Canon Powershot S5 IS
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| 21st | of 32 | in Extended Zoom | (#1 is Panasonic Lumix FZ35) |
| 46th | of 58 | in Canon | (#1 is Canon EOS-1D Mark IV) |
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Once more, Canon delves into the extended zoom field and comes up with a decent update to their already well-liked cameras. The S5 IS picks up where the S3 and S2 IS left off (what, no S4?), with a long 12x image stabilized zoom lens and 8 megapixel sensor. The biggest addition to this model is the Face Detection auto focus, which is smart enough to figure out that you're trying to take a picture of someone's face and not something ten feet behind them. For current S3 or S2 users, this isn't a tremendous step up from what you've already got, but if you're someone who hasn't yet experienced the impressive quality of the 'S' series yet, the S5 is a nice, fresh entry-point.
Specifications
- 8 megapixels
- DIGIC III Image Processor
- Movie mode with sound
- JPEG file format
- 12x optical zoom / 4x digital zoom
- Lens shift Image Stabilization
- Auto and manual focus
- ISO 80-1600
- Auto and manual exposure
- 2.5 inch swivel/vari-angle LCD
- Secure Digital storage memory (32MB card included)
- 4 AA batteries
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Canon Powershot S5 IS Comments & Questions (write your own!)
I'm tempted to point you towards the Canons just because I think you're going to get better image quality for a cheaper price. Nothing against Fuji- I just know for a fact that the Canons will give you good performance. Really, any of the ultra compact Canons, the SD-models, etc., will probably suit you. I would choose one of the fairly new ones that comes with the Digic III processor, which results in faster performance.
You might really like the SD750 ( digitalcamera-hq.com/digita... ). It is getting fantastic reviews, it's an ultra compact, and it has a Burst mode that Canon claims can fire 1.7 frames per second. According to a review I read, it actually fires faster than that (the reviewer pulled off 10 shots in 5 seconds). You can click in Burst mode for as long as you still have memory (unlike some cameras, whose Burst modes limit you to a certain # of shots). This camera is also fast in regular, non-continuous mode, with shutter lag at fractions of a second, and about 1.5 seconds between photos (a little slower with the flash on).
In terms of memory, most cameras have a really small amount of internal memory built in, but you should also buy a memory card. They come in a wide variety of sizes- 256mb or larger should be plenty to hold lots of photos. This particular camera can use high-speed cards, which will make your burst mode work even better. I'd recommend a card called a SanDisk Ultra II SD card (the Ultra II means high speed).
Let me know if you have further questions!
If continuous shooting is important, avoid the S5... its continuous shooting mode is actually slower than the S3, coming in at about 1.5 frames per second vs. the 2.3 fps or so for the S3. This actually has some Canon users kind of upset, the fact that the upgrade is slower than the earlier model in some instances.
The S5 has a lot going for it, but continuous shooting isn't one of those things!
digitalcamera-hq.com/digita...
But having read your reply on this thread, I figured I'd jump in and add to my other response by saying: a sporting event is a good example where 2.3 fps may come in handy rather than 1.5. As I said on the other answer, it depends on what you want to capture. If you want an action shot of a football player, think of it this way: if it takes him five seconds to run down the field, then with the Canon S5, you would get about 7.5 shots. With the S3 you'd get more like 11.5 shots. (Note that the fps aren't exact numbers, just those released by the manufacturer, but are pretty accurate).
So, whether or not that's fast enough will depend on what you want. A few shots of the guy running in various positions on the field? The S5 will do it. But if you need a specific shot or want to capture every expression he makes, you'd need the S3.
That is a REALLY lame example, and probably really obvious, but I am having trouble explaining it in a way that makes sense. =) Let me know if that helps.
I'm going to hop over to the other thread since you asked some great questions over there, and hopefully we can pin this down for you. =)
digitalcamera-hq.com/digita...
Is there a compact digital camera that does not have a delayed shutter response - regardless of the "Burst" mode?
You're right- I miss that tight response of film cameras as well. =) But the mechanism of a film camera is slightly different (just a physical movement inside that opens/ closes to expose the film) whereas on a digital you're dealing with an issue of light striking what is basically a computer chip/ sensor (rather than old-school film), and that sensor has to do things: pass the image thru color filters and convert the image from light waves into an electronic signal. So, basically, all of these mechanics take more work than just the act of light striking film, so there's always going to be a slight delay while the camera revs up to do this when you push the shutter button.
The good news is that technology is ridiculously fast now, and in the past DSLRs were famous for super-fast response time due to their advanced build; but nowadays even most point & shoots are coming in with fractions of a second of delay time. So... what I'm saying is, you may not be able to find a digicam with NO delay, but you can get very, very close to it.
Thoughts? I'll try to help you find a camera.
I don't have a specific yes or no for you, just further ruminations, but this is interesting. For the record, I have heard complaints of LCD lag in general, although not specifically related to burst mode. But looking through an LCD means you're seeing things after the fact, no matter what, because of the time it takes any camera to catch up to what's happening and process the image- which, of course, only gets worse in fast-paced situations like burst mode. Supposedly the problem is worse in poor exposure conditions as well. This is why many people prefer cameras with optical viewfinders, and personally I think it's part of the reason DSLRs are sold with optical viewfinders- watching what's happening can never quite be replaced by having what's happening projected on a screen.
As far as the S5, I can't see higher screen resolution taking care of the problem. It'll look better, but the only real improvement to this can take place inside the camera while it processes the shot. I don't have the technical reasoning behind all of this at hand, but judging from the fps problem, I wouldn't expect the S5 to be processing anything faster than the S2 or S3.
Face Detection (FD) is hardware based and can act in as little as 0.05 secs.
Larger sensors means bigger files that need more CPU process to convert into Jpeg etc and then file transfer to storage. Memory modules also have speed limits when being read / written to and the bigger the file, the longer it takes.
High end DSLR's use the fastest technology (also read as 'expensive') toward high frame rates and speedy storage of large file sizes.
Additionally, again IMHO, SONY is an electronics company. Canon makes cameras. That's all I really need to know. Stick with the company with focus.
I'll also toss another model into the ring if you don't mind. I am currently testing the Olympus SP-550UZ ( digitalcamera-hq.com/digita... ) and have so far been quite pleased with the results. 7.1 MP, 18x zoom, image stabilization and some great scene based program features including a 15fps burst mode. This is great for sports photography.
It also has in camera editing features such as cropping, sepia and black/white alerations, nite modes, super macro mode for REALLY close up shots, panoramic guides for shooting multiple shots to stitch into a panarama, even a mode for shooting documents.
I'm really enjoying it. If I had to complain, however, I have found the menu structure wanting and difficult to use on the fly. But other than that, it's a top notch camera.
Two other points. I have found a great website ( imaging-resource.com/IMCOMP... ) for comparing camera models. Input both models and compare identical photos taken with each.
But in the end, it may just come down to going down to the camera store and holding both of them. Getting a feel for how they fit in your hand. In the end, you can read all the reviews and solicit all the opinions you want, but the bottom line comes when you hold it, frame it, even shoot with it. That'll pretty much tell the tale. And many camera stores have a rental program.
1. long zoom.
2. being able to focus quickly and take fast action pictures.
3. good picture quality in low light settings.
out of the three, which do you think is the best?
But I do agree with you on the shutter lag, however. That's why when I need to get a shot, I rely on the burst mode and with experience, you can anticipate a good shot and get it.
The downside about the teleconverter, Ali, is that you will lose some light (about a stop) and picture clarity in the process, which is what you are fighting against with a soft photo. It's just the nature of the beast.
I'm thinking for you the Canon Digital Rebel XTi may indeed be the way to go. Granted, it's committing to an SLR format, but for what you get and the speed of the shutter, it's a truly superior option.
Thanks.
On the other hand, as to video capability, the H9 outputs HD video and the S5 doesn't -- but I think the S5 lets you make longer movies.
Canon S5 v. Sony H7 and Sony H9 ( dpreview.com/reviews/compar... )
How does one assess hot pixels? Would all the CCD's not have the same noise levels? I have as mentioned above taken back my Sony H9, and picked up the S5. I originally owned an S3 and almost wished I had kept it. Well here goes I guess as I have 18 days to decide whether it stays or goes.
Chris
Date: Tue, 19 Jun 2007 14:39:55 -0400
From: Canon Support - PowerShot <ps@cits.canon.com>
To: "Lisa S." <▪▪▪▪▪▪▪▪▪>
Reply-to: Canon Support - PowerShot <ps@cits.canon.com>
Dear Lisa S.:
Thank you for writing to us. We value you as a Canon customer and appreciate the opportunity to assist you. ▪▪▪▪▪▪▪▪▪
I am sorry to say that the S5 IS does not have a Intervalometer in it the only way it will function like this is with the Self Timer function in the camera described on page 29 in the Advanced Camera User Guide and page 18 of the Basic User Guide. The limitations of this is that it will only delay up to 30 seconds and take from 1 - 10 Shots.
Instead with the S3 IS Intervalometer it will delay from 1 minute to 60 minutes and 2 - 100 Shoots this is described on Page 29 and 84 in the Advanced Camera User Guide.
Please let us know if we can be of any further assistance with your
PowerShot S3 IS.
Thank you for choosing Canon.
Sincerely,
Joshua
Technical Support Representative"
So, although many side-by-side comparisons will show the S5 and S3 both having timelapse ability, it's just not true in the practical sense of, say, watching a flower unfold over several hours.
First of all I'm pretty impressed that you got a reply from Canon. :) Are you the almost 40 year old who wanted the 2.5 inch screen? Well, rest assured, I think you'll be OK with the s3. I too could not decide and went with the s3. I have a good friend with this camera, and although she does not take pix of flowers unfolding she has done some awesome things with her s3. I know from reviews that the s3 is great..the s5 will prob be great too, but I'm just a little leary of it, especially after reading various reviews...one of which even said it's a little heavier and harder to grasp and hold..I know that's minor..but this was a man writing the review ( I think)...and I'm sure my hands are smaller than his....so that was just another little reason why I went with the s3..that and faster continuous shots, etc etc. Go with the s3..you can't go wrong. Once again ,I'm no expert, just a mom wanting good shots of her kids.
Good Luck Lisa!
LOL....we'll have to compare s3 stories once I get my (little) hands on mine. :-)
First of all, thanks, I just wanted to share my first hand experience with this camera.
No I didn't get to try out the Sony H9, but I have experience with other point and shoot sony cameras, and 2 of my friends own sonys as well. My opinion on Sony so far is: inaccurate colours, way too much digital sharpening, usually pretty poor movie modes, proprietary. That doesn't mean they're all bad, they are just not as good as canon when it comes to picture quality.
To assess hot pixels you have to take some shots of a uniform background (ie: white or gray wall) in a uniform lighting condition, under various settings of the camera, usually varying the ISO settings. View the pictures on your computer monitor, in full resolution, and zooming in also helps. Scroll the picture around and inspect it carefully. A hot pixel will stand out from the rest of the surrounding pixels by being of much greater intensity usually bright blue, purple, or green. Sometimes the pixels can be red as well. A cold pixel on the other hand will look like a completely black dot - also different than all the other surrounding pixels. The bad pixel should scroll with the rest of the picture on your monitor, otherwise the bad pixel you're looking at is on your monitor, and not the camera's ccd. In my case the bad pixel was very visible at ISO 80, and not so much in the higher ISO settings because those produced too much noise that blended with the bad pixel.
In terms of all ccd sensors having the same noise levels, the answer is: All ccd sensors have different noise levels. Even when you compare identical in spec ccd's from the same camera model you'll find that they produce slightly different results. It is almost impossible and surely not justifiable financially in the manufacturing process to achieve identical signal to noise ratio on all ccd chips. Cameras vary sample to sample, and batch to batch - just like cars, and yes occasionally you can get a lemon.
I was amazed from sony quality, and selected after testing. Good Luck
I am looking for a the best digital cam that's cheaper than an SLR...zoom is what I am looking as the biggest feauture, and I need sharp photos, because I use the photographs to make bookmarks, which I sell. Mainly I take foliage, sunset/sunrise, and pet photos, and was looking at the Sony H7, but today began looking into the S5...which do you suggest I go for...also, is there another I should consider?
Thank you.
and Anuradha, flickr.com/photos/anuradha/ (Powershot S3is). However there other good cams such as Olympus, Nikon Coolpix, Fuji etc, worth considering. But who has time?
I have been consulting pros such as Colombo G, Cool boy who strongly advised to go for a DSLR, unfortunately, my budget is as half the cost of a DSLR. However, I noted few important points in the process, posting here, which may useful to prospective Photographers.
Vishkid : You gonna buy a new cam? I really think it's better to go for a DSLR - even a start-up level one like Nikon d40x or canon 400d. The camera I'm thinking of getting is a Nikon DSLR - the D80.
Me : DSLR is outta my budget dude, and even if I go for a DSLR, it wud cost another $250/ for a tele zoom of that 15X range, that H7 has.
Vk : LOL .Yeah you're right. Apart from the DSLR + kit lens prices I mentioned below you will need to invest in another piece of glass (at least one).
You will get a 18-55 lens with the camera (18-135 in the case of d80 kit I mentioned) and a separate 70-300 will cost $250. Also you hv the hassle of changing lens when switching from wide to telephoto. So it's worth your while to invest in H7/H9/S5IS .. if you don't need the additional flexibility of DSLR (yet).
However, it's not the tools, it's the talent. There is no harm in investing on better tools. But if you ain't got talent, no tool can make it better ... just have a look at some flickr accounts - there are guys with D200's and 5D's who take no better photo's (or even worse) than you and I.
Even with prosumer, you'll be spoiled for choice these days. There are so many to select from. Basically from what I hear Canon S5IS is also worth a look if you're looking at a zoom cam.
DSC-H5 is a super-zoom SLR-like camera. It has pretty good reviews along with H1 and H2. I think it's one of the best Sony digi-cams.
However it's now old and is replaced by H7 and H9 which hv better resolution and zoom but the reviews are mixed. dpreview.com/reviews/specs/...
It seems that H9 offers better photo's (H7 too with lesser screen and less some functions) than S5IS but actually does a lot of in camera post processing(PP). This was discussed in the forums I've been in and is generally considered bad. The original photo's taken from both camera's are more or less the same (both supposedly uses the same Sony sensors and Carl Zeiss lenses!) but Sony H9/H7 does more PP and S5IS is more authentic. Agree that H7 is more value for money than H9 so H9 is out.
Considering S5IS and H7, I'm more biased towards the H7 as I'm a Sony fan. And the fact is that H5 was MUCH better than S3IS and nothing really impressive has changed in S5IS.
So in terms of features H7 wins hands down. But I still see a lot of negatives in terms of Sony jpeg creation and compression method in-camera ... I have seen H7 pictures and they are really nice.
So your choice is a hard one .. but if I were to chose I just might go for Sony with all it's supposed' picture quality issues.
Colombo Guy : check out the Canon Powershot 5IS too... personally I like the 5IS better than the H7. But the H7 is also a good cam. But canon is a better camera than anything else. Sony is standard electronic goods manufacturer who came across cameras in the process. but canon has a very good name for cameras on their own right.
Me : But you know that Sony is the biggest Digital Camera manufacturer at present. They have developed a lot and all SE phones are with Sony cams and they deliver simply superb quality in that range.
Main reason for me to go for the H7 was 15x opt zoom, and super CCD sensor, compared to S5 12X and normal CCD.
Colombo Guy : The zoom difference between S5 and H7 is like 50mm. I mean both have an over 400mm (35mm eqvi) lens. u'r not going to shoot wildlife all the time. So I guess that makes small difference. Besides if you want a super zoom just buy a 2x converter :) I’m definitely for the Canon 5IS. the photo quality is brilliant.
Finally, the decision making time :
Considering the picture quality to be equal or almost equal…
1. Cost : S5 is about $100 more than H7, for the Canon name.
2. S3 has a hot shoe to supports external Flash guns. This doesn’t mean I am gonna spend another $500 for a Flash, but this extension gives the idea of its capacity.
3. S5 uses SD cards, and AA batteries, which are much cheaper than Sony memory stix (double cost of SD Cards) and Sonys’ NP-BG1 rechargeable battery will cost around $60/
4. Stereo sound track in video recording. (yeah, I gm gonna shoot some action films)
5. Last but not least, the S5’s Vari-Angle LCD display, very versatile, simply great.
Finally everything has pros and cons, there are lot comments on the net on these and in a site H7 has a A rating and S5 has A- rating. And I am sure to miss H7s’ 15X opt zoom.
You've already mentioned the Sony Memory Sticks and how much more they are. Whereas Canon relies on SD cards, which are pretty much the standard in point and shoot for memory cards. This means you can use any you happen to currently have and they are much cheaper than memory sticks. You can also use them in other technologies like PDAs, DMPs, and even mp3 players, whereas that memory stick is only going to be used in another SONY.
So, all things being equal and I was in your shoows, I'd be picking the S5. Then again, I choose the SP550UZ and was quite pleased with the results.
The Canon S5 LACKS this ability, which the Canon S3 has. Canon took a step backwards there, in order to cram in some other ability which I do not need and do not want (probably the slightly better movie mode). I wish the S3's screen were larger than 2.0", but I'll live with it to get the excellent time-lapse (which they call "intervelometer").
And I agree with James DeRuvo: I've had Sony before, and I'm sick of being robbed and plundered by the prices on their proprietary batteries & memory.
quote below from dprevirew.com <dpreview.com/reviews/canons...
S5 IS comes closer than most to getting the right balance of features and image quality. Where the Sony H7 and H9 suffer from frustrating controls and over-aggressive noise reduction, the Canon has a friendly, intuitive interface and (relatively) light-handed noise reduction at lower ISO settings. And where the Olympus SP-550UZ misses too many shots due to focus problems, in all but the most challenging situations the S5 IS offers accurate, responsive focus. The only camera I'd consider next to the S5 IS is the Panasonic FZ8 (which also happens to be a lot cheaper) - though Panasonic's excessive noise reduction at ISO 400+ means you may have to shoot RAW to get acceptable results.
the PowerShot S5 IS is probably, just, the pick of the super zoom bunch at this moment in time, because it offers reliable output, responsive performance and an impressive feature set in an attractive, easy to use package that makes photography fun; not because it offers better IQ.
It is crying out for a better sensor, wider lens and for Canon to move the SD card slot back out from the battery compartment, but I'd still rather take it out shooting than the Sony, Olympus or Fuji alternatives. The output (with fringing and noise issues) simply isn't good enough to earn the S5 IS an unqualified 'Highly Recommended' rating, but it's an easy 'Recommended'.
Thank you...............
Happy to see S5 coming above H7 in the HQ ratings...
Possibly my last comments on this topic:
Did purchase the S5 IS again, and this time got a good one, so I stuck with it, and have now used it for over 2 months. Am I happy with this camera? I think I would have to say that I made the best compromise I could at the time. Like discussed before the S5 has some great features, and very useful movie mode, but also it can be at times disappointing in terms of noise and rather ugly chromatic aberration.
This camera had the potential to be a straight down winner if it had a better lens and sensor, but unfortunately Canon decided not to cater to those with slightly higher expectations. Would I have bought this camera again at that time? Yes. Would I have bought this camera now? No, now I would wait a little longer, as the summer's over a new season begins, also in cameras. We will soon see more models from most of the manufacturers including Canon - S6 IS with a wider 18X UD lens and a low noise
CMOS sensor, and maybe even HD movie modes (possibly) :) ???
The good news is that in the near future, more camera companies will be putting DSLR chips into their p&s lines to get rid of shutter lag and improve performance. So perhaps that S6 will have it.
Meanwhile, here's a few tips for improving your performance with the S5:
1. Prefocus. Hold down the shutter half way to get a prefocus of the image you're shooting. When it changes, prefocus again. This will speed up your camera's performance during picture taking since it won't have to autofocus before it shoots the shot.
2. Use faster SD cards. Yes, there are faster cards and it does make a difference in writing the image file to the card. This is especially key if you're taking multiple or burst images.
3. Fresher batteries. Use alkalines at least. But I recommend using high energy batteries designed for digital photography. Varta is a good brand. They are usually sold in camera shops, are long lasting (because they are sold in small quantities) put out alot of energy.
4. Shoot in "sports" modes when you're in situations that require action. Night or available light modes when in night time settings. These presets can help in speeding up your shots, rather than the camera taking a split second to evaluate the conditions of the lighting.
5. Go manual. If you are manually focusing, particularly in darker settings, you can constantly refocus the image as things happen. Also, the infrared does have a range and if your image is out of that range you can end up with the camera's "best guess" or infinity setting which may not help. You can also go manual on fstops and shutter speeds as well, getting more light faster when you choose.
6. Go with a shallow depth of field.
7. Pan with the action. You can create some pretty cool shots by panning with your shot, focusing on your subject. This will create the effect of your subject in sharp contrast to the blurry background.
8. Use a flash - even in day time. This will "freeze" the image and cause your subject to "pop" in the shot. However, flash is only designed for limited range and can dissipate outside of about 20-25 feet unless you're using a zoomable flash.
9. Stick with 100-400 ISO. Going higher will cause more noise/grain in your shots, particularly in darker settings.
10. Faster lenses will also help. The 4stop settings are as such that the lower the fstop settings on your lens, the faster it is. So going with a faster lens will put more light on the image quicker.
The Canon PowerShot S5 IS is a worthy successor to last year's S3 and it is arguably the flagship Canon PowerShot (though some may disagree) since it has an overall better feature set than the G7. There are some negatives about the S5 highlighted above but which camera is entirely perfect? Overall, I have no problem giving my recommendation and thumbs up to the Canon PowerShot S5 IS for those who want a very good ultra-zoom camera which has almost every feature you need, at a reasonable price too. If a capable all-in-one (good still image mode and impressive movie mode) camera is what you need, the S5 IS is absolutely it.
dpinterface.com/reviews/can...
The Canon seems to be the preference, my only objective is I have a Sony Viao notebook that has a slot for the Sony memory stick: which I find convenient to show pictures I have taken when traveling.
