I will miss mine...all of my equipment got stolen so I started over with a new platform (Canon) Otherwise I never would have changed platforms, but, I am not disappointed whatsoever!! I just miss my 18-200 lens!! Good luck! If I can help further, I am all ears!
Our Price: $1,449.99
1 of Nikon D40x, 10.2 Megapixel, SLR, Digital Camera (Camera Body) ($849.99 value!)
1 of 4GB SD Memory Card ($329.99 value!)
1 of Compact Flash Card Reader ($79.99 value!)
1 of Hi-Res 3 Piece Filter Kit ($149.99 value!)
1 of Table Top Tripod ($29.99 value!)
1 of Hi-Res Wide Angle Conversion Lens ($389.99 value!)
1 of Hard Shell Case ($149.99 value!)
1 of Digital/Video Camera Carrying Case ($89.99 value!)
1 of 5 Piece Lens Cleaning Kit ($29.99 value!)
1 of Full Size Tripod ($89.99 value!)
1 of Nikon Zoom Super Wide Angle-Telephoto AF Zoom Nikkor 18-200mm f/3.5-5.6G ED-IF AF-S DX VR II Autofocus Lens ($899.99 value!)
The D80 also has 10.2 megapixels but now you are jumping up in price to about $500-$700 depending where you purchase it.
The CanonRebel Xti 400D $615 (body only) has 10.1 megapixels and comes in a kit with a Great lens 17-85 $1100 (with the lens 17-85)
The Nikon D40x $550 (Body Only) $825 (with the 18-135 lens)<---this lens is good but not as nice as the 17-85 from Canon.
As far as pictures are concerned...Canon has a faster shutter for action
Nikon D40x 2.5 frames per second vs. Canon 400D's 3 frames per second
Both have 10 megapixels
I like the dust removal from the Canon as well....You can see that I like both cameras and now that i have the Canon, I am leaning more toward the Canon platform because I am finding new and very improved features from my camera! Look up the features on both and cross compare what you want vs. what you don't and what you need vs. what you don't! Either Way they are both GREAT cameras and you will get great pictures from both. The 2 companies are true Camera companies and they both focus on AMAZING Photos!
All Canon dSLRs are EF-compatible, though lenses specifically made for the dSLRs use the EF-S mount. Many people use older Canon (and even old screw-mount lenses from Pentax and so on) with their new 400Ds and 40Ds, so you're in the clear there. In fact, since they're built for a full frame, using them on the smaller APS-C sensors might cut down on corner vignetting.
Hope this helps!
Take care,
Diana
Secondly, Nikon. Their glass is second to none. There are some portrait lenses that are 40 years old that pros still use because they can't find better ones.
If you are going to pursue a career in Photography then I would suggest the 40D! It has a Ton of features that when used will give you unbelievable results. It is a great Professional/enthusiast camera and more Professionals are using this camera as a second to their primary! Though the Rebel XTi is also a great Camera, I think that if you are serious about photography then go with the 40D! I have been shooting for a while and I am no where near being a professional, but I am very much an enthusiast and I use my camera almost daily. The Photos that I have gotten out of this camera so far are quite spectacular. I can't wait to take more lessons on photography!!! This camera has kept me focused on learning as much as I can...so it has another purpose other than photography, lol....Motivation!! While learning I suggest practice your manual mode shooting as often as possible. Take a lesson on focusing your camera....because you are new to the SLR world try to use it more as a manual camera than a Point and shoot! Good luck with your future endeavors in the photography world and a word of advise....Don't get frustrated, there is a lot that goes into being a great photography and the will be a lot of learning!! It may get confusing at first, but I assure you one day you will just get it!! Good luck again and I hope this helps you!!
I just bought the 40D with the 17mm-85mm lens and I love it...I suggest that you go to your local camera shop and play around with it for a few! Listen to the shutter and see if it meets your sound standards! What is loud to one person may not be loud to another! As for the Camera...all I can say is WOW!! You won't be disappointed if the shutter sound is soft enough for you! Good luck....I hope that this helps!!
I guess to give you my honest opinion....it would be to keep your 20D til you can get a hold of a 40D to play around with it!! Don't rush your decision but do check out the Nikon...If that is an option then you won't be dissatisfied!