My other objective is the fact that the Canon uses 4 AA. I am a young 68 yr old and take a LOT of pictures of grandchildren and landscapes. Is it worth changing to the Canon?? I have held both cameras; and both feel good in my hand. The old Sony has never let me down, but lets face it; time for a new one, the shutter speed is really slow although the pictures are remarkable. I need a good zoom, a quick shutter, and a auto focus.
Canon processing is more hands off. So detail is much better. Canon lets you choose from 3 levels of compression. File sizes are larger and there is much more room for editing on the PC. Difference between the sony and canon are evident when images are zoomed to 100%.
If you just want to shoot images and look at them on the computer or print them, the sony will serve you very well. That would be my choice in that situation. The sony's flash shots look better, and the flash range is much longer. I like sony's output in low light better too. If I could have changed the compression factor, to a super high quality mode thereby preserving detail, I wold have kept that.
If you want to preserve detail, tweak your images and have sharper prints, the canon is for you. I use super high quality mode. Any noise from ISO's 200 - 800 can be cleaned up quite well with a program called Neat Image. The low light output can be processed to exceed Sony's output. You can also use free software like GIMP or PhotoFiltre to clean and edit your images, but nothing beats Neat Image for noise removal, at least when the noise is bad. The canon is also easier to use if your are going to be changing settings on the fly. Canon also has a custom settings mode. That is a real nice touch and very useful as you advance a a photographer.
Bottom line, Canon's output is shaper but may require some cleaning at iso 200 or 400 and up. However, you retain control and for me that was what did the sony in. If I could afford both, I would have kept both. I can say, I am looking forward to Sony's next offering (DSC-H10?). I liked the night vision. Cool toy.
Lens flaring and chromatic aberration are an issue with both camera's so forget about that. That is the result of squeezing a big lens into a small package.
The only other camera i would consider in the category is The Panasonic Lumix DMC-FZ7. Superior optics and stabilization, but for me the output is a little flat. However, there may be internal settings to change that. Both the Canon and the Sony have settings to add vibrancy to photos. The Panasonic may too.
How much drop off will I get with the S5IS Canon- is it worth the purchase for weight and hassle factor issues?
I like the sony when i need longer flash range or if I am taking shots that I do not want to edit later on. Sony has a shorter black out in between shots. Sony compresses the picture file too much though leaving it with a soft appearance. That is the sony's only major flaw in my opinion.
If you can afford it and plan on taking low light shots, you should go for a dslr. I like the Nikon 40, 40x or d80 depending on your budget. D40 can be had for a song. Check out amazon.
I love the super zooms (s5 is, dsc-h9) for everything but low light shooting situations. For low light, you need a dslr.
Anyway, Canon has the edge for me.
I have a comment about Sony forcing their customers into proprietary technologies. Why is it a big deal to buy a 50$ 2Gb memory stick? I never use my camera's memory card for my palm and mp3 player, because I buy a memory card for each of them. I think this is not something I consider when buying a camera. Just buy a dedicated memory card for your camera and thats it.
movie while zooming is blur which i understand because of less optical zoom.So s5 or g9 for movie with nice zoom and quality
So... Canon H9 or Sony S5. The Olympus is nice too but its macro did not look very good when compared side by side with either the Sony or Canon at that great site listed above for side by side comparisons.
Another quick question. Why do the blow ups of the Fujifilm appear to be clearer? Does the huge pixel number actually blur or smooth the image?
I am in need of a new camera.. I have several friends who highly recommend
the S3...now the S5 has come out....I am a bit of a novice photographer...
do I go ahead and get the new S5 or just go ahead and buy the S3 which has
a proven record?? Need to make a decision this coming week. June 11..
leaving June 24. Help need pro advice.
have read on znet, the purple fringing is worse in the s5.
If you need the hot shoe go for the s5 else get a good deal on a s3.
Thanks.
Judging by Canon's record of consistent improvements however, I would risk buying the S5. However, do not expect to use it efficiently without plenty of practical experience. You will learn, for example, that for zoom shots, set IS to continuous mode. The camera probably contributes 20%, and the creativty / expertise of the photographer 80% to success.
Picture quality (low noise and chromatic problems) and zoom (and maybe movie capture) are a little more important to me than MP.
Like Chris, I'm also hesitating between the 2 models and look forward to some tests before making up my mind. Hopefully, these will come up soon.
Bonne journée
Also, I am somewhat confused how the Canon S5 has a rating, even though it hasn't been released yet?
Good question! I found the cnet.com review about the Canon S5IS this morning.
"The good: Tons of manual and automatic features; well-laid-out controls; solid body; nice LCD display.
The bad: Lens aberrations and vignetting; some processing artifacts; lacks raw file support; redesigned lens cap still pops off too easily."
Not really convincing, is it?
Not sure where you are located but it looks like the Canon S5IS is already shipping in Europe. I've just found that Spanish web site: andorrafreemarket.com/produ...
For your information and coming back to the F50, it was voted the best camera of its category in 2006 by one of most serious French specialised web (lesnumeriques.com/article-2... Since then, it seems neither panasonic nor any other brand has launched such a greatly featured "bridge"camera, all preferring to focus on the "Reflex" family products
The question remains: shall I wait a little longer before going for the FZ50?
Cheerio
It seems like all the models near the top of their respective categories are hitting just outside the bullseye. If I could combine some of these better cameras into one, keeping the good points while dropping the bad, I think I would then have the cam I want.
Want the sepia option for scrapbooking hobby.
All the features that you asked for can be found in <a href="dpreview.com/news/0705/0705... review</a>.
Sepia and black and white shooting modes are found under 'Image Parameters' and Sports/Action mode is found under ' Modes '
<a href="forums.dpreview.com/forums/... is a fantastic run-down of the differences between them. Make sure to read the whole thread, as there are a few corrections made to that list in later posts.
As you can see there are some changes that are good, some that are not so good. Whether it's worth it really depends on what features are most important to you.
Thanks again!
The S5 continuous shooting mode does have a nice perk that the S3 doesn't, which is the auto focus, that keeps the moving subject in focus continously while you fire.
So really, the continuous shooting issue will depend on what you want to shoot. Do you have a specific need for the c.s.? If so, maybe I can help you determine if the S5 would be fast enough to meet it.
The hot shoe on the s5 means you can attach an external flash to the camera. This can come in handy. Cameras have built-in flashes, but sometimes (for example, in a very large dim area like a stadium) some extra oomph is needed. With that said, it is possible to attach extra flashes to the s3 as well, you just need to buy a little extra equipment. But the s5 having a hot shoe means you can just pop a Speedlite flash right onto it. So, it can be a plus; but unless you're planning on needing it often, it's not necessarily worth the extra price. Don't get me wrong; hot shoes are fantastic (you will see them on DSLRs and all the high end cameras, and I love using external flashes) but whether or not it's worth it to you depends on how often you think you'll need a very powerful flash.
And I'll add here that the s3's built-in flash is pretty good, anyhow.
I think this could go a few different ways in terms of what camera you should get. My two cents: if I were you, I would probably be buying the s3 right now. I think that from all I've heard about the s5, it has a few advantages to it (hot shoe, larger LCD), but the speed issue is there to be considered, and to me, the advantages aren't large enough to justify the difference in price (and the loss of speed in continuous mode). That's my opinion; I personally think the s3 is a nice all-around camera and would suit you well.
Here's the devil's advocate: Although we've gotten onto Canon, there are other brands and options out there that are comparable. It sounds like you do need something with some power (not just a little point and shoot), you do need zoom, and you do need speed. Do you want me to link you to some other possibles, or are you pretty convinced that you want to go Canon? I'm a huge Canon fan myself but I wouldn't mind at all pointing you to some other brands/ models to make a true comparison!
Oh one more thing. does the s5 have the capabilities of more zoom with an added lens? Can the s3 do that too?
Thanks
In terms of other brands, you're right on the H7, the memory cards can get expensive and are less convenient than the ones for the Canon. The touch screen is kind of a pain for some people too- neat function, but can get covered with fingerprints. If I pointed you towards another brand, it would probably be one of the Fuji ultra zooms. Although those will also have the same issue with memory cards as the Sony, so if that's a factor for you, again, Canon may be best here.
Movie modes in the s3 and s5 are different from each other, and I think this is one area where the s5 did a good job. s5 offers Face Detection technology in movies, which can recognize and focus on human faces automatically, and it can also record longer videos than the s3. If you had a large enough memory card, you could record a 32 minute video where the s3 would only give you 8 minutes on the same card. There may be a tiny reduction in quality of the video with a length like that, but nothing you'd notice.
One caution on that though: if the thought of recording a 32 minute video is exciting, you might want to consider whether you really want your camera to do that or if you'd rather use a separate video camera (higher quality) for clips of that length! It is really up to you, and it'll depend on what you record and how long it usually is. But yeah, I think s5 movies= better.
For the s3 to have a separate flash, you'd need to purchase what's called a slave flash/ bracket. It's complex, but basically because the flash can't hook directly to the camera via a hot shoe, you have to buy a 'bracket' as well that fits around the camera and plugs into it somewhere else, often the tripod hole, and has its own trigger. Basically it's like attaching a totally separate functioning unit (the flash) to the camera and having them work together. Not as handy as a Speedlite and not as cheap, but they do still work if you really want one. Here are some links about them:
<a href="photography-on-the.net/foru... with an S3</a>
<a href="buy.com/prod/Canon_HF_DC1_H... flash for sale</a>
Hmm, what else? The ISO on the s5 goes up to 1600, not 3200, as far as I know; but that is still higher than the s3, which goes up to 800 I believe. But that isn't something to get too excited about, because here's what it is: the ISO is kind of like film speed on a regular camera. You know how you can use 100 speed film outdoors in the sunshine, but if you want to shoot inside, you use something like 400 speed film? ISO does the same thing, more or less. The higher the ISO, the more sensitive the shot is going to be to light, thus a higher ISO is good for shooting in dark conditions. But, on these cameras as well as on almost all digitals, an ISO of 1600 is going to be REALLY, really grainy. Being able to capture light indoors means you sacrifice some image quality, and although in theory a sensitivity of 1600 is nice, you would probably almost never use it because the photos would be unusable. The highest ISO I try to use in any condition is 800, which is grainy enough as it is; so the s5 offering the option of 1600 is likely an option you wouldn't use anyhow.
Both cameras can take optional lenses, so no tie breaker there. =)
I hope that helps. Let me know how you're thinking re: s3 vs. s5. And I can definitely help you find a 'teenager' camera, but what do you mean by decent zoom? Finding something pocket-sized with a good zoom can sometimes be tricky, as the longer the zoom the larger the camera.
On the one hand, the s3 is cheaper, has a better continuous mode, and has many of the same functions as the s5 for less $. On the other, the s5 has the better movie mode and the hot shoe. But if you use a camcorder anyhow and won't use external flash much, then those improvements may be negligible. And the faster continuous mode of the s3 might be nice for you.
Here are a few links to people discussing this same decision, maybe some of their opinions will sway you:
forums.dpreview.com/forums/...
photographyboard.net/forums...
forums.dpreview.com/forums/...
For your other camera, I can't think of any that quite fit your criteria. The Canon G7 has the zoom and pixels you want but is quite a bit above the price range you gave, and it's pretty bulky too. The A710 IS ( digitalcamera-hq.com/digita... ) may be pretty close, although it's somewhat pricier than what you mentioned, it does have the zoom and pixels and is nice and small. Read the user reviews on that one, though; the major thing to beware of is that that camera has a serious issue with lag time between photos if you are using the flash.
If that doesn't work, maybe you can compromise a little and go for something like the new A570 IS ( digitalcamera-hq.com/digita... ) or the A550 ( digitalcamera-hq.com/digita... ), (4x zoom). Is a smaller zoom acceptable, or would you rather pay more/ have a larger camera for the full 6x?
I'll check the other discussions too. Once again , thank you, thank you!
Let me know if you have further questions, always happy to help. And let me know what you decide on for either camera. I'm curious now! =)
The 8mp is also causing some people to grumble because of the fact that it has the same size image sensor as the S3, which only has 6mp. I think this is probably what you saw that said something didn't change, they were referring to the sensor size. For best image quality, a large amount of pixels should go with a larger sensor. Think of it this way: the pixels are stored on the sensor. The more pixels you try to cram onto that sensor, the less improvement those pixels are going to offer to the image quality, as the pixels don't like to be crammed all into one small space. So the S3 and the S5 having the same size sensor means that the S5 has more 'cramming' going on. Many people (me included) believe that manufacturers do this as a sort of cheap upgrade. They can market a camera with tons of megapixels, but if they don't bother to upgrade the sensor, it won't give you that great of an image. I don't necessarily think that's what's happening with the S5- 8mp on a 1/2.5 sensor isn't THAT bad, and I don't see Canon as the type to pixel-cram for marketing purposes- but that is why people are complaining. If I were you, I wouldn't use those two extra mp as a deciding factor between the cams.
1.Hot shoe/external flash..would it be used?
2. face detection? Is this really a factor?
3. 2 mp is not significant
4. 1/2 " bigger screen-no biggie
5.iso 1600 ( not important)
6.:( Slower continuous mode.
7. better movies
8. 2 more shooting modes. no biggie?
9. I also read that the s5 camera itself is a little bigger than s3....not as easy to hold??
So as far as I can tell bottom line...would I use the hot shoe? Is that worth the extra money?
Hmm.....If I could wait for real reviews of normal everyday peeps once they have them in hand, I would...but I really need this camera for a trip in 2 weeks. Thinking on it a little more.
Thanks Brenda, you continue to be a big help.
I believe that more pixels crammed within a sensor of the same size than less pixels will improve image quality because image pixels will be smaller - that is less grainy. Though naked eyes may be unable to see the difference between 6Mp and 8Mp without magnification it should make a big difference when printing or projecting in large size. Just imagine two 15 inch LCDs one with 640 x 480 pixels and another 1024 x 768 pixels. They have same size but the picture resolution is quite different.
Lisa, sounds like you've been researching also.
Any advice on which way to go...s5,s3? Maybe waiting for user reviews would be the best answer...although I too have a trip coming up.
Thanks again.
"I think that from all I've heard about the s5, it has a few advantages to it (hot shoe, larger LCD), but the speed issue is there to be considered, and to me, the advantages aren't large enough to justify the difference in price"
Guess if the LCD is a major factor, i.e. if the menus are hard to see on the smaller screen, then that may be a larger issue for you and might lean you towards the S5. Lots of people are really pleased by it, and that .5 inches does make quite a bit of difference if you rely on the LCD a lot!
Not quite. The issue with more pixels on a small sensor means that the pixels will be smaller, as you've said, but smaller pixels actually leads to more grain, not less.
Smaller pixels have a lower dynamic range and less volume, thus less photon capacity and a weaker light signal, resulting in noisier photos. Here's a good explanation of how this works:
cambridgeincolour.com/tutor...
another one:
outbackphoto.com/dp_essenti...
I think what you may be getting at, though, is the fact that an enlargement made from the S5, with more pixels and the same sensor, may be better than one from the S3 because more pixels means that the noise that DOES exist will be 'enlarged less' since there are more pixels to use. And that's true (see the end paragraph of that first article I linked for a better explanation of that, I am not doing a very good job of explaining it).
I think advanced photographers who expected a better upgrade from Canon are the ones complaining about this. In my opinion, the average shooter will not notice much image quality difference between these cameras either way.
I just ordered the s3. Thanks for all of your help. If I could have waited longer, I maybe would have, but I know that the s3 is an excellent camera and I'm sure that I'll be happy with it.
Have a great summer!
Now I need some battery and memory card advice. Size, write speed, battery charger and battery brand....the best bang for my buck. :)
Thanks
OK. Accessories! This camera takes SD cards, and it can also take SDHC, which are the 'high capacity' SD cards. That means you can buy the huge 4 and 8gb cards if you wanted to. Personally, I wouldn't, just because if you have a memory card error, you could lose all your photos in one fell swoop. I usually use a few slightly smaller cards just as a precaution (although, for all the problems people have, I should note that I've personally never had a memory card error, so don't be too scared of that happening as long as you follow all the directions). I'd recommend a 4gb as the absolute largest if you really want a big card; your best bet would be to buy a couple of 1gb or 2gb cards. Brand doesn't matter much; I usually use Sandisk or Kingston, but as long as it's an SD card, you'll be OK. As far as speed goes, this camera can take the high speed cards (60x or higher), so that's really up to you as well. The main areas you'd see a benefit is going to be in the time between shots (it will probably be ready for the next shot a little quicker) and in shooting video. High speed cards are a good investment if you're at all impatient, but they're not absolutely necessary. Let me know if you need links to places to buy these items.
Batteries= this camera uses AA batteries. What I always do with cameras that use AAs is I purchase rechargeable NiMH AAs, along with a charger. You can buy these anywhere (even, like, Walmart), and the batteries plus charger will probably run between 20 and 30 bucks. Mine are Energizer, so brand doesn't really matter, although you can buy the ones made by Canon (<a href="amazon.com/Canon-CBK4-300-B... if you'd like. I think the life you'll get out of either one will be comparable. I would recommend, though, if you're going on vacation, buying two sets of the batteries and one charger, so that you can still be shooting while one set of batteries charges. You should be happy with the battery life on these. If you need exact numbers or anything on how long you can expect them to last let me know and I'll look into it.
Let me know if that helps!
Does that help?... It helps TREMENDOUSLY! Thank you...I sure hope you're getting paid for this advice! LOL. Once again, thanks! What i-net provider would you recommend? I'm sure I'll hit Walmart too, but if you know a good I-net with fast cheap shipping, let me know!
Thanks again!
I have been thinking about the resolution issue for awhile. If one takes a pixel and divides it into quadrants, that would be the same as going from a 2MP sensor to an 8MP sensor, in the same x-y space.
Now the pixels on the given 2MP are huge (compared to the 8MP version), and therefore would be more accurate at determining the intensity and color of the light. But the smaller pixels would be [i]mostly[/b] accurate as well--due to ISO testing that is designed to give minimum threshholds.
So even if the 8MP pixels are only accurate 75% of the time, one still gains an increase in resolution.
You are exactly right in terms of resolution. It's the loss of size in pixels that is the kicker in my opinion. It isn't just a loss in accuracy in determining the dynamic range and light, it's a loss in ability to handle them. Smaller pixel= less light gathering area= weaker light signal= more 'signal to noise ratio'= noisier photo. Smaller pixel also= less dynamic range= less ability to hold photons= less range of color before becoming totally black or white. All of those things degrade quality, so that's where people have issues with 'pixel cramming.'
But as I said, at this level (going from 6 to 8) it's really negligible. In the sample you gave, the cramming of 8 megapixels onto the same sensor as a 2 megapixel would be a serious loss of quality (I know you were just using it as an example, though). All of this is why in spite of it all DSLRs have larger sensors than simple point & shoots.
I think we are sort-of covering two issues here as well. But basically, in my opinion the main issue for quality is the interplay of the sensor and the lenses, so if a camera can balance those skillfully then I don't mind how many megapixels they want (or don't want) to give me!
Accessories question:
How are the Lexar mem cards...lexar platinum II......ALSO, can you take a mem card out of an hp camera and use it in canon? Would you have to re-format or are they just interchangeable?
I have an S3 in the house and I'm struggling with the 2.0 LCD versus the larger 2.5 LCD on the S5 (which I haven't seen yet) -- but the timelapse thing really irritates me. I'm a gardener, I need timelapse that goes for hours. And I gather that the equally mysterious downgrade in burst speed between the S3 and the S5 is a sore point with other buyers; my partner, when I told him about this, was startled and not at all pleased. So if I can find a way to live with the S3's small screen.... *sigh*
And just hope that someday, Canon deigns to combine the S3's timelapse and burst speed, the S5's 8mpx and hotshoe, and Sony's fine 3.0" LCD into one camera... maybe 15X... and what else should we wish for, a bigger sensor (chip?) to do better processing? RAW ability? And call it all the S7 or whatever, and stick to a $450 US price point... yeah! Right! :)
The Olympus 550UZ still has timelapse, but I have other reasons for not wanting that one. In this summer's generation of newultrazooms, the Olympus 550UZ is the ---only--- one (that I know of) with genuine timelapse ability, now that Canon's essentially dropped it.
Lexars seem fine as long as they're the right type (SD obviously); I've used them in the past with no problems, although not as often as I've used Sandisk. But they're plenty reputable.
Switching the card from one camera to another, even if they're the SAME brand, often means you have to reformat. So be careful about that, since if you DO reformat it will erase the card. Best to have separate cards for each camera if possible to avoid any weird errors/ lost photos.
For what it's worth, you pretty much hit the nail on the head. While personally I can take or leave a large LCD, but there are plenty of shooters who rely on a good-sized one, and thus there are plenty of people who can't understand why the S5 had to be 'downgraded' in so many ways. My main point of interest on the S5 was the hot shoe, which I thought was awesome- but what with all the other issues cropping up, if I were to purchase I'd still head towards an S3 myself. Not that the S5 is bad, it just truly depends on what you want from a camera, but I think lots of S3 fans were expecting the next one to be, well, different than it was.
It'll be interesting to see what comes next.
Richio and Nancy, the S5 and the S3 both stop at 12X but I think most reviewers have been using "anything past 10X" as their superzoom definition.
Brenda, O Wise One, do you happen to know if the S5 has a remote shutter capability that does NOT involve hooking up a laptop between you and the camera? The S1 had a remote shutter; the S3 does not, except for some weird laptop setup, which strikes me as useless.
If not, then is it possible at all to raise the performance by hackers or other third party people, or is it really running at its peak performance?
The PowerShot S5 IS comes bundled with the following Canon Software:
RemoteCapture Task 1.7 (Windows and Macintosh) for PC controlled remote shooting.
So i would guess theres no remote shooting option without PC. At least i didnt see it in the article even in the S5 accessories section.
Perhaps the degradation is due to the 'face detection' computations/focusing as well as the extra computing needed to transfer the extra pixels from the sensor to the memory card. Logically, turning down the compression factor (to use less compression but more storage) should help the throughput, since the compression logarithm also eats up computing cycles.
Thirdly, turn off the LCD. Geesh, that's just one more job that eats up the time-between-shots. QUESTION: Do these labs that test these cameras use ideal parameters, or just everymans-everyday settings?
Rich
About the whole cramming in 2mb more pixels. Are the 8mb of pixels physically on the LCD? Where I'm going is, if you adjust the image size down on the S5, are less pixels being generated on the LCD so they are bigger and more responsive (whatever was said above), or are just less pixels on the LCD being used? So by downgrading image size onthe S5 would you get a better quality picure?
I've also heard the S3 suffers many quality issues. Has anybody else heard that? -Thanks
When making photos with smaller resolution, one simply can't ignore pixels unless one is going from say, 8mp to 2mp (unlikely). To keep the same aspect ratio on a strictly "use 'em or lose 'em" basis, you would have to use the square root of the original megapixels.
Hence apparently there are algorithms in place to make a more modest reduction in the number of megapixels emplyed. Such computations involve averaging the values of surrounding pixels. Does this increase photo quality? I assume you mean does a "dumbed-down" S5 shooting at 5mp produce better photos than a 5mp camera shooting at the full 5mp?
Interesting scenario. The resolution of the two photos in the above example obviously would be identical. The only change is the extra 3mp, theoretically "being put to good use" in the algorithm. The only possible advantage I can see from this comparison is that the 8mp camera MIGHT have an increase in the ISO rating.
Rich
RAW support and many other excellent features are provided in an excellent hack.
You can find screenshots and link to it here: Link ( forums.dpreview.com/forums/... )
DIGIC III cameras propably will get their own hack someday.
Thanks to everybody!
I think the competitive Olympus 550 UZ does have RAW (as well as actual timelapse, which the S5 dropped).
Maybe someone can make a hack for it on the S5, I don't know.
And I just read that there was some kind of limit on the amount of photo's you can take in an hour? I'm confused...is this only in "High Speed Burst" mode? or can you only take 30 picts per hour?
Hi Christa. Re: your question, it is true that the higher ISO on the S5 will help with low-light shots, but on the other hand, regardless of the camera you're going to experience SOME graininess/ noise at an ISO of 1600. I think you would be fine with either of these cameras; as everyone is discussing, the main drawback of the S5 is the lack of speed in burst mode, and unless you plan to shoot lots of continuous photos that won't really affect you. For macro shots, both are pretty comparable; and as I said, that higher ISO of the S5 is nice, but probably wouldn't result in that higher an image quality than the S3.
Regarding the limit on photos per hour, not sure of the specs on these cameras, but I can assure you that they were talking about High Speed Burst mode or something similar to that. That's the only area where a camera will experience limitations, and then they are typically related to the mem card, which can only work 'so fast' to save photos, resulting in a certain amount you can fire off in a row before the camera reaches its limit. For normal shooting, you should not experience any limit as to how many shots you can fire per hour.
forums.popphoto.com/camera/...
which is quite possibly one of the best explanations of the pixel size issue I've ever read. You might find it helpful.
I have not heard many quality complaints about the S3 physically. Maybe one person talking about how the camera body was not very tightly sealed, but definitely not complaints to the extent that we typically hear them when a camera has true build issues.
One last question(or almost)....Do you think the swivel LCD screen on the S3 breakable? that is my only other worry that it might snap off or something.....
And what about downloading pictures....when you download them are they in JPEG format or in something else? (I have a Mac, so I am always worried about compatibility issues.)
Now I don't know....I just read the reviews of the S3 on this website and they seem to say it takes noisy/bad quality pictures in all settings.... is this true of the S5 as well? And the reviews of the S3 also say using the Macro and Super Macro features are hard (you have to hold the button while shooting the photo.)... is this the same on S5? Boy am I confused now.
I think I'm the one who confused you by talking about timelapse. That's totally different from burst. First, in the high speed burst, the S3 will take 2.3 frames per second (FPS). The S5 is slower, and will take only 1.5 FPS.
Second, you can take any number of photos you want to in an hour with either camera. No limit, just as Brenda already told you.
Third, my complaint was that the S3 timelapse function is excellent -- you can take photos anywhere from one minute to sixty minutes apart, and you can take as many as you want, even setting the camera up to take time-lapse photos over several days if you want to. So far, so good.
But the S5 changed that completely and now, you can take photos only from thirty seconds to one minute apart, and you can only take ten shots -- so you can only photograph ONE five-to-ten minute span, and that's it, no more unless you set the whole thing up again. This makes it useless for a flower unfolding, for clouds across the sky, for hot-air balloon launches, for birdfeeder surveillance, etc. etc. That's the limit I was talking about.
For your other questions: The photos download from the S3 in JPG format. The tilt/swivel LCD is of course breakable if you work at it, but it's not all that fragile and the advantages are HUGE, especially if you're holding the camera up high for group shots, or down low to get pictures of plants or babies crawling, etc.
And finally, no, the macro/super macro feature is not at all hard to use. You press the button for macro, let go, and take your photo. You press the button a couple of extra seconds for super macro, let go, and take your picture. You're not trying to hold the button down while taking the picture.
You're welcome. I should clarify a little: any graininess at the high ISO isn't really a feature of the S5, but of digital cameras in general. Most tend to get grainy at high numbers, and it's my opinion that, except for in very select situations, you can get by shooting almost ANYTHING with an ISO of 800 or under. That higher ISO might come in handy at certain times, but I don't think it's necessarily a make-or-break reason to buy the camera, since as I said, the picture quality up there probably won't be very good. What's more, you mentioned shooting moon and star scapes. Shooting those is a little different than shooting basic low light shots, and in fact it's recommended that you NOT crank the ISO when shooting the night sky (which gives off a certain amount of its own light)- so ISO 800 or lower would probably do the trick very nicely anyhow. Shoot at the lowest possible ISO for things like that. The S3 should do it.
I have not heard about the swivel LCD on the S3 being too fragile. Usually if something breaks a lot on a certain cam we're the first to hear about it, and so far, no complaints. Certainly it can be broken, but I think if you're reasonably gentle you should be just fine.
As for your last question, I think camera reviews are an EXCELLENT way to go about purchasing a camera. If everyone who owns it is complaining about a certain problem, you can reasonably expect that this problem really does exist and avoid the camera. (Just look at some of the ones on this site that have gotten Fs). On the other hand, you have to be careful sometimes, because everyone comes from a different place when they write reviews. Some people who use the S3 are expecting the photos to be DSLR-quality, and they are mildly disappointed, because it doesn't have that power. Others are using it in place of a point & shoot and they're awed by how great it is. So the reviews sort of depend on the reviewer. Something like grain is tricky, too... those people who review it as being grainy may very well just not know how to use it! I've had plenty of questions from people who claimed that cameras like the S3 gave them bad photos, and it turned out to be a case of needing to adjust the settings, take it off Auto mode and do some experimenting. I can honestly tell you that considering its image processor, its mechanisms, and the samples I've seen, both the S3 and the S5 are capable of excellent, grain-free photos. It's all in knowing how to use it. Canon is (in my opinion) one of the most grain-free producers of cameras on the market, and these are no exception.
Here are some debates for you to read over that might help:
photography-on-the.net/foru...
forums.dpreview.com/forums/...
As far as pressing down the button for Macro, I am almost sure you don't have to hold the button while shooting. What you do have to do is press the button in order to access the mode (you hold it slightly longer to get into Super Macro), and perhaps while the camera focuses. That act of having to hold it down to get to Super Macro might be what people are complaining about. According to <a href="imaging-resource.com/PRODS/... review</a>, the button "pressed once" activates Macro, and held down enables Super Macro. I'd imagine lots more complaints if you had to hold it while you shot!
Let me know if any of this helps at all!
PS love all the posts it really helps us beginners.
From everything I'm hearing / reading. (And I think I've read every review and comparison on the internet) It sounds like it makes sense to get the S3 and wait for a better upgrade past the S5. The S5 just isn't that much better yet. It has the enhancement groundworks for being much better, it just needs refining of those enhancements it has over the S3 to make it a worthwhile superior choice. In my humble opinion. Thanks everyone.
Anyway here is what finally convinced me to go for the S3:
"I haven't really had a huge problem with noise. The s3 has an ISO range of 80 to "Hi" [which I think they said was supposed to be 800]. I do start getting some bothersome noise at around ISO 400, but the vast majority of that can be controlled in NeatImage pretty reasonably. I use ISO 80 almost all of the time [with zero noise], and up to ISO 200 when I really need to. With the lens capable of f/2.7, you can use ISO 80 handheld in most situations with no problems.
The differences between the S3 and S5 are:
S5 has higher resolution [again, the sensors are the same size, so you're likely going to get more noise w/ the s5]
S5 has higher ISO - up to ISO 1600; I feel pretty confident saying that you won't get a useable image at that ISO, anyway.
S5 has the face detection; that could be important if you do a lot of portraits.
S5 has capability of external flash use; that could also be important if you do a lot of flash photography - I personally don't.
S5 has 1/2" larger LCD screen; not a huge deal to me, either
S5 is slightly heavier and slightly larger.
Otherwise, they are identical. I really see no reason for my own personal use that I would need/want the S5 over the S3 that I have. I don't do much pos-processing at all on my photos because, having used film since I was a kid, I want to get it right the first time around. I don't enjoy sitting in photoshop for extended periods of time making things look better. Sometimes it's fun, but mostly I'd rather be out shooting. ;) I do the bare minimum when I have to; levels, some color balance, and converting to black and white when I think the photo would benefit from that. I don't even do very much cropping in post-process; most of the frames I've shot are as-seen."
Now I just have to save the $$ and I can order. :D
Thanks for reading .....
Question: Do you know how well the eneloops keep their charge in a hot car? I like to keep a camera handy; sometimes I have to (or accidentally) leave a camera in the car in the sun. I would love to find a battery that keeps its charge even in a hot car.
I don't have any experience with the eneloops in a hot car, however, they are listed as being much better than NiMH with weather extremes. I just ordered an 8-pack for my external flash unit. As a backup, I keep a set of CR-V3 lithium batteries with me (they have a really long shelf life). I'm still using the original set (over 2 years) that came with my Pentax camera.
you can now use the s3 as a time lapse camera with almost any interval you want. you can also save pics in RAW format. CHDK adds a battery meter and a really cool color histogram. another fine hack upgrade is control of the manual focus via the zoom lever vs using the less than ergonomic 4 way switch.
the s5 hasn't been hacked because it has the digic 3 processor.
oh yeah the hack also includes a clock, two fun games, a text reader and the option to write your own picture taking scripts to upload to the s3.
say you want the camera to take a pic every 52 seconds at a target 42 ft away with a 1/60 @f 4.0 iso 200 setting for total of 232 pics at M resolution. its easy to do.
with the s5 or any other camera you would need an attached laptop.
I'd been looking info last month, i wnat to change my LUMIX FZ-7 and i get so confused... Like kik says, "You get more info, you get deeper and sometimes, you get more confused"
Until last month i was a click to get a S3, when i found the S5, i guess that i get similar doubts like a lot of photo enthusiats that i read about.
OK, i need to thank to BrendaP for the GREAT and no scarce comments. Definitly those comments and answers are a important factor to my choice.
Thanks goes as well to LisaSmall who answer and explained the "Time lapse" thing, that feature seems awesome =)
on Summary, for my, for my hobbie related needs, the S3 is cheaper and have better features that the S5, except the HotShoe and 2.5"LCD (i'm gonna miss the 3" LUMIX Screen).
Thks again
There are a lot of great hi-zoom cameras on the market now. I've always liked Fuji cameras, even though I'm using a Pentax dSLR now. The Fuji FinePix S700 offers a budget-conscious alternative to existing megazoom cameras. It's a fairly small camera that packs a 10x optical zoom lens and a 7.1 MP sensor. With full manual control over all shooting settings as well as full auto, you can take advantage of the S700's wide ISO and shutter speed ranges to ensure you get sharp, clean images. You can find one for as low as $195 at www.buydig.com Hope this helps a little. I'm sure there are many other opinions out there, but it will be hard to beat this Fuji on price and quality.
The Kodak Z712 IS is a good option too, you can find it on Amazon (U$229). The Z712 has fast performance, point-and-shoot flexibility, 2.5"LCD, EVF, 12X (36-432 mm) Optical Lens (With I.S.), 7MP,.... etc
I think that is a good choice too ;)
This camera looks to be a very good choice; I am not a total novice and I seem to have a "knack" for taking good pictures, especially of people at times when they are not posing. However, I am not ready for the price and "complexity" of an SLR; I had a 35 mm SLR which I used many years ago for these same types of pictures, and I had to struggle with it at times. My wife would never learn to use an SLR, either; she is camera/technology challenged (strange for an engineer's wife!).
Anyway, is this the camera for me? I am lost in the swirling whirlpool of different models and manufacturers, and the conflicting opinions of those who review cameras; most people simply don't have broad enough experience with many cameras to render such opinions in great breadth. I'd really appreciate any advice or comments which would help me clear up my confusion. Thanks.
In the portrait field, the Fuji will do better as it gives better skin tones and more realistic colors. Canon tend to saturate image with a warm look.
For family photo, having a wide angle lens is the best as it will be easier to get everyone in the picture, specially indoors where you might not have many space to get far enough.
Another plus if you are taking picture of people is the face detection feature, as it will give focus preference to the faces in the sight of the camera.
The best thing about this camera is it High ISO capability which will allow you to get better images and more ambient detail in low light and indoors conditions.
The cameras manual controls are nicer and easier to handle, specially the zoom and the focus that are operated by rings.
Last but not least, the S6000fd has a bigger sensor (1/1.7 inch) which means better image quality against competitors models with smaller sensor (1/2.5 inch)
Now for Canon S3IS, this camera a little more zoom; Optical image stabilization with really make a difference if you are taking Tele photo pictures in low light or indoors if the subject is inside the flash range; faster and longer burst mode for continuous pictures, better video (OIS helps here too); swivel LCD good for some situations; and some inside camera fun features like color editing.
I needed to add all this text because I didn't put this information in my previous question. Sorry for the text bloat in my messages; I just don't seem to get how to write more briefly! Thanks
the quality of the lens is vital as is the quality of the marco
i have used a lumix camera for marco photos
flickr.com/photos/stevemcca...
Once again, I will place about a half dozen good choices on my dart board, close my eyes, and give 'er a heave!!
Larry
It also has in camera editing features such as cropping, sepia and black/white alerations, nite modes, super macro mode for REALLY close up shots, panoramic guides for shooting multiple shots to stitch into a panarama, even a mode for shooting documents.
I'm really enjoying it. If I had to complain, however, I have found the menu structure wanting and difficult to use on the fly. But other than that, it's a top notch camera.
S5 Continuous Drive (burst) 1.5 FPS ( dpreview.com/reviews/specs/... )
S3 Continuous Drive (burst) 1.5 FPS / 2.3 FPS ( dpreview.com/reviews/specs/... )
You'll have to look at these URLs yourself to figure out what they meant by the "/ 2.3 FPS" -- they have reviews attached. I never figured it out - it wasn't one of my priorities.
I understand James DeRuvo's pleasure in his new Olympus 550 UZ. It was one of the cameras I looked at, too. But the Canon S5 does all the same tricks, has better macro, and according to several reviewers, better picture quality. The Olympus does have that great 18x zoom, but 12x may get you where you want to go well enough. Take a look here and you'll see that it gets 15 FPS iin burst only by knocking down the image size. Maybe that's okay with you; at full size, the Oly gets 1.2 FPS.
Olympus 550 UZ ( dpreview.com/reviews/specs/... )
As I've read here and there through review and more reviews, I found that S3 has a tab bit faster burst rate than the S5, but I doubt the 0.1 or 0.2 frames per second would be that significant. Personally, if your budget is willing, the larger 2.5" LCD for the S5 would be a good tie breaker between the 2 cams, since you'll probably be reviewing lots of shots if you shooting burst modes.
You can select continuous, or continous av, which tells the camera to refocus between shots.
The camera can only write the date of the pictures as fast as the memory card allows it to.
If you check the specifications, in <a href="dpreview.com/news/0705/0705... review for example</a>, the 'Continuous shooting' capability of S5is is 1.5 fps until card fills.
ps that's all you get for one point :)
I will probably end up getting the S5 IS once I can see some reviews I trust on it.
One key reason for me will be the extended video capability of this camera.
The S2 takes great video for a digital camera but is limitted in the length of clips.
The S5 addresses this weakness.
With extended video capabilities I would use that funtion a lot more.
Take care,
beam shooter
I am looking forward to the two extra megapixels, also (6 versus 8).
First I will say I like Lisa Small's answer and will add what I forgot to put in my post.
The S3 was not enough of an improvement for me to switch from the S2 when it was new. I was looking at an S3 recently to use with my S2 since the price has come down, but now am very interested in the S5. There are more improvements then just an increase in megapixels that I am interested in with the S5. Actually for my purposes, most pics may still be taken in the 5 megapixel range. The 8 megapixel capability will be nice at times if the digital noise does not increase. Another question I personally have about the S5 in 8 megapixel mode is that so far some of the pics I have seen seem to exhibit more chromatic aberations then the S2 I currently use.
I will need to see a good review with photos taken of comparable objects in order to see if this is true or not.
The hotshoe is nice since there are some occasions where I could use a little more flash capability.
The larger 2.5" LCD is nice, particularly for times when I am in the hills trying to use the LCD to determine if the beam shot I just took will be suitable. There have been times that photos looked okay on the little 1.8" LCD of the S2 and it was not until I got home that I realized there were problems. The S3 LCD is only 2" so that certainly was not enough jump to warrant a switch.
For me the slightly larger size of the body will be a plus too.
Particularly if the controls are either a little larger or spaced slightly farther apart. As my name implies, many of my photos are night shots of beams of flashlights and spotlights.
The S2's controls in full manual can feel a little cramped in the dark.
If there really was only one improvement, more megapixels, then the S5 may not be worth it over the current price of the S3.
But the sum total of the different improvements that meet my specific needs make this a camera very worth looking into.
Take Care,
beamshooter
I think at this point different and maybe for some people equal for their needs, but better no. I do not see how a camera without a hotshoe, a smaller LCD screen, and less megapixels can be proclaimed better until some reviews for the S5 come out and clearly demonstrate the S3 is better.
I do think you have good point that I will state from a slightly different angle.
Until some reviewers that are known and respected clearly show that the S5's new features make it a superior camera, people should not instantly proclaim it to be better then the S3 because of its new features.
The S5 will likely prove more suited to certian peoples needs and enough so to justify the extra cost. But that certainly does not make it better or worse.
Take Care,
beamshooter
Thanks for all of the advice!
Date: Tue, 19 Jun 2007 14:39:55 -0400
From: Canon Support - PowerShot <ps@cits.canon.com>
To: "Lisa S." <▪▪▪▪▪▪▪▪▪>
Reply-to: Canon Support - PowerShot <ps@cits.canon.com>
Dear Lisa S.:
Thank you for writing to us. We value you as a Canon customer and appreciate the opportunity to assist you. ▪▪▪▪▪▪▪▪▪
I am sorry to say that the S5 IS does not have a Intervalometer in it the only way it will function like this is with the Self Timer function in the camera described on page 29 in the Advanced Camera User Guide and page 18 of the Basic User Guide. The limitations of this is that it will only delay up to 30 seconds and take from 1 - 10 Shots.
Instead with the S3 IS Intervalometer it will delay from 1 minute to 60 minutes and 2 - 100 Shoots this is described on Page 29 and 84 in the Advanced Camera User Guide.
Please let us know if we can be of any further assistance with your
PowerShot S3 IS.
Thank you for choosing Canon.
Sincerely,
Joshua
Technical Support Representative
So, although many side-by-side comparisons will show the S5 and S3 both having timelapse ability, it's just not true in the practical sense of, say, watching a flower unfold over several hours.
I own an S3, like it a lot, but require to buy two more bodies - one for "regular" use and one for use with my Lee filters. I presently have a 2.2 Rainox tele-extender (Canon only offers a 1.5x) on my S3 that lets me shoot (at max. 12x optical zoom) within a few feet of 1,000mm, which makes it ideal for the wildlife and predatory bird shots I take.
I'd like to switch to the S5 primarily because of the 2 megapixel addition. Even if you don't plan on taking larger than 8 x 10 pics, 8mp's will give you a noticably superior image quality than 6mp's will.
My question is: Will the tele-extender that fits on my S3 fit on the S5. What about the off-camera flash?
Thanks in advance - Jesse.
The Canon Tele lens works on the Canon S2, S3, and S5. This information comes from Canons web site. This also makes sense since they all seem to use the same lens. I would think that if you have another product that works with your S3 you should have no trouble using it with an S5. Maybe you could take your lens to a store that sells S5 just to be extra sure.
Richio,
The beauty of extra pixels comes from being able to crop and expand images.
A 4 MP image will look nice at 11x14. If you want to crop half of that picture (Say after the fact you see a great picture in a picture) and then make the cropped section 11x14 it will not look as nice as an 8 MP image that you did the same thing to.
For regular shooting and family photos you do have a good point. The extra megapixels often end up making larger files that will never be fully taken advantage of.
I would not jump to the S5 if it were not for the fact that it can handle longer then 8 minute video clips at a time like my S2.
I am still waiting anxiously for some respected reviewers to post their thoughts on this S5.
Take Care
beamshooter
Your logic concerning pixels is impeccable - it's only math, after all. ;)
Many of my clients require larger than 11 x 17 images for above mantles and suchlike. I love being able to use such a simple camera to obtain the same quality in imagery I had to pay thousands of dollars in equipment to achieve only a decade ago.
I still love (some) medium format cameras etc., well, let's face it, I like *all* the "good stuff," but can't justify the cost of some of it when arguably indistinguishable results can be had from some of the latest mini digi models.
Have a sweet and peaceful day, and may God Bless you all. - Jesse.
Thanks so mutch! I am getting mixed messages about the S5.
Some picture feedback will be appreciated
The S1 had it, the S3 does not except for some strange configuration through a laptop wired into the S3's USB port, which strikes me as useless for photos out in the yard, or really any use other than, say, photographing coins indoors at supermacro.
What ISO are you using when you're shooting? I find anything less than 800 when shooting raptors or fast-moving objects can be problematic that way.