Canon shutters are said to have a 100,000 shutter count life, and the average usable life of a digital camera is 18 months (when you account for technological advances, among other things). Was your shutter that loud when you first got it? I have a 40d, and when I compared it to my cousin's 30d (which was the reason I switched to Canon after shooting Nikon film for 15 years), the 40d's shutter is indeed quieter. Not only that, but the camera feels better and more refined. While the 30d wasn't a big step up from the 20d, the 40d is a much better camera. Add sensor cleaning, a bigger viewfinder, live view, a much bigger 3" LCD screen, and more simplified menu scrolling, and all I can tell you is that you have to try it to believe it. There are too many improvements to list here. You just have to get one. You won't be disappointed. I pre-ordered mine direct from Ritz Camera and had it in 10 days. I must admit that I bought it without trying it first, but take it from an ex-Nikon user, Canon does not disappoint. You can wait for the NIKON D300, and I'm sure that it will be awesome (it better be for $1,800.00 body). But since I'm assuming that you have an investment in Canon lenses, why start over? With that extra cash, you can get another Canon lens. Whichever camera you get these days, you really can't go wrong.
For one thing I need more speed and can only go ASA 1000 on my D60
The 40D will most certainly offer you the ability to make more adjustments than you can with the d60. I'm sure the d60 can make great pictures, as can a point and shoot. My wife has a canon sd700, which makes awesome 4 * 6 prints. But with 6.5 frames/sec, contrast and saturation adjustments to +4 or -4, live view, and shutter speeds galore, if you need it, which you do for sports, the 40d can do it. And with better weatherproofing, you don't have to put it away when it gets windy, or it starts to drizzle. I have not been able to put mine down since i got it on 9/14. Hope this helps.
Jempap
the 40D is *much* quieter.....
it's a softer sound, more like putting a glass on a table than a door slamming.....
And I sold Promaster lenses in college. The quality wasn't that great back then. You're better off selling what you have on eBay and applying the money to a newer and better lens.
As far as remote shutters go, you can buy an "optional extra" to do this. And of course there's the self timer option.
Finally, yes, the 40D has a dust removal system (high intensity shake) at start up and switch off. What's nice is that this can be de-activated if you wish, and you can manually clean the sensor too if you wish. But wait, there's more! - the 40D can "remember" where the dust is (if you have dust), and correct the image automatically!!
I hope this helps??
estore.usa.canon.com/Specif... is the link to the Canon E-store: The bad news is that because this is a controller and not just an IR shutter remote the price is pretty steep at $680.00...So if you aren't going to use it frequently it isn't worth the Money. I would go back to the self timer suggestion that Ralton mentioned. Good luck and I hope that this assists you...!
Cheers, Ralton
But you'll have full functionality with any EOS EF Lens.
I'd like to keep in the SLR model range. This will allow me to not forfiet my lenses which I have now.
Thanx to all for listening.
Thanks for your service!
And thnx for the recognition, it means a lot to all of us.
One more thing. If you get a DSLR, do yourself a favor and take a class at a local community college. It's the best thing you can do to get to know your camera and your own shooting style. It'll teach you the rule of thirds and how to frame a picture properly. And it's flat out FUN.
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what format should I be saving my pics in? I know jpeg is standard but isn't that compression ratio high? thanks -
Echo
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and what will its approximatly price in india ?
There are alot of cameras out there that can give you beautiful, high quality pictures, and you can stay below your budget. will you ever make poster size photos (or do you just want to know that you could if you wanted to?) There are alot of bargains out there right now. If you want something that you can carry around all day, then you can get a Nikon D40 and take beautiful pictures all day without hurting your neck for about 500 and change. (want to keep up with the 10mp crowd? Get a D40x:under $700.00 w/ a good 18-55mm starter lens).
Will you shoot fast action sports? Do you need more than 3fps? If not, you don't need the 40D. I agree w/j.armijo that the pentax k10d is a good camera (and it's built like a tank). If this is your 1st dslr, don't spend all your money on the camera body. Spend it on a good lens.
A pentax k100d is a great 1st camera, and pentax has some good lenses, and are coming out with new ones. Canon and Nikon have great lenses, respectively, and you can get a Rebel XT (not an XTi) for a steal right now, and have money left over for a camera bag! In 18 months, you can then justify the next step up, with the latest camera! Hope this helps.
The only lenses that you cand buy and get quality, is 50mm F/1.8 Mk II from Canon (about 100$).
Thanks to the Nikon D40x (or a D40, which is an even better deal, megapixels notwithstanding), you can no longer justify buying a D80 at its price. Since you have the option of starting over, the 40D is the way to go. NOTHING in the 40D's price range is that fast, not even the D200. If you're a die hard Nikon fan, have $1,800.00 (body only) to spend, and can wait until next year for one, then the D300 is another option. It looks great on paper, but remember that Canon makes their own sensors. I don't know about the D300, but the D200's, and D80's sensor is made by Sony. I, for one, have shot Nikon (film) for 20 years. I picked up my cousin's Canon 30d last year and was HOOKED! I am patiently waiting for my 40D to arrive (ordered it on sept.4th from Ritz). If you need speed, the 40D can't be beat ! And you know (deep down) that Canon's lenses are better than Nikon's (don't mean to tick anyone off :)). Hope this helps.