LISA: As soon as I get my hands on my new S5, I'll be happy to answer your question. I thought it was ridiculous that the S3 didn't have remote capability. I don't like to shoot without it.
Blessings to all - Jesse.
I now have my S5 and, I'm sorry to say, there's *no* port for a remote. Aaaaaargh!
My best guess is that Canon's engineers figure the camera isn't heavy enough to incur much camera shake. I disagree. If the operator is breathing - there's *always* the possibility of camera shake! I wouldn't design a camera without a remote port, but then, they didn't ask my opinion. :(
We're leaving for Vancouver on Wednesday, God Willing, and should be home by the weekend. As promised, if I'm spared, I'll post some varied pics taken with the S5 then.
Shabbat shalom, and may God be with you all - Jesse.
Let's hope some future S7 includes the
return of the intervalometer (genuine timelapse) of the S3,
return of the 2.3 burst speed of the S3,
return of the remote port of the S1 !!
And I'd like a bit more zoom, 15X, say.
While keeping the S5's new hotshoe, face recognition, and at least 8 MPX.
Don't want much, do I !!
Evening all!
Lisa, methinks we should send this thread to Canon, particularly with your concise list of things (I believe) we'd all like to see them change for the better.
Consumer dollars speak loudly, and most companies spend a third of their earnings doing market research and promotion. You never know, you might inspire what we're all looking for from Canon. Or, they may offer you a job in their R & D dept. We'll say, "We knew her when...." ;)
LOTS of love - Jesse.
Jesse, thanks, hope your trip went well (unless you mean THIS Wednesday, in which case, hope it goes well.
I forgot to add to the list that most serious photogs seem to want RAW support, too, which some of the S5's competitors already offer.
I'll send a note to Canon this summer and see what happens after that. :)
Hi Lisa! (Insert waving emoticon here.)
It's THIS Wednesday (tomorrow) that we're heading down to the city. (Ugh!)
I just put down the phone after talking with an old friend who just happens to be the Dean of the New York Institute of Photography (where I went years ago), and I asked him about some of the things we've been discussing here.
He's asked me to send him some pics and has some good (okay, *great*) ideas on how to circumvent come of the problems and limitations these particular cameras are challenging us with.
My own biggest beef is their inability to produce any kind of DEPTH OF FIELD (either in the foreground or the background), which is tremendously important when working with human subjects. They're great for scenics, macro, and many other applications, but I specialize in intimate personal profiles of celebrities and such, and using these camera bodies just isn't going to work. I'm going to have to get a digital body (with 8mp's) and use my film cameras' SLR lenses to achieve the results I want.
Point: If depth of field is important to you - don't buy another S3,5,7 or like that.
ALSO! (Insert alarm bells here.) I almost lost my religion with that facial recognition feature. Even when you switch it off, it comes back on automatically in too many situations and IT'S A PAIN IN THE P'CHANGA!!! You can achieve MUCH better results just using the center *spot* feature with Auto Focus. All the facial recognition feature does is limit you, and it decides FOR you what kind of picture you'll be taking.
The same is true of most of the new features on the S5; it's too computerized. Call me crazy, but when I take a picture, I like it to be MY OWN composition and not what the camera thinks is mathematically preferable. We're aiming for artistic freedom here, not mathematical, inside-the-box, "what you're picture *should* look like" results.
If that sounded like a rant, it was. My opinion, thus far, is that the S5 is terrific for landscape, wildlife, macro and anything but human imaging. I'll get back to you after the weekend when I've had the chance to take different kinds of shots in the city, at the ocean, and in the mountains on our trip to and from there. As promised, I'll link to a cross-section of varied pics then.
Have a wonderful weekend, and may God bless you all. - Jesse.
The S3 lacks facial recognition, and listening to you, maybe I'm glad! :)
If you decide to start a new thread for your photos when you get back (and you probably should), please leave us all a short note here so we get automatically notified and know where to go see. Be safe, and I'll be watching for you about ten days from now.
I'm back from the city and have the pictures I promised you I'd get. It was an interesting odyssey and an educational one. I discovered quite a few things I'm ready to share.
I need to know how to:
1. Start a thread on this forum.
2. What software this forum uses and what type of pictures it will support e.g., can the pictures be magnified using a 'click' option? (This would be good because then you'll be able to see the detail in the equivalent of a 20 x 30 inch picture.) If that's not available, what size would you like the pictures to be when I post them here?
That all I need to know for now, so if someone can post this info, I'll post the pictures and commentary I've compiled.
Love to all - Jesse.
You might like to try the new ENRLOOP type from Sanyo which retain their charge for longer time and don't require to be charged in the first use.
Both are available at Amazon.
I have also purchased a AC power supply via Ebay for 9 bucks. I have tested it and it seems to be fine, but not much use if you leave the grid! The book recomends the AC power supply if you use the camera but I prefer batteries since I have two sets.
dpreview.com/reviews/specs/...
(I'll write to DPR with the URL of this thread so they can see your answer as well as this one). Please indulge me because I'll have made this near-identical post in three or four relevant threads on this site.
I wrote directly to Canon to ask about the confusion regarding whether the S5 still has the time-lapse photography option. Here is their response, verbatim, with ▪▪▪▪▪▪▪▪▪ for redacted info:
Date: Tue, 19 Jun 2007 14:39:55 -0400
From: Canon Support - PowerShot <ps@cits.canon.com>
To: "Lisa S." <▪▪▪▪▪▪▪▪▪>
Reply-to: Canon Support - PowerShot <ps@cits.canon.com>
Dear Lisa S.:
Thank you for writing to us. We value you as a Canon customer and appreciate the opportunity to assist you. ▪▪▪▪▪▪▪▪▪
I am sorry to say that the S5 IS does not have a Intervalometer in it the only way it will function like this is with the Self Timer function in the camera described on page 29 in the Advanced Camera User Guide and page 18 of the Basic User Guide. The limitations of this is that it will only delay up to 30 seconds and take from 1 - 10 Shots.
Instead with the S3 IS Intervalometer it will delay from 1 minute to 60 minutes and 2 - 100 Shoots this is described on Page 29 and 84 in the Advanced Camera User Guide.
Please let us know if we can be of any further assistance with your
PowerShot S3 IS.
Thank you for choosing Canon.
Sincerely,
Joshua
Technical Support Representative
So, although many side-by-side comparisons will show the S5 and S3 both having timelapse ability, it's just not true in the practical sense of, say, watching a flower unfold over several hours. I'm going to reverse my decision about buying the S5 because of this time lapse issue, even though I need that extra half-inch of LCD pretty badly.
Maybe I'll go Sony H9; maybe I'll go Canon S3. The H9 has no timelapse but at least admits it doesn't; it's got the nasty proprietary batteries and the LCD tilts but wont' swivel -- but that LCD is 3.0", very nice, and it's 15x, not 12x; and 8mpx compared to the 6mpx of the Canon S3.
The Olympus 550 UZ 18x has decent timelapse, but the 2.5" LCD neither tilts nor swivels, and many sites expressed concern about picture quality, especially at its price. Also, it is slow, and has a strange video setup compared to the Canons and Sonys.
I just bought thi camera about 4 days ago and am still experimenting.
Still, CHDK definitely deserves to be checked out... in addition to time-lapse, it unleashes many extremely interesting features, including RAW saving, smaller apertures than F/8.0, faster times than 1/2000s, aperture/time/focus bracketing, motion detection (reportedly works for lightning strikes), and BASIC scripting.
(you can check it out on the sample pictures in the reviews on the same site and compare the both.)
oh yeah, i bet if you're to take it on for outdoor shooting, simply go for S5
Would this also relieve "pixel cramming" of the sensor, allowing cleaner pics with better color, etc?
Sorry, 2 points is all I have. Thanks.
I wouldn't say that this would allow for more zoom. The 12x optical zoom is done with the lenses, so reducing the pixel count would just cause less quality photos. I would say stick with the higher pixel count for sharper, truer photos. I hope this helps.
Andrew
You'll achieve best quality photo's if you stick to the optical zoom. You can alway crop and resize the pictures on your computer to your liking. Using the digital zoom function in cameras is equivalent to doing a zoom inside of your photo editor program - the pixels get enlarged as well. The 1.6X and 2X digital zoom functions in the S5 are still pretty conservative, so you won't lose too much picture quality, so use it if you have to, or if you don't feel like doing any picture manipulations on the PC. Just remember, once a picture is taken with digital zoom on that's how it gets recorded and you can't unzoom it to restore its optical quality.
I do understand the difference between optical & digital zoom. I never use digital on any shot I take, which is why I like lots of optical zoom.
The review I read, however, gave me the impression that changing the pixel count would allow more optical zoom. I could have read it wrong.
Anyway, are you certain that reducing pixels would only adversely affect qaulity, instead of not overcramming the sensor?
Andrew
dcresource.com/reviews/cano...
amazon.com/gp/product/custo...
I find this use amazingly versatile for putting the flash just where I want it and allowing me to move to alternate shooting angles.
Canon makes one called the ST-E2 which will fire a 580 EX remotely, but (as I am somewhat cheap) I found some triggers on ebay that work perfectly and I'm using inexpensive flashes in manual mode with great results.
Here's a link to where I bought mine and I've been using mine for over 6 months with no issues whatsoever.
stores.ebay.com/Gadget-Infi...
I would really love to hear from someone who had a chance to do a comprehensive comparison between the PowerShot S3 and S5. I'm interested in people's personal experience with S3 as compared to the newer S5, in terms of overall picture quality, noise levels, operational and autofocus speeds, exposure accuracy, chromatic aberations, optical sharpness, movie modes etc... If you had a chance to spend enough time with each of those cameras, which one would you keep, and why?
Feature for feature, the zoom, image quality and CA/sharpness etc, are very close (given the variance in resolution). The S3 uses the Canon digic II image processor and the S5 uses the new Digic III. Frankly, that difference between the two is slight, but where the difference comes in is in relationship to noise at higher ISO levels. I feel the digic III provides better noise management.
Other + features for the S5 include the larger swivel LCD panel, for my old and tiring eyes. The movie image file size is larger as well. The S3 can only record a movie up to 1GB in size, whereas the S5 can record a 4GB file.
Both cameras support SDHC memory cards, so that's a plus for me. Drop in a 4 or 8GB SD card and you are set.
Both cameras have excellent battery life.. That being said, I recommend lithium or rechargables..
Both cameras have great optical image stabilization and a whopping 400mm + in the zoom range.
The S5 is 6.0-72.0mm f/2.7-3.5 (35mm film equivalent: 36-432mm)
The S3 is the same
I of course like the S5 better because of the larger viewfinder and grip of it. I also like the 8 megapixel image size. No RAW mode, but great looking fine JPGs.
The movie quality on both is excellent, but I really like to be able to take the larger movie captures. I have run out of space on the S3 too often to mention.
Hope this helps.
I am a complete digital camera novice. I want a camera for photos of kids, family, sports. I will likely use the auto mode more than anything else. Certainly the larger LCD for the S5 is attractive, but not necessarily worth the money.
I guess my question is to other moms who have used either or both cameras. . . .Will I regret not having paid the additional money for the extra video time (I do not have a separate camcorder), and the red-eye correction - or anything else? I don't really see myself adding larger flash.
I won't be in the position to purchase another camera next year so my purchase now has to last for some time.
Thank you for your thoughts.
First, let me make something clear for you. The S5's advantage over other Canon's cameras is in its powerful zoom and manual functions. The other features it has are found on most other Canon models as well. Its Auto Mode is not bad, and will work OK in most situations but I find that I'm able to take much nicer photos using the manual funtions and customizations. You'll probably have to learn a few manual functions as well to take full advantage of that powerfull zoom, or when taking sport photos. The camera will not always automatically set up the correct shutter speed, aperture, and ISO for a given situation (even when using scene modes) to take a good photo, and you might end up with a blurry, or unnecessarily noisy photo, unless you know how to compensate or prioritize the various settings on the camera. If you are able to live without the big zoom then you have another option in the form of SD850 IS, a Digital Elph series camera that is based on the DigicIII processor as well and therefore has all the auto functions of S5 and more including the long 4GB movie clips with the support of SDHC memory cards. I had a chance to play with that camera for a week and found its photo quality (in Auto Mode) almost indistinguishable from S5, with actually a somewhat better noise management than S5 and less chromatic aberration. The additional digital zoom on it is quite usable as well when used conservatively. I strongly urge you to look at other Digital Elph series Canons as well, they are great tiny cameras for people who don't like to fuss around with settings, lens caps, neck straps etc..., and they take amazing photos. If you plan to take a lot of movie clips and do want the support for SDHC bigger capacity memory cards than any Canon camera that's based on DigicIII will have it, and there are at least 8 of them out there, including several from the Digital Elph series. The one thing to remember is that most cameras that don't have at least a pop-up flash will produce red eye more often than you'd like. Even the S5 with its pop up flash sometimes produces red eye. That's just something you're going to have to deal with in after-processing, be it on your PC, in camera, or during the photo printing process. Personally, I do not recommend the S5 for you. I recommend the following models SD700IS, SD750, SD800 IS, SD850IS, SD900, SD1000 (this one is very affordable), and if you can live with shorter movie clips the SD600, and SD630 both of which are DigicII cameras but offer excellent photo quality. Those Digital Elphs are very small and you'll find yourself taking them with you everywhere you go, and therefore taking a lot more photos and movie clips than with any other camera. Personally I think the only main disadvantage those Elphs have is the small proprietary battery that allows you to take only 140-200 photos at a time on average, but if that's good enough for you than that's no disadvantage at all. After all you can always carry them in a tiny "Lowepro" pouch that has a small inner pocket which fits an aditional battery. I hope this helps. I'm not a mom, but the point of view I presented here for you fits by wife who is a mom, and who owns both a Digital Elph and the S5.
If as you say the 12x zoom is a necessity, then the S5 is one of the best options on the market right now, and if you're sold on Canon, then it's your only option besides the S3 of course. Personally, I think the larger LCD, SDHC support, and Face Detection on the S5 are worth the price difference.
Canon also makes a really nice and compact carrying case for this camera it's called Powershot S-Series which runs for about $25.00. One other important piece of information I'd like to offer on the S5 is that it requires a very fast memory card to keep the writing times of the movie clips short, otherwise you'll end up waiting 15sec to empty out the buffer each time you stop recording. With a fast (20MB/sec) card, write times will take less than 2sec. I'm not sure if S3 has that issue as well.
I hope this info is helpful! :c)
The only thing I would caution against on this camera is perhaps a lack of image quality, especially next to the Canons. I've had quibbles over Panasonics in the past because their image sensors tend to be noisy once the cam gets over 5 megapixels, and this one is no exception- in fact, some reviewers have claimed that noise is visible as soon as you pass ISO 200. What's more, the camera's built-in noise reduction system is apparently very "painty" and results in an overly smooth somewhat blotchy image.
Now, I've not used it. I've seen plenty of shots from it and read plenty of reviews, though, and this seems to be a recurring theme. This is also something that, interestingly, seems to be subjective- I can see it in some samples, other people say there is no such problem. Something to consider and weigh for yourself before you buy.
Here are some reviews that mention this issue:
dpreview.com/reviews/panaso... (go to last page, Conclusion, to read the Pro/ Cons list)
dcresource.com/reviews/pana...
livingroom.org.au/photolog/...
If you're not printing large- and, more importantly, if you don't do a lot of low-light no-flash shooting, then yeah, the Panasonic will probably not be a problem. It's the low light shots where the graininess really drives me nuts; I'm a big fan of low light no flash shots, so I always lean towards cameras that are strong in this area.
If the size of the LCD is a major issue, you should also check out the S5, which has a few glitches (slower burst mode is the main complaint) but otherwise is a slightly upgraded version of the S3, complete with a larger LCD screen. Might be a good alternative to the S3. <a href="digitalcamera-hq.com/digita... a huge discussion going on right now on S3 vs. S5, if you're curious. I know most people in that thread are choosing S3, but if the LCD size is a big concern and you don't mind about the slight disadvantages the S5 has, the S5 might work for you.
Re: the image sensor, the 1/2.5" is the size of the sensor, which is the electronic "chip" that records the image. In really basic terms (this is also discussed within that S5 thread I just linked to), the more megapixels you cram onto the same size sensor, the smaller each megapixel is, and the less light it can collect, the less color range it has, etc.- thus, if you have a 7mp camera and a 10mp camera and they have the same size sensor, the 7mp may actually give you a better image because it has larger megapixels/ less 'cramming.' The Panasonics don't really have an issue with cramming/ sensor size as much as they have an issue with just plain not-that-great sensors, in my opinion. Just like Fords are built different than Chevys, Panasonics' sensors have not impressed me much with their build/ design quality in handling light.
Having said all that, as I said above, if you don't shoot many dim light shots and you don't print very large, the noise issue of the Panasonic may not even be an issue.
I hope I haven't confused you more. =)
This gets a little technical for me as well, but I can refer you to this guide:
dpreview.com/learn/?/key=se...
that's a great explanation of what those numbers mean. Hope that helps!
Mike
The S2 is also great for natural light shots at fire scenes...the image stabilization does wonders!
Thanks, Mike
Honestly, you're going to have issues with noise and blotchiness with almost any non-SLR digital when shooting in bad light. That said, you can check the work of others who have the camera here ( flickr.com/cameras/canon/po... ). All the images in that gallery were taken with the S5 IS, and if they were processed at all, the EXIF data will tell you so.
Hope this helps a bit!
640 x 480 @ 30
640 x 480 @30 LP
320 x 240 @ 60
LP is long play. This will increase recording time, but cause the quality to suffer to VHS quality or worse.
320x240 @ 60 - good for internet videos, will begin to artifact or blow up if trying to burn to DVD.
2. ISO speeds: when do you set iso auto and when iso auto high?
thanks
1. White balance is a setting that will help you get even exposures across a wide variety of lighting types. This wikipedia article ( en.wikipedia.org/wiki/Color... ), and this article from another site ( cambridgeincolour.com/tutor... ), do a good job of explaining the technical details, but what it basically boils down to is that different kinds of lighting (incandescent vs. fluorescent, sunny vs. cloudy, can cause different colors to show up differently on film. White balance compensates for that change in what's known as "color temperature" to produce an image that looks roughly the same under incandescent light as it does under fluorescent light, etc etc. Luckily, most modern digitals' Auto white balance settings are very effective and you should rarely have to venture into the manual settings. That said, if you're looking to give your image a very specific cast, you can use the auto white balance or some of the manual presets to change the way it comes out.
2. For general point and shoot shooting, auto ISO is going to be fine, especially if you're in good light (outdoors in bright sunlight). When it gets darker, the auto ISO will select higher and higher ISO settings to make the imaging sensor more light-sensitive. This has the side effect of causing more image noise. In other words, higher ISO settings are worse for image quality, though they might produce a more even overall exposure. You can combat this in the manual settings by choosing a slower shutter speed and a wider aperture (f-stop), though that can lead to the blurry images which are another evil of low light shooting.
Hope this helps!
hope this helps
Photo quality wise, the rebel will be better. And since you already own a EOS 28-80 lens, this can be use with the rebel. And with a dSLR, you can use your camera for the full range of situations.
As you say, the only thing where the S5 will beat the rebel is the movie function, and the extended zoom range. But the wide angle on the S5 is only 36mm equivalent, this may be a bit restrictive for landscape shots! There is a stitch function, but then, taking landscapes with a wider angle lens tends to give a better view point. Indoor shots and dark condition shots will be grainy on the S5, anything above ISO 200, maybe ISO 400 in some cases would result in noisy photographs. But if your main shooting areas are bright landscapes, then it won't be a problem. Zoom pics are ok, so far, I didn't find it to be grainy on outdoors, bright conditions even at full zoom!
FPS, the Rebel will give you a better result. The S5 will give you extreme close up without spending extra on additional zoom lenses + very usable movie!
In the end, it's the price that may governed your decision. Size and bulk, well, that should not be a deciding factor, since the S5 will not be pocketable, so you'll be carrying it around your shoulders in its case or a camera bag. Slotting the S5 into a backpack or sling bag is only advisable if the camera is store properly in its camera case. Because the lens cap pops off at the slightest touch or contact with other objects, you'll damage/scratch the lens if you just throw it into you backpack uncased. Unless you don't want the extra weight of the Rebel.
The S5 had several features that were critical to me, and that were lacking on the G7: 12X optical zoom, LCD viewfinder that could be rotated and reversed. The optical zoom means I don't need to worry about adding a teleconverter for most shots (12X is the 35mm equivalent of a 430mm lens on this camera,) the LCD viewfinder allows me to shoot at waistlevel, or over my head while maintaining a good view for framing the shot. The only feature I may have wanted to be more clear on was the image noise level in each camera. On the S5, unless I really want a grainy effect, there's no point shooting over ISO 400. Even at that there is noticeable grain so the difference in pixel count is not even an issue. For the types of shots and prints one would make from the S5, the pixel count is not even an issue (snapshots? web pics? Ebay listings?) I can do amazing enlargements from my Canon Rebel at 6MP. The actual number is not as important as other features, and trade-offs the camera has made. To sum up - if there was a set of features that were needed by everyone, there would be one camera made by each manufacturer in each price category. The S5 is an advanced snapshot camera, the G7 picture quality (not just because of pixel count) is higher and it would be more a prosumer camera, but there are trade-offs on the zoom and the viewfinder. In other respects both are good cameras. The S5 can take some types of pictures more easily than the G7 based on the factors already noted. The G7 would be more appropriate for a more "professional" market for the photos.
I would go to camera shops that stocks both cameras and ask a lot of questions. Hands on beats out what you read every time. Also, be careful to explain what you want the camera to do - don't buy a camera based on what the salesperson thinks a camera should do. Also- the G7 is a lot more money than the S5.
Oh - and one more thing. The G7 uses a special Canon rechargeable and The S5 uses AA batteries - that's really convenient. I use NiMH rechargeables, I carry a spare set, and always bring the charger with me.
I agree with Phil K, AA batts is probably a better option. You get to stack up on backup sets since the prices are much much cheaper compared to lithiums for the G-series. With the fast chargers nowadays, you could even charge up a set of AA in less than 30 minutes, considerably faster than charging up the lithium and also you don't need your camera to be plug in to charge the battery!
But I think the main difference here is the G-series (G9) offers RAW capture, (G7 doesn't offer this, so this is a non factor for your consideration, unless you are considering the G9 also). RAW capture allows much more extensive photo editing, thus better end product results. But this is a time consuming process and requires a serious attention to the work. Which probably most people wouldn't use. RAW also uses up more memory capacity.
Also, does anyone know what kind of tripod will work with these cameras?
The S3 (at its price) is more bang for the buck than the S5.
i own this canon S5.
i bought this ahead of S3 for its bigger LCD and 8 MP.
Macro is bad. it is common for all barrel lens cameras. More the light falling on the subject better the pictures.
handling this monster is tough without a Tripod.
you can view my flickr page: www.flickr.com\photos\madhavakannan\
the macros taken with my old Nikon are far better than S5.
the super macro option is restricted to ONE focal length. Indoor shots are grainy. AUTO mode is of no use.
Final word is: if you want better macros, go for compact cameras. not with barrel lens. Nikons have an edge over Macros. My little experience says so.
Hope this helps.
Since the S5 has the new(er) Digic III brain, my guess is that you want the fastest SD card available.
The question might better have been asked: What is the transfer rate capability of the S5, so as to compare it to the rate associated with the classes on the SDHC cards? The answer to this will answer the previous question.
Any answers out there?
Dan
Here are a few sites I frequent:
imaging-resource.com/MFR1.HTM
usa.canon.com/templatedata/...
Rich
hopes that helps.
I have never owned a nice professional camera before. I want to be able to start taking nice proffesional pictures and be able to change lenses. I am looking for a nice camera to get me started. I was looking at some used, then at new nikons, then at cannons. I don't want to spend an insane amount but I want my camera to be worth it, so i will be able to to take great quality photos, and keep it around for a while. Just not sure which brand or style to choose, or lenses to buy first..Please help! Any advice would be great!
The camera you have selected here, the S5 IS, won't fit your stated needs as it has a fixed lens. The cameras you're looking for are digital SLRs, the cheapest of which are in roughly the same price bracket as the most expensive non-SLR digitals ($400-500) and they range upward from there, up to several thousand dollars.
Among these lower-end dSLRs are the Nikon D40 (now D40X), the Canon 400D, the Sony Alpha a100, and the Pentax K100D/K10D. All of these are fine cameras and any would make a good starting point for someone looking to get into serious photography. The nice thing about these cameras is that they can make use of lots of older lenses made for non-digital SLRs, particularly the Canon, Nikon, and Pentax ones.
As to figuring out which one is right for you, the best advice I can give is to go to a major electronics store and try each out in-hand. Personal preference as to how the camera feels in your hand and how it responds to you is a big part of a person's reaction to a camera. Another thing you can do is to go to flickr.com and browse the images by camera model, which will give you an idea of what sort of images they can produce.
Good luck!
If you want to see the images shoot me an Email.
Charlie Gates
If you really wanna work your way into photography at this point with something flexible for sports, events and good ol portrait photography you could give the S5 IS a nod. Try not to get caught up with megapixel count just yet as the one thing you really want is lens reliability. You want something that focuses fast and gives you sharp images even in the worst of conditions. I bought the S5 recently and it has been put to the test in almost complete darkness. The results were sharp images low noise and striking colours were all I got even in the first night. At 8.3 megapixels you get decent size for prints. The one drawback is the inability to shoot RAW images when comercial shots come into play.
Auxillary lens attachments feature with this model as it has one for telephoto use, wide angle situations and close up shots. The S5's super macro feature can focus on objects as close as 0 cm. ( I have recorded amazing clarity, detail and shine on the back of an ant scurrying up a tree. Yes a single ant among hundreds. And this was without the use of the 500D close up lens. My wide angle is peforming well and it should be said that even with the auxillary lenses the weight is not enough to tire you out. I just did a 9 hour event and carrying around this camera, bag and lenses didn't take a toll.
The hot shoe on top provides the option for the use of Canon's external flashes for added creativity. There was a debate on whether the S3 was a better buy cause of the price but as you see the price of the S5 has fallen by more than a hundred and fifty dollars since it release a couple months ago and by all means has already proven it's worth and is a favorite. To get this model and it's varying auxillary lenses which must carry the affordable LA-DC58E lens converter to attach any one of them will set you back about $700-800.
If you are adamant that you want a SLR with lenses you must prioritise you strongest needs and what lens will suit you the most. Do you want extreme zoom in telephotos for nature and sport or medium range to close up for portrait and product shots. When looking for lenses because of the weight factor make sure it has a built in Image Stabilizer (to reduce camera shake and blur in low lighting conditions) as well as the ability to shoot at aperture values of f 2.8 and up.
In the above post Charlie mentions the time taken in changing lenses and the cumbersome task of carrying around them around. The S5 addresses theses problems and falls into the new category of advanced point and shoot or as some may call it "The Baby SLR". As it has fully manual features for optimum control it could act as your entry point into the realm of professional photography. Even when you would have eventually moved on to your prefered choice or SLR brand models this is one to keep around for years to come when excess baggage is not an option but the need must be met.
I hope I have answered your questions and if I haven't good luck in your search. Until next time take care and Welcome to the World of Professional Photography.
In my opinion, Canon pretty much owns the compact/subcompact market, but once you get into the realm of dSLRs, the field is a lot more wide open.
Good luck!
with the research i have found, the S5 isn't much of an upgrade from the S3.
The FZ50 is as close as you are going to get with the design of a DSLR without actually buying one. With the manual zoom and control, it acts more like a DSLR.
They both have rotating screens, but the S5 has a bigger and more useful one (2.5 in.) than the FZ50's 2.0 in.
What i like about the FZ50 is the 3x more optical zoom (15x) and the 2 extra megapixels (10mp).
I keep going back and forth between these two cameras and can't decide either :(
hope this helps...
One of the best ways to learn your way around the camera is to use the program mode and take a bunch of shots of the same subject, adjusting shutter speed, aperture, ISO and so on, then comparing the results.
I'm guessing the add'l flash option isn't usually used by novices so that negates the benefit. A larger LCD is certainly attractive, but perhaps not necessary. Longer video time seems great - especially since I don't have a camcorder. And the red-eye reduction tool seems like it should be very useful. But then there's speed where it seems the S3 has the advantage.
It's frustrating since I haven't had a camera in several years and it was a 35mm. The reviewers say pick which options are most important to you, but I don't have the experience to know.
I'd rather spend only $300 for the S3, but I don't want to be kicking myself later. . . . Help Please!
hope that helps...
I don't have this camera nor have I used it (I do own the S2 IS, though). However, I can offer this link ( flickr.com/search/?q=flash&... ) to a search at Flickr for pictures taken with the S5 IS + the keyword "flash." Page through those and you'll find plenty of the kind of shots you're looking for.
Hope this helps!
Given a picture, on it's own and without comparison, professionals can probably pick up a lot of points where improvements can be made, whereas most amateurs won't be able to do the same.
Pictures taken in RAW can then be further processed in the computer, if need be.
Most amateur enthusiast will just do simple adjustments provided by ' free softwares ' or at best by Photoshop. In this sense, amateurs won't be missing out by not having this mode.
I don't have this camera nor have I used it (I do own the S2 IS, though). However, I can offer this link to a search at Flickr for pictures taken with the S5 IS + the keyword "flash." Page through those and you'll find plenty of the kind of shots you're looking for.
Good luck!
You can also read the review at dpreview.com/reviews/canons... The last page of this review has sample pictures, as well.
For some reason, Ben's link didn't work. Maybe this is the same/similar one? flickr.com/search/?q=s5%2C+...
The link I actually tried to post is this one ( flickr.com/cameras/canon/po... ). I guess my fingers got distracted.
Pretty much the same result, though. :]
Still need any help, Oscar?
The fact is, warranty basically covers fault of manufacture and any manufacturing fault there is should appear in the first few months of use, if not within a year. Once you find there is nothing wrong in the camera within the first year, the rest is careful handling and storage and it will give you a few more years of good service.
Digital cameras are expensive to repair, no doubt about it. But it is also getting cheaper if the current trend is any indicator to go by and used digital camera has very low market value.
In a few years time, you wouldn't spend $99 to repair a camera that probably can only fetch you below $200 or $150. And advances in digital camera technology is so fast that by that time, you probably would opt for something else, may be S7, S8 or S9 if the series is to be maintained.
On manufacturing defects or faults, I'm not sure about Canon in other parts of the world, but Canon in Malaysia will cover manufacturing / product defects whether or not it is still under warranty! My little A70 has met up with its creator 3 times already after it warranty expired due to a manufacturing defect, and I'm happy to say that Canon Malaysia has taken responsibility for it each time, although a hassle, I will applaud Canon!
On manufacturing defects or faults, I'm not sure about Canon in other parts of the world, but Canon in Malaysia will cover manufacturing / product defects whether or not it is still under warranty! My little A70 has met up with its creator 3 times already after it warranty expired due to a manufacturing defect, and I'm happy to say that Canon Malaysia has taken responsibility for it each time, although a hassle, I will applaud Canon!
Try to rub the contact points on the card with a pencil eraser and see what happens.
Otherwise format the card using the FAT16 format command of the computer with the card inserted to a card reader and you may re-format the card using the camera again.
The last resort, of course, is to use another new card because I believe the fault probably lies in the card rather than the camera.
S3is has never strike me as having the same problem, so S5is should not be any different.
I would assume that would depend on what sort of batteries you use. Better, higher capacity NiMH batteries will obviously last longer than Alkalines or NiMHs with low capacity.
Most of the reviews I can find of the battery life stats for the S5 focus on the number of still images you can shoot per charge, and most make no mention of the time you can get out of the batteries when shooting video. However, given that Canon increased the video file size limit for this model from 1gb (about 8 minutes at high quality) to 4gb (a bit over 30 minutes), it would seem safe to assume that they wouldn't have done so without determining that the batteries could hold up to it (if you can follow my slightly convoluted logic there).
In short, I'd recommend finding the highest capacity NiMHs you can. I don't think you're really going to have a problem, but it's good to prepare as well as possible.
Good luck!
I have a S5 IS and I had a set of 1700 mA batteries in it. I had previously shot several hundred images some of which used a flash and at least 10 minutes of video. After reading your post I attempted to shoot video for 30 minutes. After approx. 24 minutes the camera died.
That said I have a 1 GB card in the camera. The card can only hold approx. 8 minutes of video. I had to keep erasing the card and shooting video after it filled up. Another glitch is if you record until the card is full, the file does not want to transfer.
I have enjoyed this camera a great deal and am still learning to use it. However I have used digital cameras for the past 10 years and this is the best so far. The biggest drawbacks I have noticied so far has been posted by other users also. The crappy lenses cap and battery/card door.
Finally the video looks pretty good on my laptop.
charliegatesjr@gmail.com
Would there be a problem if I shoot 30 mins of video on a 4 GB card? the card is supposed to hold 32 mins so there's still 2 min left.
I do not know if 30 minutes will fit on a 4 GB card or not. I think it would be ok, but I don't have a 4 GB card so I can't test it. However as I said before my 1 GB card would give me about 8 minutes of video. I also tested two 20 second videos and two 2 minute videos. One was shot with the lenses cap on and one showing a bright video display. The file sizes had dramatic size differences dispite being the same length. So the video file size will probably vary based on content. I don't think anyone can tell you exactly how much video you can get.
I'm specifically looking for:
1. decent low light conditions
2. better shutter response time
3. manual focus/settings
I don't care whatsoever about super high resolution or in camera "post processing" features, as these are far less important to me than a clear photo.
The Canon S5 has caught my attention.
I've read specs and reviews but I still have some questions.
1. Does the S5 work well in indoor "low light" conditions?
With flash? Without flash?
Many reviews say that they wouldn't use anything higher than 400 ISO to avoid grain, but I'm not knowledgeable about which ISO level is required for a given scene.
What ISO level is required by typical indoor photos where people are posing but may move slightly (birthday party)?
2. The Canon S5 has .5s shutter lag, this seems quite bad to me but is apparently better than average for the slr-like class. Does this camera shoot instantly when manual focus is used? Are there any shooting modes where the camera can take shots faster? (if so how do those work?) This is a big deal for me since I've missed many shots because my camera just wouldn't go when I hit the button.
This is different than asking about the continuous shooting which is 1.5fps.
3. Does the S5 have mechanical manual focus? I've read that the S3 had a digital manual focus through the GUI. However the picture of the S5 looks like it might have a grip for adjusting the focus mechanically? A dedicated mechanism would be a huge improvement.
dpreview.com/reviews/canons...
Neither camera supports RAW format and both have 12x optical zoom and image stabilization. The S3IS also offers a limited 2.3fps continuous shooting mode. The S3IS is about $150 cheaper, too :)
ISO400 is fine with either camera. It's ISO800 where you wouldn't want to use it for pictures larger than 4"x6", and that's subjective. If you have the flash on indoors when you're in low-light, you can easily get away with ISO100-ISO200, and there won't be any blur. Without flash, you'll probably be pushed to ISO800 on any camera, and that's not a good thing on many cameras anyway.
IMO, the S5IS is not worth the $450 price tag. You're in the price range for more professional cameras like the EOS or Rebel, which are much better for the money. Check out the S3IS, the review and at a store. Let me know what you think.
I have considered S3. However I'm really worried about the quality of indoor shots even with the builtin flash. The coolpix looks worse with flash in large indoor rooms (church) because they aren't powerful enough to light up background, resulting in people standing in front of blackness, however without the flash everything is obviously grainy/blury, but at least it is visible. My coolpix consistently ruins this type of picture. It is mandatory that my next camera not do this, even if an external flash is required, which is why I prefer the S5.
Also I have read that the S5 digic III produces better looking photo at higher ISO than the S3, although I do not know if this is really true?. Both these cameras have the same sensor size as the coolpix, which leaves me a bit concerned.
I know the S3 has better continuous shooting. however I haven't needed that feature very much. I really want to know if the S5/S3 have the ability in any mode to snap photos instantly without delay, like a $6 disposable camera.
It looks like the S5 may have a mechanical grip around the lens for manual focusing. Some reviews complained about the S3's lack of mechanical manual focus, but non of the S5 reviews have mentioned that. Can someone answer this?
Anyway, if you don't mind spending the $450 on the S5IS, you won't be disappointed with the responsiveness of the shutter. If you question it at all, though, just go to a store and check it out yourself.
At least with the S5IS, you get the higher MP resolution for better sharpness, a larger (2.5") LCD (which lowers the battery life, unfortunately, although 450 shots/charge is still good), ISO1600 (which is pretty much useless, but the ISO800 is a little better), and up to 4GB of video recording size. Opt for the 2,500 mAh rechargeable batteries, and get a SDHC memory card so your shot-to-shot times are reduced as much as possible.
Also, the S5IS does have manual focus, and actually has a dedicated button for it. I think it's more like the "manual" zoom, though, where the button is pressure sensitive, the harder you push it, the faster it focuses. It's still manual, though, but not as analog as you're probably thinking.
I just don't think the average .5 seconds is very responsive and I'm not sure how bad the worst case is (probably during dark shots).
Specifically how quick the camera is with manual focus and/or the "auto-focus lock" described in the manual (instant or still a delay)? Is there any mode on the S5 which puts an upper bound on shutter lag at ~.2s? This would make the S5 acceptable.
Unfortunately the best buy didn't have the s5 stocked so I can't look for myself. And I am unable to test dark shots there anyways.
The manual focus will be as quick as you're able to focus it yourself. The Sports and Kids scene select shots would put your shutter speed (again, in good light) to about 1/20, or .05.
When they say average, they have to consider all test modes, including, like you mentioned, dark shots. Otherwise, people may sue :)
It's definitely understood that you're wary about buying something this expensive without getting your hands on it. Wait for a test model at a store. You'll at least be able to learn how responsive this camera is in normal light. No amount of reviews or opinions will fully answer your question like time with the camera will. Best of luck.
I was big into the 35MM photography and had a great deal of experience with ISO on film. However with digital I have no idea of what they base it on. That said I have taken good shots that would have never worked with ISO 1600 film on a hand held camera. I have experienced some camera shake but I have been playing with the settings in a major way. Bottom line I have had good luck with the S5 in low light.
I have been happy with the lack of shutter lag. I have taken shots in manual and auto focus mode. I have had some lag while it focuses or the flash is charging but otherwish I am very happy with the s5 performance. I was stuck with a kodak easyshare for the last year which defines shutter lag.
The manual focus on the S5 is worked by pushing a button by the base of the lenses and then a button on the back of the camera. I have learned to work it but it is not intuitive. However with some practice it should be fine.
I have a DVD recorder, if I hook the camera to the dvd recorder, will it work?
Without built in lens cover, you can attach the filters directly on the front of the lens in C5060 whereas with a lens cover, such attachment is not possible.
To solve the problem, S5is has an adapter which looks like the one shown in the picture at <a href="cgi.ebay.com/LENS-ADAPTER-T... site</a>
The adapter locks on to the S5 body and forms a housing around the lens, so that movements of the lens is not hindered.
Filters are then attached to the front end of the adapter.
The same web page also shows the S5is filters that you mentioned.
hope this helps :)
Does the new Sony H9, Fujifilm 8000, and Panasonic latest 18X camera have this feature too?
I can't say for sure, but it would seem to me that it would work in video mode, unless it locks it out like zoom capability is. But since most lock out autofocus functions as well as zoom once you hit record, it may be hit or miss.
It could be due to the S8000fd's 18X zoom that requires a noisier mechanism, or some limitations in their electronics (just a guess).
digitalcamera-hq.com/digita...
You should search for it in google.
If I was operating a portrait shop, a professional whose only concern was selling images or processing them, or had several thousand extra dollars I would upgrade. But if I was shooting for the items you describe this camera would be my choice. If you want examples I will send pictures to you.
Charlie Gates
looks very cheap ! if anybody can help ll be great!
Some of the shady things they do ... price switching, selling of "gray merchandise" (with no us warranty), heavy handed upselling, rude customer service. So be warned.
thanks anyway for your answer !
But I'd have to defer to our editor here code named "Camera" for the details.
I'd also make complaints to the Federal Trade Commission, various state and local consumer protection agencies as well.
imaging-resource.com/MFR1.H...
for technical comparisons of dozens of cameras.
On a more serious note, the burst mode is great for catching facial expressions. But that mode does not work with the flash.
THANX EVERYBODY
Cashed in rewards points and will be picking up the S5 within 6 weeks. thanks again.
I am wondering if there is a way to erase all the pictures at one time off the card while it is in the camera, once they have loaded to the computer.
Also is there a setting to have the flash pop up on its own if it is needed or do you always have to push it up yourself?
Any tips on using this camera anyone has would be greatly appreciated. I stepped up from a casio exilim to this and they are greatly different. My youngest is playing football though and I want to get the closeup shots on the field for my scrapbooking and albums.
Thanks
Susan
Don't think there is a pop up flash button, but I could be wrong.
as far as tips go...definitely use the 'face detection' when shooting people. it does a great job of finding faces and helping you focus on the right things. play with the 'movie' mode. its got a button to start movie recording without going into any menus and while shooting you can even take a still pic! taking the pic will have a little impact on the movie but its really nice to be able to take a pic without stopping and restarting a movie. if you're going to be taking pics of your lil grid iron all star with the camera's zoom, definitely use the image stabilizer. it will make your zoomed in pics just as sharp as your closer ones!
enjoy the camera, i think its an excellent camera and for me, seems very intuitive to use!
I am considering the S5 IS or the Digital Rebel XT. I don't know at this point if I have to go dSLR to get what I'm looking for. I think the S5 IS will be ideal for me based on it's features and generally good reviews.
However, if you are kind enough.. Can you please post some pictures you have taken with the S5 IS? My main photography areas of interest are: Portraits, Macro and Candid (street) photography. But I would appreciate any image that gives me an idea of the S5 IS's capabilities. THANKS!
flickr.com/search/?q=s5is
P.S. Unless you want to go manual on more functions, and want to buy interchangeable lenses and get near $1000 for a camera, the S5IS will most likely be perfectly fine for you. It even has the optional external flash if you end up wanting to keep going with photography. The only big caveat is no RAW mode. But JPEG compression is fine.
As for S5IS pictures, I think you can check out this site for all kinds of pictures, good and bad. flickr.com/search/?q=s5+is
Check out the macros this baby can do, too! flickr.com/search/?q=s5+is%...
some believe that it erases fragmented files and make recording smoother and faster.
There is a long thread discussing this subject which you may find it useful. See <a href="forums.dpreview.com/forums/... site</a>
The Fuji S5800 has a 10x zoom, which you could get just as easily from the Panasonic TZ3. The CCD is the same size as the S3IS or S5IS, making the Fuji's known low-light superiority not come into play on this model. The continuous shooting is also the slowest, at only 1.3fps.
I'm more and more a fan of Fuji... but not for this camera. Of the two, the S5IS is better. With a slight nod to the S3IS. Although, if you don't mind the lower continuous shooting speed, and will manually increase the default sharpness, and don't mind sacrificing image detail for noise reduction... the S5IS is great, too. It's just not the upgrade I was hoping for from Canon.
I'm relatively certain that the feature is indeed not present. As for a workaround, the only one I know of is the trusty old way of firing up Photoshop or whatever program you use to view/edit your photos and crop them after the fact. This is probably the better solution, anyway, since it can be very difficult to judge the quality of an image, let alone how it should be cropped, when you're viewing it on a tiny LCD screen.
Sorry I can't be more helpful here!
The go around way for S5is will be to ' Zoom and Crop ' the picture using Kodak Picture CD. For more information you may want to log on to this site :
kodak.com/eknec/PageQuerier...
Looking at both (although the H9 had to pinch hit for the H7) it's pretty much a horserace, I think. Although to be fair - even though I don't like Sony's focus on proprietary technologies - the H series seems to be slightly more natural in indoor lighting. But not by enough to warranty paying more for over priced Memory sticks.