What do you think of the 17-85 for the first lens? I think this is the one I am going to start with because of its versatility!! Not much of a telephoto but have really good reviews for portrait and wide angle!!
I'm glad I could help! You're right about the lens comparison (I'm already sounding like the canon and Nikon snobs I make fun of!). Although I don't own one, I think that the 17-85mm lens is a great 1st lens. Remember, the 40D has a 1.6x crop factor, as opposed to Nikon's 1.5x. While there no doubt be people telling you that you MUST get an EF lens so you can eventually use it on a full frame Canon, or that an "L" lens is the only way to go, remember that you'll have no wide angle use with those lenses. You can't go wrong with the 17-85. Experiment with it, take great pictures, and then you'll decide which other lens to get, depending on your needs. One thing I will admit, though, is that I wish Canon made an 18-200 like the Nikkor VR! You wouldn't need another lens for the most part! I did play around with the new SIGMA 18-200mm OS, and, that is a pretty sweet lens as well. Also, the 28-135 kit lens with the 40d isn't a bad 1st lens either for (a $500+ lens for just $200.00 more), unless you need the wider 18mm (which on the 40d would give you 28.8mm). Either way, you can't go wrong. Decisions, decisions...have fun!
I decided to go with Nikon as it comes with a better package.
Nikon D80 $900 and the lens included is a 18-135mm.
Canon 40D $1400 and it's a 18-55mm lens.
Nikon lenses are cheaper than Canon.
Nikon is still the brand for all National Geographic photographers. Reader''s Digest and many many major newspapers.
Canon is the brand for sports photographers. Speed is the key.
Canon EF 28-300mm f/3.5-5.6L IS USM : Price: $2,613.87
Nikon AF-S VR Zoom-NIKKOR 70-300mm f/4.5-5.6G IF-ED Price : $581.11
Both have VR, but I couldn't find a Nikkor lens that goes from 28-300...closest I could find. But the price difference...can get another lens.
And still have change for another camera too.
1) Does 18-55mm(IS/VR) and 55-200mm(IS/VR) fits the above movels?
2) Camparing the camera body, which matches me in your opinion? (never used DSLR before)
For both the cameras, can you please notify me the lenses model or specs? to make my purchase easier.
Please advice.
thank you.
I would recommend google both of the cameras and check out the specs.
And i would highly recommend the canon 40D and also within the coming weeks the price will drop even more. look out for package deals at costco and other stores, they should be below $1000, because of the new canon 50D.
Hope it helped.
1. I noticed in specs. average Fine Jpg file size procuced by 40D(3Mb+) is smaller than D80s(4mb+) for example... does it mean jpg processing in 40D capture less details ??
2. In some reviews it was shown that 40D's verticle and horizontal LPHs (resolution factor) are lesser than that of D80 and 450D
can it be possible....?
3. What is the possition of 450D (compared to 40D)
My only worry is finding the one that produced best image quality at jpg/RAW from D80/40D/450D. I donnt care about other fancy features like how it focus while using live view or missing ports..etc etc..
Thanks
Chandana,
I have both 40D and 450D (XSi). The 40D is my main camera and I use the 450D when the 40D is on the tripod and I am waiting for the right moment to snap the shot. Although the 40D has fewer pixels, they are a bit larger than those in the 450D' given the the same size sensor. What this means is that the 40D can capture a bit more light at a given aperature and shutter speed than the XSi. To me this makes a better photo. Want a decent lense to go along with your kit lense? Try the 28-135mm IS or the 70-300 APO IS. The largest aperature openings are not quite up there with your previous 1.4, but they both provide high quality photos. Of course any Canon L lens is fine. I am saving up for the Canon 100-400mm f/4.5-5.6 L myself.
Mike Acquesta
Depends on the situation, for "easy" photography such as daylight still images like landscapes, the 450D/XSi at 12.2 Megapixels can have a slight edge over the 40D which is "only" 10.1 Megapixels. There are some conditions where overall image quality appears somewhat equal. However, when the light drops enough to need ISO 400 or above, when there is high contrast in the image, when there is some camera shake, then the higher quality 40D sensor shows off it's ability to gather light with excellent per-pixel quality that is matched or exceeded by a very short list of cameras. The 450D/XSi is not one of them, the Nikon D80 and D90 are not either. (but the D90 is sooo close)
Anyone wanting better image quality than the 40D produces needs a Canon 50D or one of the full-frame SLR's from either Canon or Nikon.