But, when trying to make a final call, it may just come down to what camera feels good in your hand. Go to a local camera store and check both out side by side, holding them, feeling their center of gravity, the balance. How it sits in your hand. That usually sells me one way or the other.
It's highly rated.
God bless you,
DB
be nice if i could see the color of his eyes.
pat from Alaska
A CAMERA. SOMEONE SAID TO STICK TO A SLR CAMERA.
WITH LIKE A HIGH SPEED MOTOR DRIVE 10 PIC/SEC
AND A INTERVALOMETER. WONDER WHAT THAT IS?
GUESS IT HAS SOMETHING TO DO WITH TIME.
THANKS 4 THE HELP
Now, if you're shooting athletic events, you bet. But for the kind of photography you're talking about, it's kinda like recommending buying a Lamborghini to drive your kids to school where the school zone speed is 20mph or less. What's the point?
Good answer James.
Pat, 18x zooms are available now in the market. you can try your hands on one.
Unfortunately there are no camera shops within 60 miles from my town so it is not convenient to get a feel of the cameras which I would also recommend.
fz50 10.1 mega pixel whereas canon 8 mega pixel................that doesn't matter if you are printing regular size even slightly large ones
fz50 668g wt whereas canon around 420g............................but the heavier build of fz50 is quite stylishly designed, looks like a dslr
fz50 and canon both have image stabilization
fz50 comes with rechargable battery and canon does not come with it
fz50 can make movies 16:9 mode whereas canon just lacks this particular capability
fz50 supports usb2.0 full speed whereas canon supports usb2.0 high speed..........plus point for canon coz full speed is a bit old n slow'
fz50 got a nice powerful lens
if i could afford fz50, i can probably would have preffered buying a dslr and spending some more would have bought me some nice lens kit.
pls suggest me with proper guidence...
what do the others hv to say on dis?
Karin
Thanks for input :)
Thanks
The Sony H9 and Panasonic FZ18 might fit the bill. They are in the same class as the S5 and actually outclass it in some respects (though I still prefer it over them).
Out of curiosity, why don't you want a 4-AA camera?
Good luck!
The reason why I prefer a Lithium Ion battery camera is that re-charge time, camera process time and weight of camera is more in a 4-AA camera than a Lithium Ion battery camera.
By the way, are lithium-ion batteries available as compatible accessory for Canon Powershot S5 IS?
Leslie
No, the Canon isn't equipped to take the kind of rechargeable LiIon batteries you're talking about. However, it can handle CRV3 single use LiIon batteries, which are pricey but which do last quite a long time.
I'm not going to tell you that you're wrong, because it sounds like you're speaking from personal experience regarding your issues with AAs, but I can say that every digital camera I've owned (from the first Canon Powershot to my current Pentax K100D dSLR) has used AAs and I've never had an issue or any sort of performance gap to cameras powered by lithium batteries. I've used 2500mAh NiMH batteries up until very recently, when I switched to Sanyo Eneloops, which have the high power of NiMH rechargeables but don't self-discharge like they do--pretty awesome batteries.
I understand your concern over weight and whatnot, but I think you're maybe a little off-base on your concerns with processing time and charging time--in my experience they're quite similar to lithiums in those regard (and as far as I know battery type--except in the sense that you need enough charge to power the processor--has nothing to do with photo processing speed).
Hope this helps!
Leslie,
as Ben said right, AAs are not bad compared to prop Li batteries.
on a long day, if your prop Li ion battery runs out, you may miss some beautiful moments. here comes the saviour, AAs.
you can get a 4pack and keep shooting till the end.
i am using 2700 mAh in my S5 IS and it gives great backup time.
and about the bulkiness, i got used to my S5 in a days time. earlier i had a small Nikon P5000. this monster is twice heavy as my Nikon. yet, we get used to its ergo.
Have a good day.
Can any one suggest the best settings to use to take high action pics ( sports )on a bright sunny day afternoon in Shutter speed priority mode with the shutter speed set to 1/3200 ? also what would be the ideal setting to use the same shutter speed indoors with average lighting?
"The basic exposure for an average scene taken on a bright, sunny day is f/16 at a shutter speed equivalent to one over the ISO setting—that is, f/16 at 1/100 sec at ISO 100. From this you can interpolate, and try f/22 at the beach, f/11 on a cloudy-bright day, etc."
"To stop action moving across the frame that's perpendicular to the lens axis, you need shutter speeds two stops faster than action moving toward or away from you. For action moving at a 45-degree angle to the lens axis, you can use a shutter speed one stop slower. For example: If a person running toward you at moderate speed can be stopped at 1/125 sec, you'll need a shutter speed of 1/500 sec to stop the subject moving across the frame, and a shutter speed of 1/250 sec to stop him if moving obliquely with respect to the camera."
When focusing on a deep subject, focus on a point about a third of the way into the picture to maximize depth of field, because the depth-of-field zone behind that point is about twice as deep as the depth-of-field zone in front of it. This works for all apertures and focal lengths, but the smaller the aperture and the shorter the focal length, and the greater the distance you shoot at, the greater the depth of field.
There's an interesting article on shooting sports photography here ( photo.net/learn/sports/over... ) which states:
"Most all dramatic sports photos are shot with the lens wide open or one stop from wide open. This is done for two reasons. First you need all the shutter speed you can get, which means shooting wide open, but just as important, it has to do with isolating the subject. As the aperture on a lens opens up, less and less of the photo is in focus. The longer the lens, the more dramatic the change. The larger the distance between the subject and the background the more out of focus the background will come. If you use a long lens and a fast aperture, then your subject will stand out and the background elements will have less impact on your photo."
I hope that helps.
What I really liked about the C750 was the sharp clear pictures, and the excellent pictures I got in low light without a flash, such as in cathedrals or museums. I also prefer the AA batteries.
What I didn't like were the slow shutter speed, small LCD window, and slow start-up time. I've been looking at the Panasonic FZ8 and the wide-angle lens is an nice plus, but would not want to give up picture quality just for that.
I'm don't really care much about tons of features, since 90% of the time I just shoot in Auto mode.
Even though I don't use the advanced features often, there are times when I need them and do use them, so I am not looking for a simple camera. I still love my Nikon SLR (except for the fact it still uses film), and would consider an DSLR but they tend to get more bulky when you add the longer lens.
So that is why I have been looking at the Canon Powershot S5 IS or new Panasonic FZ8. Anybody have any thoughts on these 2 camera or another top extended zoom?
I'd really like comments from anyone who already owns a Canon Powershot S3 or S5, or a Panasonic FZ7 or FZ8. How do any of these perform in low light situations without a flash?
have a look at Panasonic TZ3.
it has got 10X zoom in a very small body.
the LCD is also nice and it has too got loads of features.
S5 usage in low light is very limited. i own one.
Ryan, portrait shots, well, I've been reading, and the rough basic idea is to take your portrait with your target closer to you and your target's background as far away as possible! Other settings you can play around until you get a portrait to your liking, usually go for as large an aperture that the camera will give you (i.e low f value!)
wrotniak.net/photo/tech/dof...
To clarify - the aperature needed for the portraits you describe with shallow depth of field which blurs as much as possible everything except the portrait subject is the largest opening of the iris which is the smallest f-stop number such as f2.8 (SLR's go down even to 1.4).
The focal length typically recommended is 70-100mm for portraits.
That means the shutter timing will be the determining factor of the light exposure so it may vary all over the place depending on the light level.
There are much better options available to you that are more affordable. Like the Canon S5IS ( digitalcamera-hq.com/digita... ), SONY H9 ( digitalcamera-hq.com/digita... ), and my personal fave the Olympus SP550UZ ( digitalcamera-hq.com/digita... ).
Please explain.
Anita, glad you see you found the best camera for you.
Thanks...Laura
Laura,
Canon A640 / 630 would be a good bet for you.
as u r a beginner, you may soon learn the fotography gimmicks and u may want one camera with manual controls and features.
these canons will serve the purpose very well.
Enjoi.
Another issue for video is that even though it isn't in MPEG, chances are it's codec is Motion JPEG. Not the best. Video on a digital still camera is a marketing ploy. VERY basic and as such, you shouldn't have high expectations for it to be on par with footage shot on a camcorder.
Another issue may be the encoding you're using making your DVD. This could also affect it.
The best you can do for either is to shoot at the highest settings possible for the highest resolution.
We all know that any electronic equipment has a expected lifespan. What will the lifespan be on a Canon S5 re flash, zoom ect.
I have also found in the past that the older the camera gets, the slower it tends to become.
Any ideas?
10,000 pictures, though, is 10 pictures a day, every day, for 3 years. That's a pretty healthy lifespan!
Lets look together for our S5 to follow us to our sunset! ha! Although I would think that film cameras and digital cameras are different things so far as the life span is concern!
just follow these simple steps:
1. Have your camera in Record More
2. Press Fn (Function) button
3. you will not see a vertical menu in your LCD screen
4. Use the Directional key to scroll down to the last option ... when this last icon is selected, move the directional key to the right or left. this will select different image sizes.
Enjoi.
Hope this helps.
am i missing anything?
or, is it a problem with this camera?
please help.
1. Focusing object..did you partially press the button to allow the camera focus before full press down
2. Lighting of the object
3. Settings that you have accidentally changed - in this case, suggest you reset the setting.
4. Did you accidentally set wrong ISO?
and so forth.... too lengthy to discuss here...
What I suggest is you set your camera to auto mode and shoot an object under a good sunlight... if the picture still not sharp... guess you might want to call Canon technical support.
Thanks for your reply.
I am comparing my shots with my earlier Nikon P5000.
I am not getting crisp, sharp pictures even in daylight. is this an issue with Barell Lens cameras like S5?
I have not tried using flash. i will try that too.
Has sharpness got anything to do with IS and AF setting?
please help. thanks again.
There are ways to combat this ... better lighting using a third party LED camera light, shooting with night time presets, the flash trick I mentioned.
nyfalls.com/article-photogr...
BTW, MadHav, If you're happy with the answer you received, you can simply click on "Mark for best answer" bubble and it will place the question in the "Answered" category for all to see. Thanks for posting it and Good luck!
The Fuji S9000 is a good camera, but it's the size of a dSLR and tries to be one. It even has RAW mode, with each picture taking nearly 10 seconds to process! And continuous shooting is poor. And pictures using flash can take quite a while between pictures. You can read about it here if you'd like: S9000 - steves-digicams.com/2005_re...
I'd still prefer the S5IS over this one.
And yes, the high quality movie mode and included zooming make this nearly a digital camcorder as well. It's a great camera (try out macro mode, too). Read here for everything about the S5IS: dpreview.com/reviews/canons...
You should also check out pictures of the S5IS at www.flickr.com. Just search for "S5 IS" and you'll have hundreds to look through. Enjoy :)
Fortunately, as well, the S9000 has the zoom ability during movie mode, as well! Almost makes your choice more difficult, doesn't it? hehe
Biggest drawback... the F9000 doesn't have image stabilization!!! At the long end of the zoom, you'll have a difficult time not inducing some motion blur without it. I just have a problem with the F9000 trying to be so much like a dSLR that it fails as a point-and-shoot and dSLR at the same time.
Again, I'm not saying that the S9000 is a bad camera AT ALL. It's just that RAW mode takes forever to shoot in, which makes it more uesless than beneficial... the high-quality low-ISO (ISO200 and below) is wonderful for bright shots outside, but full zoom on even a cloudy day might have problems, and if you're trying to shoot something in lower-light without a flash (without a tripod)... forget it. But I'm not saying to not get the S9000. I'm simply suggesting you weight the pros and cons (poor menu system, no dedicated RAW button but instead hidden deep in the menu system, no image stabilization, small LCD screen and high noise reduction at ISO400 and above...).
1.) Optical zoom during movie mode! You won't realize what you're missing until you use a camera that doesn't have this feature.. it's well worth paying more for, as this camera now doubles up as a video camera.
2.) Great macro mode: Focus to within 1/2" of the subject. And if you have problems with focusing on something, just focus on something else, fix the focus and go back to your subject. Easy as that.
3.) Great outdoor pictures: In good light, ISO200 and below, you're going to be getting the best pictures of any camera in its class. Only in extremely sunny pictures will you possibly see highlight clipping or chromatic aberration (purple fringing), and that's only if you're looking for it and blow your pictures up to bigger than 8x10".
4.) Beautiful skin tone on portrait shots and with people in general: You may need to adjust white balance under tungsten lighting, but in all other respects you should get dead-on skin tone of people you're taking pictures of. The flash works very well, and rarely causes overexposure.
5.) 12x zoom!
6.) Great battery life. Yes, the hassle of "AA" batteries are there. But just get 2 sets of "AA" batteries, 2,500 mAh NiMH preferrably (Energizer, Sony or Royovac are best, in that order) and a battery charger, and you'll be all set for hundreds and hundreds of pictures between charges.
7.) 8MP: You can blow up pictures to well above 8x10" without any loss of detail. Just make sure you shoot all your pictures at highest detail (heck, with memory cards this cheap, why wouldn't you?!)
8.) Point-and-shoot: Canon's user interface (yes, it's arguable, but I'm sticking to it!) is easy to use and simple to navigate. You won't be stuck staring at your camera trying to set something while the picture you wanted to take moves right on by (with a little practice, of course :))
No, you'll be happy with the S5IS. I think the only annoyance I have is the lens cap that you have to manually put on vs the lens automatically closing upon shutoff... and maybe flipping up the flash when you want to use it (I actually like this feature, because too often the flash goes off when I didn't want it to, like at weddings! OOPS!)
I'll be happy to look at your pictures and, if necessary, help you try to fix any problems you're having. Just post back on this thread, and I'll be tagged for your post :) Enjoy!
who knows......???
thanks
Paul
If you're willing to spend the money, definitely go for the Rebel XTi. It has the manual options you're looking for, the ability to improve your skills and let you grow into the camera, a fully bevy of lenses to choose from, and great picture quality and performance. The EOS 400D is something you'd want to look at. The kit lens is OK, but you may want to just get the body and buy a really good, flexible lens (like 28-70mm or thereabouts) because I guarantee you'll end up tossing the lenses once you get better with your photography skills. However, if you just want to get the lens (it's only about $90 when you consider the kit price vs. body price), that's fine, too, because you'll get $90 use from the lens before you upgrade.
I can't tell you enough that a dSLR like the Rebel XTi is by far the better way to go than the S5IS.
Thank you for the information Matt
320x240 @60fps was first introduced in the S3IS and has carried over to the S5IS. Are you asking why they bother with a 30fps on the 320x240 resolution when they're offering 60fps for it as well? If so, the only answer is "versatility."
If you're instead wondering why 640x480 @60fps isn't offered, then all I can tell you is my guess: It would take 4MB/s, or only 18 minutes on even a 4GB card. There may also possibly be technical issues at that high of a setting, too... bandwidth issues when recording such high quality video with audio. I'm not sure.
Thanks
Oh and if anyone has any other suggestions for this type of zoom video feateur for another camera please suggest that too since I want to compare but this was the only one I was able to find so far. But I do like the higher MP and Zoom on this one - I would consider the same zoom and mp as the Fuji but if i am going to upgrade (for the third time in so many years) - I might as well get better zom and more MP
So either this one or anything else anyone knows about and can suggest - thanks
On software to reduce the noise, you could use Photoshop. If you don't have it, then you could try NEAT IMAGE, it has a free version for private use. Just google it.
I'd like to give you a guaranteed yes/no to your question, but it will depend on what you end up choosing. Best of luck!
You can of course buy other available lens cap in the market to replace it. I would normally hold the lens cap with my thumb when putting into the beg... this way, the lens cap would not drop off. Try it..it is effective.
Yes the cap is flimsy, but avoids damage when switching on your camers with the lens cap on. It just pops off without any issues. If the lens cap was any tighter, the camera's lens motor would break after a couple of times.
Just be carefull when you pack the camera away...
Tom, can you describe in more detail how you did what you did with the O ring? It seems to be a very inexpensive way of solving the lens erratic popping behavior!
On the other hand, Kelley, you could decide on getting a lens adapter and the getting a new lens cap together with that adapter. I found an online shop selling this at lensmateOnline, it's extra bucks (not that much, about US$30), but it solves the problem. You'll get protection for your lens, and also it's part of the parts to get if you decide on upgrading for maybe a wide angle or tele converter, or you could even just attached some lens filter (like UV filter, or some other effects filter).
These types of "O" rings can be found in hardware stores such as Ace or True value. The overall diameter is 1/2 inch and the ring itself is 1/8 to 1/16 of an inch and made of silicon or rubber. I use the 1/16th. The ring can be any length really as they are cut to fit. Because they have a natural curve to them, I placed a piece between one side of the cap lens cover and the adjustable plastic insert and this curve holds them in place. Do NOt use any type of glue to secure them as this will damage the cap.I only use it on on side so as not to interfere with the lens motor. I tried both sides and it was far to tight. The cap will still pop off if forgotten. The "O" rings can sometimes be found in varying lenths and diameters and a single "O" ring will cost about 2-3 cents each. I put several pices in my camera case in the event one falls out. They are, after all, not secured. I hope this explanation is more help than harm.
Tom
Without the adapter, you have to shut off the camera to attach the lens cap. With the adapter, you can put on the cap without the lens retracted. This way, the camera is on and ready for your next shot, but the lens is protected from dust, dirt, fingerprints, rain, etc. You will hardly ever have to clean the camera lens--just the clean the filter when necessary. You can also use a polarizing or other filter, which is not possible without the adapter.
The adapter can also be used with either a wide angle lens or telephoto lens, available from various sources, including lensmateonline. (No, I don't work for lensmateonline!)
Besides all that, I think the camera looks a lot better with the adapter mounted.
You're going to get sharper photos with the 12MP resolution Canon A650 IS ( digitalcamera-hq.com/digita... ). You do have half the zoom capabilities though, if that makes a difference. As for low light situations, you need to look at the max aperture settings for the cameras. You get a slightly wider aperture with the Canon S5 IS ( digitalcamera-hq.com/digita... ), but not enough to make a difference. Another factor to look at is the ISO settings, as I mentioned in another answer ( digitalcamera-hq.com/digita... ) to some of your questions. If you use a higher ISO setting, you will have a more visible photo in low light, but you do increase the amount of "noise" or graininess in the photo. I would also recommend a tri-pod or mono-pod for low light settings. You will decrease the amount of camera shake even more when using these. Good luck and happy shooting.
Andrew
Do you mean, can the movie hear the clicking sound while shooting? If so, it shouldn't be that bad. Which camera were you asking about for the movie quality?
Andrew
Thank you for your answer. The A950 IS or the A650 IS, canon are the ones I am currently thinking of buying. The clicking was more audible while shooting in the 650. For both A quality pictures and movie shooting, should I go ahead with the A950 IS and ignore the clicking sound while shooting especially when and if zooming.?
I have honestly not shot movies with either of these cameras. If you want to get a demo, you might be able to go down to a Circuit City or Best Buy in your area and test the cameras on site before buying. I would recommend that to anyone buying a camera. The camera should feel comfortable in your hand, and it gives you a better idea of the features before you buy. If I heard the more audible click and zoom when shooting video, it would bother me, and I would go with the quieter camera (if I was shooting more video).
Andrew
Andrew
You're probably going to get more out of the Sony H9 ( digitalcamera-hq.com/digita... ). It has more optical zoom, a wider range in ISO settings, and the HDTV output settings. I would still set the camera with the same settings to shoot the way you want to.
Andrew
Andrew
Superb camera, I have had mine for about 3 months, and I am very happy with it! Definately better than the H9.
When you get used to the camera's functionality, you can start playing with the different fuctions
Step 1 - Try something new.
Step 2 - It doesn't work the way you want it to.
Step 3 - Get help, read your manual, ask questions, go to the camera store and ask questions, read internet forums and ask questions...
Step 4 - Go out next time with new knowledge and new ideas on how to make that shot work for you.
Step 5 - Have lots of fun learning how to get the most out of your camera. You'll be making lots of good memories.
Larry
Alternatively, you can consider entry level dSLR without having to invest in extra lens.
If you or someone else has more to offer I surely appreciate all input.
What do you mean by SLR-like? Just that the camera looks like an SLR or do you expect SLR quality pictures?
What kind of weight can you handle? 1 pound OK?
Toss some details at me and I'll try to help out if I can.
In any case, I would suggest getting your camera sooner rather than later and practice a LOT before your trip. Especially go to a beach if you can on a bright day and learn how to get the exposure right on YOUR camera in those bright situations. You are going to be taking some of the most difficult photos possible -- white on white. You will need to get your shooting in early and late in the day when you can get shadows to help you get the bears to show up on the snow. Midday photos won't have enough contrast unless you can get them in the water or at least water behind them.
Best of luck, Larry
I have not used any of them but am judging by specifications and reviews read. None of them are bad cameras, but the reviews put the Panasonic ahead with a better lens, better continuous shooting mode, bracketing, conversion lenses and slightly longer zoom. The Fuji is not quite as sharp, has a plastic tripod mount and is a little heavier. The Olympus is limited to a maximum 4 second exposure and uses X-d cards (which only matters if you already have a bunch of SD cards).
However, since they are close, if any one of them really feels significantly better to hold in your hands that could easily be the deal maker since we so often talk about the "shot I almost got". A comfortable feel with controls that fit your fingers versus NOT can make more difference than you might imagine.
I would suggest clicking on the word "Resources" near the bottom right of this page and begin researching these three cameras for yourself so that you can decide which deficits are unacceptable to you and which strong points will really matter to you. Then hit the stores and heft them and try the controls. Lastly, begin practicing especially the early and late in the day shots to get ready for this fantastic trip you have planned. Wish I could dig into these cameras a little more for you, but my time is short with Christmas preparations right now. Best Wishes and have a blast with your new camera!!
1. Keep your camera protected from moisture and cold the best you can. That means keeping it tucked inside your coat anytime you aren't shooting with it.
2. Watch out for moisture condensation inside the camera when you go from cold to warm areas. When you are finished using it out in the cold zip it up in a plastic bag with all the air squeezed out the best you can. Then when you put it in a warm spot, leave it alone in the bag until both have warmed up. Then you can get it out and used it without worrying about condensation.