Dont think I'm knocking the 450D/XSi for a second, its a lot of camera for the money, but it has limitations intentionally built in.
Have fun with your 40D, I sure did...
hope this helps...
To increase the brightness of the picture, you have to set the ISO to a higher figure. The camera caters for ISOs up to 3200, but you don't want to use that otherwise the picture will be grainy. Try something like ISO 800 for a start and 1600 if that is not good enough, while remembering that brightness can also be adjusted to a certain extend by softwares in a computer.
Flash is also a must in low light situation. You need not necessarily blast the full flash at the subject. Reflected lights bounced from ceiling gives less harsh pictures and additional flash units connected to the slaves will definitely be a plus. There are many articles in the internet that explains how to use multiple flash and you might want to get some tips from the articles.
You might want to read, for example, the article on "Flash Photography with Canon EOS cameras" at <a href="photonotes.org/articles/eos... location</a>.
In the early days of film cameras, high ISO films have always been a luxury and many great photographs were taken with flash alone. Although digital cameras nowadays come equip with high ISO capabilities, there is a lot to be said about using flash to get good pictures and I feel you can do the same without depending too much on the camera's auto mode.
If night scene or indoor scene modes do not help much or give ugly results, try Manual or Aperture Priority mode.
In case you're not familiar with the term 'fstop'... it is also referred to as 'aperture'.
Try your camera in Aperture Priority mode, the camera wil adjust the shutter time automatically. Adjust the aperture setting to its lowest number available and adjust the ISO setting to about 400 at first and see if that helps. If it's still too dark, increase the ISO value. If blurry, stabilize the camera. If it seems to work fine but the image is too grainy, then decrease the ISO one setting and try again. It will take a longer exposure so use a tripod or something else to stabilize it. If it works well but background objects are blurred too much while your main subject is focused nicely, then increase the aperture value a little. This again will require a longer exposure when you increase fstop/aperture.
John was trying to say there is an EV function in Nikon that allows you to make the picture less harsh. Well John, Canon also have the same function. It is a useful tips.
James is concerned about noise above ISO 800. This is true for all digital compacts, except Fuji f30, but not for dSLRs. Take a look at the pictures taken at various ISO level for Canon 400D, Nikon D80 and Sony A100 at this location <a href="dpreview.com/reviews/canone... and you can see at ISO 800, while D80 does it very well, 400D is not bad. At ISO1600, D80 still gives much better picture than one can expect to get using digital compacts.
Perhaps this remarks at DCReview on Canon 30D helps : " ..... The images are very clean through ISO 800, and it's just a bit grainy at ISO 1600...."
see <a href="dcresource.com/reviews/cano... review</a>
So Ray, go ahead and use ISO 800 or even ISO1600 if the situation warrants it.
Larry
Larry, thanks for the tips about Ken Rockwell and Costco. I'll check both out.
I did it anyway before you replied. They came up on computer but couldn't put them on disc.
If you are trying to get pictures onto a CD or DVD, you can use the utilities built into XP, Vista or MAC but as above, NERO works best.
And we agree on the NERO working best. And they just came out with Version 8. Although I wish they hadn't loaded it up with other stuff starting with vs. 6. It's becoming almost bloatware.
The new battery pack for the 40D is the BG-E2N, which replaces the BG-E2. It features weather sealing around the battery compartment.
Lastly, are you certain you want a 20D? It's grade (C) isn't that thrilling compared to the Digital Rebel XTi. ( digitalcamera-hq.com/digita... ) (A-)
Good Luck and be prepared to shell out $1800-$2200 for it used.
Hang on a bit longer!
If you want to use FD lens on EOS body, you will have to buy an FD-EOS adapter.
You can log on to <a href="hobday.net/ebay/fdeos/sn104... site</a> for the adapter if you are interested.
A cheaper source can be found at <a href="adorama.com/CZFDEOSA.html&q... site</a>.
However, neither the adapter nor the FD lens have the electrical contacts for the EOS body and FD lens will not enjoy some of the functions available for EOS lens. Focusing, for example, will have to be done manually.
Most of these questions are sort of up in the air, as consumer dSLRs haven't really been on the market long enough to give accurate answers (particularly to the 30-year value question). There are a number of factors to consider here. For example, how much more can we refine digital technology? How many more megapixels can be tacked on? Will the technology plateau or will it keep trending upward? I'm sure someone somewhere is figuring the odds, but I'm not privy to them. My gut feeling is that current dSLRs will be made obsolete more quickly than film SLRs were, since the technology involved is still evolving quite quickly (both in terms of camera tech and computer tech).