3. Do your best to prevent exposure to salt water spray by keeping it covered up when outside (even a piece of cloth draped over it will keep that light spray off). If you get any salt water spray on it wipe it down with a dry soft cloth as soon as practical to prevent corrosion.
4. If you want to be really compulsive with your new camera, when you return from this fabulous trip drop your camera off at the camera tech for a good cleaning to avoid internal corrosion from salt.
5. IMHO, even if you ruin the camera as a result of this trip, it will be worth it!!
Larry
So prepare more than sufficient batteries and memory cards! On this note, your consideration of a camera should take into account of the type of batteries and memory cards the camera use! Usually AA NiMH batteries and SD Cards are a much cheaper option than say propriety Sony models which only takes memory stick (which are more expensive than SD) and usually use Li-Ion batteries. Li-Ion on one hand usually gives you better running power, on the other hand, it's more expensive to get spare sets, and some times, you won't be able to get any standalone charger to charge the batteries, you wold need to charge it through the camera!
It all much depends on your usage, if u use LCD to shoot.. the lifespan will be shorter. Averagely, a fully charge NiCd battery would be able to last you at least 300 to 400 shots, provided you don't drain the battery by zooming in and out.
Flash is another massive drain on your batteries so you may find your night experiences a shorter than normal. The smartest buy is to have NiMH batteries. I use Duracell rechargeables with the 15 minute charger combo. It consistently gives me in excess of 6 hours of shooting time and always remember to remove them from the camera when not in use because that also causes additional drain.
To prolong the life you can use the viewfinder instead of the LCD, although it isn't nearly as effective when it comes to reviewing your last shot. With the right knowledge you can get a whole lot out of one single charge.
What you have read is not true.
Can you expand on that or point me to some articles where I can learn more? what is the difference and why would it effect the slr type and not this one?
I've have my S5 for the last 3 months, and I am very pleased with it. I have experienced some difficulty with the camers focussing speed (with flash) as soon as I try and take my first picture. The delay can be as long as 5-10 sec's. After I have taken the firts picture the camera seems fine. Anybody with the same issue?
Another tip is to go to Canon's website ( usa.canon.com/consumer/cont... ) and look for firmware updates. Download and install them.
Also, remember that with point and shoot cameras you have a certain amount of shutter lag as the camera refocuses and shoots the shot. This can also be that the time it's taking is not only to focus for the shot and choose settings, but if in flash conditions, charging the flash's capacitors. You can cut this down by prefocusing your camera before taking the shot and panning with the action as it occurs. That way the camera is already set and ready to go.
No need to lose the moment because you relied on one card one when several can solve that problem. At the very least, you want to get more than one of whatever size you settle on.
One last thing. Cards have different speeds. The faster a card is, the quicker it'll save the photo and cycle to be ready for another shot. In the end, your camera is only going to be as fast as it's slowest link in the chain. So check for speed when you purchase a card.
Personally, I prefer SanDisk cards. They are a leader in flash memory and are very competitively priced.
In terms of capacity, I agree with James on the advantage of using multiple cards instead of one large one with this caveat--
There is an unconfirmed rumor going around that if you are shooting video and hit the end of your card (no matter the size) you won't be able to view the video because it couldn't close the file properly. That means we have to pay attention to how much is left on the card when shooting movies.
Currently 4GB SD cards seem to be at a good price point. Try Amazon.com or Google on "secure digital memory card 4GB".
Larry
Just to inform you, I've contacted Canon on card capacity/type suitable for the S5 as I just purchased one a week ago.
This is what the Canon tech told me in his email: -
"With regards to your inquiry, Powershot S5IS can support on SD card maximum
up to 2GB and SDHC card maximum up to 4GB. If you use anything bigger than
the above it will be very slow."
So mike, I hope you haven't gone and buy any 4GB SD or 8GB SDHC... but if you had, maybe you can comment a bit on whether it is "very slow" as the Canon Tech informed me! I would have like to use at least a 8GB SDHC card since the camera can go for a 4GB size movie!
SD cards are limited to no more than 2GB. SDHC cards range from 4GB to 32GB per official manufacturers specifications.
Panasonic makes an 8GB SDHC card that is class 6 and 150X speed. If it won't work in the S4is without slowing it down, then Canon is at fault in their design. I would be very surprised if that were the case.
1). S4? I can't tell what the question is.
2). S5is --- No RAW. Only JPEG. No Pepsi. Only Coke.
3). Depth of field control is difficult with P&S digital cameras due to small sensors and physically inherent large DOF - meaning it is hard to make the DOF shallow, but it can be done. See this URL for details -- wrotniak.net/photo/tech/dof...
Basically, for those who don't know, to blur the background while keeping a good focus on the subject you open the iris using the lowest number f-stop on your camera - say f 2.8 - and try to place the subject so that whatever background you have is located as far away as possible so as to be beyond the depth of focus and therefore blurred. Very nice for outdoor portraits.
You can do a similar trick with small objects such as flowers by shooting up close, even using macro and use flash with a shutter speed of at least 1/1000 second. The result is a beautiful flower surrounded by total blackness.
4). No comment from me on your going ape. Someone would complain no matter what I said.
5). I'm guessing your 1GB and 2GB cards are SD and your are not shooting continuous mode on them. For continuous mode shooting you need Class 6 speed to avoid slowing the frame per second rate.
6). If the 4GB card crashed fast it may be because it is SD and not SDHC. 4GB was never approved for SD cards though some manufacturers made them anyway and they did work in some applications. Specifications for SDHC cover 4GB through 32GB (and use FAT32). You may be able to recover whatever is on the 4GB card with F-recover found at this site and free --
filerecoverytools.com/produ...
7). 2GB card yielding 15-16 minutes of VGA video on the S5is is just what the Canon website says to expect.
Canon website specification page for S5is can be found here -- usa.canon.com/consumer/cont...
8). Above posts by Tigervyh have informed us that Canon tech says using any card with more than 4GB capacity on the S5is will actually slow the data transfer rate. I can't confirm or deny this. According to SDHC manufacturing specifications, listed on Wikipedia, only the Class (speed) should be involved in slowing anything down. James rightly points to the firmware update capabilities of this camera as a way Canon could correct this problem and maintain full speed right on up to 32GB.
Start slow and taper off -- Larry
Thanks Larry and others for the answer. I will be shopping for a Class 6 card. One of the reasons I am upgrading my current point and shoot digital is the slow response time.
Ray
S has a zoom with two parts. It pauses at half scale, push the lever and it goes all the way. this seems to be a lot higher than 12 power. How do I use this? thank, marvin
You have found the digital part of the zoom abilities of this fine camera. Just remember that if you are shooting at the largest and finest setting, then zooming past that pause point will cause deterioration of the image just the same as if you had reduced the number of pixels. You may want to read pages 38-42 in the manual to get a better handle on this subject. You can get farther out on the zoom by using a smaller picture size (page 38) but remember that this effectively reduces the number of pixels in play and that reduces your ability to enlarge the photo on paper or on computer screen. It's alway a compromise so what you want to know is how to get the most out of what you have to work with. Study pages 38-42 and you'll know when you can get away with 24X or even 48X. Larry
lensmateonline.com/newsite/...
Are there advantages to getting one over the other?
Is there an advantage, from the photographic standpoint, of having a 52mm over a 58mm?
The 52mm adapter is more for attaching filters, lens hood (for reducing unwanted light refractions?). And also if you need to take lots of Macro shots, as the 58mm adapter occasionally will cause a slightly shadow from the flash at the edge.
Read up on the description on lensmate online, you should get an idea what you need.
I would definitely opt for the Canon S5 ( digitalcamera-hq.com/digita... ). The longer zoom and the ability to purchase an adapter tube for different lens adapters make this the better choice for a safari. I had an S2 for a while and loved it, but graduated up to a dSLR. You might think about that if price is not a concern. Good luck and happy shooting.
Andrew
dSLR's are great if you have someone to carry all the lenses for you while you do the shooting. And how about keeping that CCD clean out in the savannah when you do all those lens changes. I'll take the G9 anyday and everyday which is exactly what I do now. I carry it with me in a small fanny pack all the time and get those shots you might miss because you didn't want to carry (lug) that dSLR and case on the day you saw the most beautiful sights.
Get a small 12volt inverter that plugs in the cigarette lighter and use that to power your G9 battery charger while you are riding in the Land Rover. Of course you will need two or even three batteries for such a once in a lifetime event.
If you ever do "outgrow" the G9 you'll know you are ready for a dSLR.
It's still true that you will get your best photos around sunrise and sunset so skip breakfast and go shooting every morning. It's fun!
Best wishes to you and good luck camera hunting and traveling. Larry
0. The G9 with adapter lenses will not perform up to the XTI
1. If price is not a problem, dSLR's will outperform point and shoots any day
2. dSLR's are heavier and bigger and involve multiple lense and carrying cases. You must be prepared to lug this stuff with you or you won't get ANY pictures
3. Typically, the lenses that come in a kit set with a dSLR are not very good. So, if you are going dSLR buy the body and 2 or 3 really good lenses to get the most out of the dSLR advantage. With dSLR's you'll really regret going on the cheap.
4. For normal size prints (say 5 x 7) it will be difficult to tell the difference between the XTI and the G9. However, Since the XTI has a faster lens and faster shutter speed including focus time, you may be more likely to get a good picture with the dSLR than the P and S G9.
5. I think it takes longer to master dSLR than a P&S but once accomplished dSLR has greater capabilities. You really have to be serious about your photos to make the dSLR worthwhile, but since you travel a lot, if you put the time in to learn the dSLR you'll get great shots.
6. A lot of folks on the forums that have mastered their dSLR's still end up buying a P&S just to have with them all the time and not have to lug the dSLR stuff everywhere. Sooooo, if cost is no object why not consider jumping in with both hands and buy both for your next trip? While mastering the dSLR you can always grab the P&S and get the shot. And with the G9 you can store RAW and JPEG simultaneously allowing for post processing to help out for inexperience. By purchasing both you can choose which (or both) to take out on any given day depending on your planned activities.
My recommendation? Buy both and get started having a blast with them ASAP.
Larry
To really decide what you want, you have to look at your budget and how much time you want to invest into photography. If you have the funds and the time, I would definitely recommend purchasing a dSLR with a couple good lenses. Good luck and happy shooting.
Andrew
And Andrew is right too. Its about being ready for the dSLR. I used to have a couple of SLR; Nikon F50 and Minolta, plus 3 macro and zoom lens to 300 mm. I just took them out realized that they weigh a ton. I guess the new lens are lighter.
Well, thanks guys, I will get the G9 to try out for now and who knows by July, I may get a dSLR for the Safari.
The question then will be: which dSLR: Canon or Nikon??? Now the fun begins again.
In the Spirit of Photography.
AT
I just know you are going to enjoy your new G9!
Larry
I got a New S5 IS from Canon Powershot recently.
Does Fishy Eye Lens or Wide Screen (4x) lens Worth Buying if we are looking for a different shot (through Fishy Eyes) or Wide Picture Capturing (For Landscapes/Family Shots) ones...? Please Suggest me in this matter. My Knowledge is very Poor when it comes to decide about the Lens and its Features.
optional Wide and Tele converter lenses extend the focal length from wide 27mm to super-tele 648mm (35mm film equivalent). A Super Macro mode with 0cm shooting distance and optional Close-Up lens 500D (58mm) allow for detailed macro photography. Safety Zoom allows users to extend the camera's zoom range without interpolation affecting image quality - images can be captured at up to 24x zoom with enough resolution for lab-quality postcard (10 x 15cm) prints. Photographers can also enable the Digital Tele-Converter3 feature for added telephoto reach (1.6x or 2.0x) on every shot, without the reduction in aperture typically caused by optical tele-converters.
Thanks again,
~hiral~
Thanks for all your help.
The S5 is *not* an SLR. You can't put fisheye things or wide angle lenses on it. The only thing it takes are called "converters" that attach on the outside.
That said,
There are certain things you can attach to it, but I do NOT recommend them. I've used the wide converter before, and it causes whites to bleed around the edges. I didn't even have to put them on the computer to see this.
Yes, buy speedlite. I have the 430 ex and I use it for every indoor shot and every night shot. It is almost quintessential.
Second,
The S5's range is not 27 mm. It starts at 38 and goes to about 460 or so before digital zoom starts. The problem with a teleconverter is that it will slow your camera down a few stops; that is, will make it perform worse in low light. The advice given above to use the onboard settings is the best advice. Any teleconverter does this, that is why they are best for professional cameras shooting in strong light. The S5 is *not* a professional camera and it is plagued (maybe not so much) by some of the problems that smaller cameras are also plagued with.
I own an S5 and I have shot over 15,000 pictures with it. It's a good camera, and I know what I am talking about.
Some of the information presented above was factually incorrect, prompting me to write this. If anyone has any more questions, don't hesitate to ask.
If and when your fiance gets better a photography, then s/he will probably outgrow the camera, and then they will know what they want. My next camera will not be one of these.
Also, check out the canon SX10, it's only a little more, but it's newer than this model and it has more zoom. I've played with it and I like the handling of mine better, I think it's easier to navigate and select setting on the S5, and since the pixel size is smaller than the SX10 my camera produces less grain.
You can also check out the SX1, same body, different/better sensor than the SX10.
Helpful?
Thanks a million
I recommend the sanyo eneloops- they hold a charge much longer than any other type of rechargeable battery, I bought two sets for the flash.
They retain 85% of a full charge in a year's storage. (They probably will discharge faster if they're IN something, but if you keep them separate in a bag as a set in rotation, they're almost guaranteed to be full.
UV filter add-on may be an option, that I am not sure on.
What was incorrect was the suggestion of adding on of other lenses. The S5 is a fixed lens, power zoom camera. Converters and things snap around the lens, but the lens itself does not come off.
Also the suggestion that S5's zoom range started at 27 was incorrect, but the writer may have been referring to what the wide angle converter does, in this case that's probably correct.
Also, a sturdy tripod was a good suggestion, one that I didn't think of.
I bought S5 not too long ago, and what I really want to do is to take portraits or pictures that blur the background, and make any subject I want to emphasize on, stand out. So far, any pictures I take just look regular, just like those that I took with my previous Point & Shoot cameras. I read this whole forum for hints as to whether I can get a lens to make that effect, but it looks like any lens I can get would only decrease the quality of my pictures. Is the blurring effect produced by the manipulation of functions within the camera or is it something that the lens does? Please see the link for the effect I'm talking about. Please advise on how can I get that effect in my pictures.
Thank you for your time.
[url]flickr.com/photos/myluvmyla...
I too want to add a Telephoto lens.
After I read the post I realize that the tele converter lens is the only lens I can add to the S5 because the actual lens is fixed, that's why it's call "Tele Converter" lens, is that correct?
I just want to get nicer shot that it would take more details in foreground, so I need to add the tele converter lens, is that right?
If it does, please suggest specific detail of the lense I need to get. I just want a simple on, inexpensive.
Thanks in advance.
But "liberal LCD" screen use will kill just about any battery.
BTW - If you're happy with the answer you received, you can simply click on "Mark for best answer" bubble and it will place the question in the "Answered" category for all to see. Thanks for posting it and Good luck!
I had an older version of this camera (a S2 IS), and it worked well on action shots if the light was good. This camera has a higher ISO setting than my old one, but you still might find it waning in low light situations (like a gym or auditorium). I would recommend spending the money on a dSLR camera and a wide aperture lens (f/2.8 or wider). This may cost more, but you'll find the functionality a lot better.
If you don't want to spend the extra cash but still want a decent working extended zoom camera, I would go with something like the Olympus 550UZ ( digitalcamera-hq.com/digita... ). It has an 18x optical zoom, dual image stabilization (sensor and digital image shift), and an amazing ISO range from 50-5000. While the ISO 5000 shots will have more "graininess" in them, it will work a lot better in low light situations. Good luck and happy shooting.
Andrew
Since you can't get the gym people to install more lights (and assuming you don't want to shell out the big money for an SLR your only option here is a big flash unit. That means you need a camera with an external shoe.
So the Canon 5Sis wins in my view for your stated purposes. (Also, if you decide to get an Olympus get the 560 instead of the 550).
Larry
We're glad to help. If you feel one answer was the best, please mark it as the best answer. Come back to DCHQ ( digitalcamera-hq.com/digita... ) with any more questions or issues. Happy Holidays.
Andrew
I am looking at these cameras. The Sony T70, Canon 870, and the Canon 950. The 950 is a little out of my price range, but I just want opinions. I want to know which has the better image quality, more zoom, I basically just want an opinion on these cameras. Have you used them before? Which is better and in what ways?? Please explain your answers. This is worth 15 points. Please help quickly. Thank you!
I'm outlining the major specifications for the three cameras in the following order: Canon SD950 IS ( digitalcamera-hq.com/digita... ), Canon SD 870 IS ( digitalcamera-hq.com/digita... ), Sony T70.
- Megapixels:
12.1 vs 8 vs 8
The extra resolution will be noticable in large poster print sizes, if you're not printing over 8x10" or just placing the photos online, you won't see much difference between the 12 and 8 MP.
- Optical zoom:
3.7x vs 3.8x vs 3x
I'm a big fan of optical zoom. The more you can get the better. Digital zoom will cause you to lose resolution, so I try not to use it at all. In the case of these cameras, the difference in optical zoom isn't that big.
- ISO Range:
80-1600 vs 80-1600 vs 80-3200
There is a bit of an argument about the pros and cons for a higher ISO setting. While you do get more noise or "graininess" with a higher ISO setting, you get a lot better performance in low light settings. I like the higher settings and just use some software, PaintShopPro, for noise removal after transferring to my computer.
- Manual Exposure Capability
yes vs no vs maybe
The Sony gets a maybe because it is not specifically called out on camera's specification site ( sonystyle.com/webapp/wcs/st... ) but it does site step increments for exposure control. This leads me to think you can control the exposure level manually. I like this because you can adjust the camera to do what you want it instead of just auto settings.
- Image Stabilization:
yes vs yes vs yes
This is a great feature to have in low light settings and/or if you have shaky hands.
- Face detection technology
no vs no vs yes
While this may sound neat, I've heard some issues with this. If your subject isn't smiling, the technology doesn't work as well.
All in all, I like the Sony T70 the best. The ISO 3200 setting really does it for me. I also like some of the other features that come with the camera like widescreen capability and the smile technology sounds very interesting (takes pics automatically when the subject smiles or laughs). I'd be interested to see how that works, but the camera seems pretty functional beyond the tech stuff as well. Good luck and happy shooting.
Andrew
Tyler
I'm glad we could be of assistance. Please come back to DCHQ ( digitalcamera-hq.com/digita... ) with any more issues or questions. Happy Holidays.
Andrew
You chose the Sony T70 because of the ISO setting.
I have no idea what ISO is or what it does for your pictures.
Could you please explain why a higher setting is good to have.
Thanks!
ISO settings are comparable to film ISO settings. These numbers refer to how much light is exposed on film in a certain amount of time. The higher the number, the more light. They actually have a one to one ratio. For instance, ISO 1600 will allow twice as much light in as ISO 800. In film, its how fast the silver halides change when exposed to light. The settings in digital cameras were made similar for an easier translation from traditional film photography.
One thing to be aware of with higher ISO settings is the increased "noise" issue. Higher ISO settings do cause a greater amount of graininess in the photos. This can be reduced with noise reduction options in photo software like Paint Shop Pro and Photoshop.
To sum it up, higher ISO settings let you take more visible pictures in low light situations.
Andrew
So you told Sony T70 will be the best choice from compacts? What will be the best choice now from compact cameras?
From the choice of the three cameras outlined below, I liked the Sony T70. What are you trying to do with your camera? You can see some differences in top rated compact cameras here ( digitalcamera-hq.com/digita... ) for a better idea.
Andrew
Some of the Canons have face recognition technology, but not all. Thank you for pointing out my error above though. The Canon SD950 IS ( digitalcamera-hq.com/digita... ) and the SD870 IS ( digitalcamera-hq.com/digita... ) both have Canon face detection technology. I have heard its not the best when people don't have a big, teethy smile either.
The Canon SD950 IS ( digitalcamera-hq.com/digita... ) does have manual exposure control, not focusing though.
I need a camera to take a good picture, it has to be small enough to put it into the pocket. That's basically everything what I expect. Pictures I'm taking during the trip, party with friends/family. And if I want to take a picture of nice view (mountains, architecture), it will allows me to do that and everything will be visible on the photo. Price, I don't really want to pay more than $300-$350, but to be honest I have no clue how expensive is the camera, which will satisfy my "huge" expectations. What would you recomend me? I am a photo amateur.
Sebi
You should be able to get all of that and more. Something like the Panasonic Lumix TZ3 ( digitalcamera-hq.com/digita... ) might be a great option for you. It is small enough to fit in your pocket, has an amazing 10x optical zoom for better close ups, and a wide angle lens (28mm equivalent) that will help with your landscape type photos. It also has some settings that enhance low light photos without a flash (image stabilization and higher ISO functionality). You can also pick it up for around $200 right now, so that is well below your budget, but still has all the functionality you're looking for.
Andrew
Maybe there is different equal option, because I hate this design of camera....:P and I don't think I will be using so big zoom. btw, do you know how does look like photo in 10x zoom made by this panasonic?? is it quality the same like without zoom?
sebi
I have a plan of buying a camera and for some reason i hold canon as better compared to sony,as snaps out of canon are really good, can you suggest me the best one in the canon brand,major features which i look for are :
1. good amount of optical zoom with IS
2. More Pixels
3. manually configurable
4. pretty good memory slot
more over my craze for camera being good is, when i zoom on to the picture on my PC, the pixel should be clear and the picture should not get blurred for a good fare amount of zooming
I have an eye on A570 IS , A590 IS, SD870 IS and SD1100 IS.
Kindly suggest me the best one,as this camera is one i am looking for from long time.
Will look on for your valuable reply
While the cameras you have listed are decent, they won't have the zoom you are looking for. I would recommend the Canon S5 IS ( digitalcamera-hq.com/digita... ) to suit your needs better. It has 12x optical zoom with image stabilization. This camera also has a shoe for an external flash and can accept extender lenses with an adapter tube. This will give you even more flexibility. At 8 mega-pixels of resolution, you'll find it more than capable for large size prints.