That said, most older dSLRs are hanging pretty tough in terms of pricing. It's difficult to find any dSLR under $400, even though many of the available models are 3-4 or even 5 years old at this point. Like any product they will depreciate, but at the moment it seems they're retaining their value better than most.
As far as product life expectations... compared to non-SLR digitals, they're pretty exceptional. However, all digitals are by nature fragile machines. They're very easy to damage, and the inner workings are obviously subject to unexpected failures.
I know this is all pretty vague, but I haven't seen any hard numbers to answer any of these questions, and I'm not sure if they exist outside of the Canon boardroom.
Hope this helps, at least a little.
I always wanted to have a high-end canon, ever since my untalented brother thought he could monopolise talent by withholding technology. What an idiot.
Well, I will get the digital camera and finally, after more than 20 years, do the kind of pictures I always wanted to do.
It seems like no one outside the Canon Corp. has a clue right now. One would assume that they'd put out a successor soon, and there've been plenty of rumors going around regarding specs and dates, but no firm word as yet. I'd say you should wait another month or two and see what happens.
Good luck!
I will continue to wait and keep checking back...
Canon EOS 40D Reviews
Canon EOS 40D Reviews by Digital Camera-HQ Users
- 4.0 out of 5
I like my canon 40d, however sometimes i get dark photos when shooting in low light, using the auto setting. I don't know what to do to get around this and i feel i need to take a class on this camera to learn more about it but really don't have any classes availabe. I shoot weddings and i always use my still camera cuz i'm worried photos will turn out too dark. It is very time consuming to edit each photo. That would have to be one thing that i don't like about this camera, however some of it is probably my own stupidy.
- 5.0 out of 5
excellent camera, very understandable with you tube info on settings and manual settings. photos are perfect everytime with tripod as per expert advice. night shots with painting with light come out perfect with various setting on manual program. practice, practice and practice with this camers and the settings will come by even handier with those photos that have that special meaning.
- 5.0 out of 5
I love this camera. This is my second Canon digital SLR. Went from the original Digital Rebel to this model.
- 5.0 out of 5
The Camera is such a huge boost up from my old 20D. I would really enjoy the 50D but that is beyond my means at the moment.
- 4.0 out of 5
It's a great camera. I'm still learnig how to use it but I have had
good results in just about all situations.
- 4.0 out of 5
Big, heavy, complicated... what more can ask for? :)
Awesome camera.
- 4.0 out of 5
Very good camera,easy to use with satisfactory results.However considering up grading to Canon 5D Mk 2.Does anyone know if the 24/70mm EL and the 70/200mm L series works well with the Canon 40D
- 4.0 out of 5
it is a very good camera,my first SLR.
- 5.0 out of 5
wow. It is far better than my Canon 20d. It's even better than the 5d. The light sensitivity is amazing. Really brilliant photos. It is heavy. I certainly don't feel that it is cheaply made. It cleans itself every time you turn it off. Love that!
The controls offer more possibilities than the 20d. Shutter feels absolutely fantastic.
- 4.0 out of 5
Let me start by saying the feature set of the 40D is wonderful and for the amateur fair weather photographer it's probably the best available right now. However, it feels cheaply made. No lens hood or even a hotshoe cover is included with a kit that cost almost $2,000 is ludicrous. The rubber covers over the access ports and the PC sync cable are gauche as well. Forget taking the 40D out in foul weather or snow. Even the battery charger is cheaply done.
I really did enjoy the performance of the camera. Maybe it's asking too much for the build quality of my Oly E-1 or my 1DsMKII from a $1,200 body?
- 5.0 out of 5
I am professional action / outdoors photographer who jumped on this body when they started hyping it and I have to say, it lives up to the hype, and then some. Very smooth, very light, sharpness and color identity is very nice. May actually get a 2nd one for a staffer.
- 4.0 out of 5
I got the 40D, and I love it, however it had so much to learn about right off the bat, I found it very helpful to get a set of training DVD's (The Canon 40D Made Easy) from Elite Video, and I have learned so much!! If you need to know all the in's & outs, get this video! It's at www.elitevideo.com
- 5.0 out of 5
Amazing camera. Not for the feint hearted at over almost 1.2kg with the EFS 17-85 IS. Handles superbly, super fast and bags of useful features like Live View and sensor cleaning. Not to mention 6.5 fps upto 75 burst. Check out how much those features cost elsewhere. Nikon D300...add about another $700 and your somewhere close.
Good job canon. the 300D is now well and truly history.