If you feel this camera is too large or too much (around $300), you can try the Canon SX 100 IS ( digitalcamera-hq.com/digita... ). It also has a 8MP resolution and 10x optical zoom, but is a bit smaller in size and runs around $200.
Both cameras have manual controls for focus and exposure. They also use SD memory cards and AA sized batteries. Good luck and happy shooting.
Andrew
I go for canon 870 due to it is wide angle, and better image quality, also partly becos of its large lcd screen.
You pretty much hit the nail on the head. If you want high quality pictures buy a Canon.
Also for the people buying a camera based solely on the Mega Pixels read this. 6mpixel.org/en/?
first, I appreciate your work.
I own a t70 and im unable to capture an image with more than 2.5 mb of size.
could u help me in taking a image with more size (which increases the picture quality) so that image wont get distorted when zoomed.im worried for this since last 4 months.i shoot in day light and my maximum pictures contains faces..plz help
The image size will depend on how much detail there is in your picture. If you take a shot of a blank wall the size will be much smaller than if you take a picture of grass. If you take 10 pictures of with different subject matter, they will all be different sizes on your computer.
btw, in auto settings with flash on, and shot with a distance of 1 to 2 meters from the object(with face detection ON), the image is good but when zoomed in, the image is getting distorted. How to get rid of this. though the image dimensions are 3072*2304 in 8 mega pixel setting.
And can u plz explain the term NOISE in photography.
tnx once again.
Digital noise comes from two main sources. The first being the inherent noise in the camera's sensor. This is exacerbated by heat buildup on the chip from multiple exposures or long exposures, or by having many photosites clustered onto a small chip. Digital SLR's have less noise than point and shoots cameras because the image sensors are much larger. The second source of noise is from the ISO rating. The ISO setting amplifies the signal through the chip, much like turning up the volume on your stereo. With the volume at 3, you can't hear the noise in your stereo, at 10 you hear the hiss through the speakers. This is amplification noise.
Noise Ninja and Neat Image do a good job of making it less noticeable, and in some cases almost eliminate it altogether.
what about this PHIL
Thank You,
Rosh
I usually do research on cameras. To my knowledge one should always look in to Megapixels, Optical Zoom (dont even worry about digital) and aperture (especially when used for indoor shooting). and ISO range
8-10 Mepapixels is really good
3x is ok , 4X is good and 5X optical zoom is better
coming to the aperature , It should always be high. For instance say f/2.0 is better that f/4.0
let me define few terms
Focal lenght: the distance between the camera lens and the sensor is called focal lenth. For a good camera the focal length should
be always less. f is the focal lenght
Aperature : is the maximum opening of the lens. say if aperature is f/2 , then the lens gets opened by half of the
focal length which enables to gather more light and thus avoids the use of flash. Now a days we can get a maximum aperature of f/2.8.
Note . a camera with aperature f/2.8 is far better than a camera with f/3.5 and also this will be little expensive than the later one.
Coming to the ISO setting .
Usually it is recomemded to take picture on low iso when there is enough light and vice versa.
This really doesnt matter when you have good aperature
CONCLUSION
i would go with canon sd 950 among those three.
with regards
sundeep
To address your concern with the shutter timing, most point-and-shoot style cameras will have a delay. The best way to avoid this is to move up to a digital SLR ( digitalcamera-hq.com/digita... ). While this is more expensive, you'll get great functionality. If you want to keep your budget lower, the two cameras you've chosen will work well.
I had an older version of the Canon S5 IS ( digitalcamera-hq.com/digita... ) (the S2 IS) for a while and loved it. I did notice it lacking in low light situations though. The ability of this camera in low light should be improved, plus you can add an external flash that makes it even more capable.
As for the Fuji S8000fd ( digitalcamera-hq.com/digita... ), it has some amazing features. The 18x zoom is a fantastic option for getting you that much closer to your subject. It goes down to 27mm at its lowest focal length for wider shots and the ISO range up to 6400 will make low light shooting a lot easier (though it does add graininess to the photos, but that is the trade-off). Personally, I would go with the S8000fd ( digitalcamera-hq.com/digita... ) when deciding between the two. Good luck and happy shooting.
Andrew
Strictly under preference (and not a strike) is the optical viewfinder on the Canon vs the electronic/digital viewfinder on the Fuji.
Both are great digital point and shoot cameras.
Larry
I deeply appreciate any input anyone would have good, bad or in between.
resellerratings.com/seller_...
Also here:
nextag.com/Camera+Addict~28...
Good Luck with your purchase of this fine camera. Larry
Enjoy, and thanks for the points. Larry
The Sony H9 ( digitalcamera-hq.com/digita... ) looks to be the way to go. While both cameras seem to have the same features, the H9 ( digitalcamera-hq.com/digita... ) has more optical zoom at 15x. The ISO 3200 will perform much better in low light settings (although add some graininess to the photos), and the camera has a highly touted "Night Shot" mode which is supposed to take photos in almost complete darkness. I hope this helps. Good luck and happy shooting.
Andrew
I just purchased a Canon S5 of my own and I chose this camera due to the features which appeal to me. I've read a many reviews on this camera, and although there are still many aspect I would have like to have which were not there, I decided that it's a price compromise maybe on the manufacturer's part.
For the S5, some of the better features include: -
1. movie function - although H9 can give the same resolution, due to S5 USM lens, I'll be able to get silent and smooth zooming in movie mode, also there is stereo sound recording available.
2. Feature-wise, S5 offers more! All the functions available on a SLR camera can be found on the S5, and all the buttons are well arrange and user-friendly. The functions are extensive and it's fully manual. There's a flash hot-shoe for whenever the need for a flash upgrade arises and then there is the converters features available for wider or more telephotos.
3. Less noise suppression, but this could be a disadvantage depending on your liking. I find that too much noise suppression really only cause the image to become less real, and H9 higher noise suppression for even low ISO is actually not a good idea to my liking. At least with the S5, I'll be able to know that, say, if I've set it to a high ISO and find that the image is too noisy, I can switch it to a lower ISO and try to steady up my hand, this way, I'll be able to get more accurate result.
4. S5 uses SD card format, it's more common and much less expensive than Sony's memory stick.
5. S5 uses AA batteries, instead of Li-Ion, this to me is a better option, as it's cheaper to get spares rechargeables, easy to buy AA anywhere if I'm on an extended trip, or if I just happen to run out of battery.
On the other hand, the H9 offers: -
1. a better zoom range of 31mm - 465mm, although distortion at these extreme are more apparent than the S5.
2. night mode, which I think is more gimmick than function.
3. faster shot-to-shot time, if you intent to captures lots of sports/ kids running around, etc, than this is a plus.
4. faster flash recharge due to the lithium ion rechargeable, compared to S5 AAs.
etc etc.
Just read through online reviews to get an idea of what features appeal more to your particular needs.
dpreview.com/reviews/compar...
This URL will compare these two cameras' specifications.
Also be sure to view the sample photos for each camera and judge quality for yourself.
Lastly, be sure to go to a camera store and hold each camera in your hands to determine fit and feel which can be a major factor in your purchase.
Enjoy, Larry
I was going through some of the comparisions on some sites and I found that features I am looking for Can be found in S5 IS.
But there is one thing I found out, and that is about the LCD Display. I read that LCD Display is not all that good as compared to H9 ?
I also found in the DPReview site (link above) that H9 is SLR Like Digital Camera while S5 is rated as Compact.
Can somebody please clarify my doubts on this ?
Thanks !!
I own a S5, and I find that the LCD is quite sufficient, even in bright outdoor situations. There even a setting to brighted up the LCD a notch if required. I haven't use the H9 before so I couldn't comment on the LCD, most probably it could be better, but for me, in the end, it's what the camera offered that was important.
Since you say the S5's features matches you more, go have a look and test out the feel of the camera and the LCD at a shop to see whether it fits your needs!
The LCD's are similar, but the S5is has a more versatile Flip and Twist arrangement.
The S5is LCD is 2.5 inches with 207,000 pixels while the H9 LCD is 3 inches with 230,000 pixels which is not a significant difference. Check them out in person at the camera store.
The S5is LCD is easier to see in bright light than the H9's.
If the features of the Canon S5is suit you better AND it feels comfortable in your hands (fit and feel) and easy to operate controls, then you have a winner.
You mention that with the Canon S5 you get "silent and smooth zooming in movie mode", does this mean you can zoom in and out while taking the movie? I couldn't find a reference to this feature for S5 in dpreview or in the Canon user manual, although it is mentioned for the Sony DSC H9...
I'm also a little confused with shot-to-shot times and flash recycling time, since I have found some tests showing that the Canon is actually faster (imaging-resource.com/PRODS/... versus imaging-resource.com/PRODS/...
We're trying to decide between the H9 and S5 and have come to the conclusion that Canon offers somewhat better quality (less blur, distortion, purple fringing) but Sony has some more impressive features (15x zoom, nightshot, remote control, 3" display). So any help will be greatly appreciated!!
Thanks!!
Nicholas
I'm not really sure about the H9 shot-to-shot time, the S5 typically gives about 1.2 fps at the highest resolution (without continuous focusing) and about 0.8fps with continuous focusing. This is typically ok for me, but could have been better, I guess, but this is not an SLR, so can't complain. Flash recycling time, again I'm not sure about H9, for the S5, the flash recycling time is stated to be around 4 to 5 seconds, which coincided with my experience of it. And everytime I want to shoot with flash, I'll have to wait for a few second before I can shoot! On flash recycling time, it would probably be safe to assume that the H9 will be faster, since it uses a Li-Ion propriety battery.
One thing on the S5, I found that the Noise at higher ISO to be very high! If you plan to shoot with ranges of ISO, then S5 might be a tad disappointing. On this note, I read that panasonic's 18x superzoom performs extremely well throughout its ISO range due to its better in camera noise reduction software processing. I just found a website www .popphoto. com that gives very statistical reviews on camera, maybe you can have a read there!
Everything about the S5 is extremely good, touch, feel, hold, built quality, lens, AA batteries, SDHC card. All apart from having stellar image quality (on higher ISO, ie. anything above ISO 200)! have a read at the review site.
Canon PowerShot S5is
Kodak EasyShare Z712is
Casio Exilim EX-V7
Fuji Finepix S700
If anyone can add to this list please do and I will share with everyone. Thanks, Larry
Larry, the Sony DSC-H9 and H5 also zoom optically during video (see dpreview.com/reviews/sonyh9... Apparently video quality is not very good on the Sony H9 though, because of MPEG-1 compression. The Canon S5 produces larger files, but you can always buy more memory...
Nicholas
And, yes, memory is getting cheaper, faster and bigger all the time. I just bought a Panasonic SDHC 8MB Class 6 card!
Here's the link to the panasonic FZ-18: popphoto.com/cameras/4837/p...
If image quality is top of your list, this is probably the better choice, on the other hand, if taking video is priority, then S5 is still the best choice. Again, looks, feel and built quality, S5 is top of the line, so to me it was a shame that picture quality was not there to match, maybe they should have included RAW in the package... as RAW enable superb high ISO+ high resolution shots for Canon G9!
Another thing on the S5, I've confirmed with Canon and they informed me that 4GB SDHC card is the maximum for this camera, anything higher will cause the operation to be very slow (in their own words), so limit yourself to 4GB SDHC, class 6 is the best!
Andrew
"Vanity Fairy": The dpreview site actually gives a better review for the Canon S5 (8,1 average total score) than the Sony H9 (7,7) and the S5 beats H9 in "Image Quality", "Optics", "Build & Quality", "Ergonomics & Handling". The H9 doesn't beat the S5 in any category. See dpreview.com/reviews/canons... and dpreview.com/reviews/sonyh9... Also check the sample movies from the S5 and H9 in the same site: the H9's movie quality is much worse because of the MPEG-1 compression it uses.
The infrared & remote control are nice to have, but how often do you actually use them? Having AA batteries, SD card and good movie quality (plus taking photos during a movie!) is much more important to me...
Remote control are useful, but not essential, we could just make do with the "delay" shooting - i.e. shoot with the timer, which is easily set on the S5 and most other cameras where there's a dedicated timer button, and on S5, you can easily set different time for the timer...
S5 will top the list of movie quality for a digital camera. Only thing is the capacity of the cards! 4GB cards will only give about 32 minutes of video at the highest capacity, so to make use of the 60minutes limit, you'll have to shoot at a lower quality setting, either the LP 640x480 or the 30fps 320x240, either way, it will still be of higher quality than H9 MPEG-1 compression!
So again, if video is the deciding factor for your purchase, then get S5. If image quality is the deciding factor get Canon G9! If zoom is the deciding factor, get Panasonic FZ-18. If useless gimmicks are the order of the day, then by all means, get H9! haha!
IM THE VANITY FAIRY, BABY!, Actually, you sort of get the idea of the value of the camera from the package sold by the manufacturer! I.e. why did they throw in all the extras in! Because they know it's the common sense thing to do to entice consumers to buy their camera against competitors who produces a higher quality camera, if you get what I mean! -ditto- with Canon, if they think that say H9 is on par with its' S5, they would do the same and throw in the same extras in their package...
That may have been due to some quality issues. I had similar issues with my old extended zoom and switched over to dSLR and will never go back. I know its a bit more expensive, but they are so much more versatile and responsive. Good luck in your search.
Andrew
If you read the reviews on these cameras at dpreview.com you will find actual measured values for the shutter lag. However, some definitions are in order since they break the timings down into first part and second part. The first is time to focus (shutter button half-way down) and set exposure, detect faces etc., and the second is the actual "shutter" time (from half pressed to full pressed). Usually they also give a combined full press time. BUT don't expect your camera to focus if you skip the half-pressed position. These P&S cameras all take some time to focus. If you just press the button all the way down all at once, it will take a picture immediately without focusing properly. So prefocusing at the halfway position is critical to reducing shutter lag into the .1 and less range. Some P&S digital cameras also allow you to focus lock so the camera can then take pictures without having to refocus, and this will reduce the "shutter lag" also. Continuous shooting modes typically make use of this option to speed the shot to shot time by only focusing on the first picture.
Bottom line, Andrew has it right -- if you want to virtually eliminate shutter lag you have to go to dSLR, but if you practice some shooting techniques with P&S cameras you can reduce the lag into the 0.01-0.10 range which may be acceptable.
1. The Sony felt better in my hands than the Canon. I had a better grip and the camera was better balanced. Both handled equally well in all other respects.
2. Both cameras seemed to display little difference in composing and taking a full auto picture. I do believe the Sony was a bit more responsive in "dependable" focusing and speed of focus.
3. As for macro photography, I believe the Sony rendered a slightly better picture in that the color balance and contrast were more pleasing to my eye. There was no distinguishable difference in clarity and sharpness between the Sony or Canon
4. For portraits, the Sony won hands down. The flesh tones rendered were significantly better with the Sony. As for clarity, the overall appeal was slightly in favor of Sony primarily due to the fantastic flesh tones and the general smoothness of color throughout the picture. Not to say the Canon wasn't good, it was great...just that the Sony had an edge on color quality.
5. Landscape shots were found equally good. I focussed in on several shots of birds and there was an edge given to Canon on sharpness but the Sony won out due to the across the board smoothness of color and the overall pleasing visual quality of the print.
6. Flash photos were both equally good without a clear winner but that color thing, that you're sick of hearing me talk about, was again the winner for me. The scales tilted in favor of the H9 for me.
8. Both cameras put the Minolta 35mm to shame in color rendition. There are, as you know, many variables with film, developing chemistry, and so on. Yet, as far as sharpness, the Minolta held its own with both the digitals though not necessarily better than either the S5 or H9.
So, what did I buy...I bought Sony, not because of specifications and other peoples opinions but on a side-by-side comparison with the way I take pictures, what I take pictures of, the process I have them developed and judged what my eyes told me about the two different cameras. Both cameras are great, I just preferred the Sony.
Hope this has helped.
I would say that a side by side comparison is definitely the best way to pick between two items, not just cameras. Thanks for your insight on this (from one "supposed expert" to another).
Andrew
Well, if it is high resolution, and fast photo you need, then it's best to get a dSLR, since you have several lenses, it's probably best to go with a Nikon that takes them... pricey though!
I've hear the Nikon D80 ( digitalcamera-hq.com/digita... ) will accept more lenses than the newer cameras. You might give that a try if you want to make the investment.
Andrew
Instead, I bought a Canon S5IS as a stopgap to Canon eventually putting a decent adapter for their older FD lenses. I do own some very serious glass and it's all lost.
So far, in about a year, I've taken well over 3000 photos and the camera stands up well. Yhe big dilemma I have when taking some action is whether or not to shoot in the "continuous" mode or the S5 "movie" mode. Unfortunately, it's impossible to print anything in the movie mode (AVI file). This mode however yields some invaluable history and the operator can shoot as long as the card will hold.
One of the big factors that influenced my choice is the fact that the camera accepts AA batteries. While the operator could go for the ordinary AAs, they have virtualy no power and will probably last about a half-hour under normal shooting contitions. They'll surely drain very quickly in the "movie" mode!! I opted instead tof the NiMH batteries; the higher the milliamperage, the better.
Ihe shutter is noiseless but it has a nice selection of sounds in the menu and I like a nice loud "click", just like in the old days. In the movie mode, it's noiseless. The movie button is a bit dinky but I've operated it with gloves in the winter (at 10 below), shooting railroad at trackside. One warning with the movie mode is that you have to know when to start and stop the camera, as there is a very small delay (.2 sec or so) before the movie mode starts. Also, you have to leave a bit of room at the end. It's esay to zoom while shooting but it may not be as smooth as desired, if the camera is not tripod-mounted.
There are lots and lots of bells and whistles on the S5IS it's an excellent choice for the well-versed amateur. With an optical zoom of a bit over 400mm equivalent to a 35mm, it's worth its weight in gold to acquire far detail if needed. Mind you, getting closer is much better but sometimes, there isn't the choice.
For its price, the Canon S5IS is a worthy alternative to any EOS, without getting soaked to death by the price, giving of course that it's not as robust and perhaps lacking certain features, such as RAW.
Before I buy an EOS, I will certainly be looking for the successor to the S5IS but so far, my S5 is a real gem.
I forgot to add that, following my retirement as Manager of Photo Services at a large Canadian Airforce Base, I was employed as a photographer in a large museum and, when chemicals interfered with my health, worked for some years selling cameras. I am now completely retired but photography is still in my blood and I use the S5IS about every second day to take anything from 5 pics to 100 or more.
Thanks for the excellent write-up on the S5is. I really appreciate your effort to share the information. With your experience I bet you could write a book!
Well done.
Please keep us enlightened in any manner that you can think of !!
However, in fairness I will list the other cameras which fit your criteria:
Canon SX100is
Panasonic Lumix DMC-FZ18
Sony DSC- H7 and H9
Olympus SP-560 UZ
If you click on the "Resources" button at the bottom right hand corner of this page you can find pro reviews of the cameras.
I predict when you're done with your research you'll be sold on the Canon S5is unless you really need more than 12X zoom.
Best wishes and good camera hunting, Larry
The argument is essentially this: CCD chips on point and shoot cameras a smaller and as such, fitting in more pixels causes them to lose light sensivity. Sure, there’s more data on the chip, but the chip can’t absorb the light data and what it ends up with is a picture that has more noise than image quality. In addition, the more megapixels a camera has, the larger the lens it needs to provide the clarity it deserves and prevent diffraction due to a loss of detail with smaller apertures. But since we’re talking portable point and shoots here, those large lenses simply aren’t being made.
Finally, with larger mega pixels comes longer saving time due to their requires huge storage capacity, or more compression if not storing images in RAW format. The result is a noisier image and a dissatisfied camera user who thirsts for high quality and speed.
In the end, relying on a smaller MP that can balance all these needs may indeed be an answer as well.
So, looking at both of these, the S5 will have larger lens elements which will help out the CCD, not limit it by reducing that refraction. In addition, it's closer to that balance threshhold which will reduce noise in the image.
The G9 is a solid camera with extremely high marks, but the bottom line is that you'll seldom see the benefit that 12MP can give you since 99% of your pictures will probably be snapshots and as such, won't be enlargements above 8x10 - which is where having that extra 4MP would come in handy.
So, the G9 is not any more a digicam to buy?
When 99% of your pictures are going to be snapshots (at least I'm assuming that), what's the point of having more MP that'll only be of advantage to you if you plan to make an 11x14 or larger print?
And then couple that with the argument that Image Engineering makes that more MP actually equates to more noise, and I think that a 12MP point and shoot is simply overkill. And at around a $500 sticker, you're much better off investing in a digital SLR that's designed to handle it.
You are right on the Ferrari!
I don't like the weight of the S5IS, what about the SX100IS?
I make prints of 4x6 and 8.3x11.7 (A4paper)
Do you think that I will need the G9? I can pay up to $500 for a digital camera, but no more than that.
I want to know more about photography; It's a hobbie now, but I want to know more about it.
Or it would be better the SX100IS? I read that the S5IS has much noise.
Thanks for answering.
Happy New Year!
Tactic number 1 - Buy the S5is and start getting used to the weight in anticipation of the coming SLR.
Tactic number 2 - Buy the G9 and hope that you like it so much that you decide you don't need the SLR after all. (If the G9 doesn't suffice for you then you know for sure that an SLR will be required because the G9 is as close to an SLR as you can get without being one).
The SX100is just doesn't do it for your purposes.
Best Wishes, Larry
Your situation was very similar to mine (my trip is in 1 year). I narrowed the list down to the same list you have indicated. I then eliminated the A720is and the A650is because they are sluggish compared to the G9 and S5is. I then chose the G9 because of its size which allows me to carry it with me all the time and get shots of just about everything so I am practicing almost non-stop and learning a lot with a camera that is really good. Admittedly, the S5is would be very, very close to the G9 provided you have some way to keep it with you every day (despite its size and weight) so you could use it a lot.
So I bought the G9 and enjoy it very much. As regards the overkill - yes, it probably is, but I'm still having a lot of fun with my Ferrari!. As regards the sensor size and MP ratio - according to Image Engineering (James found) the optimum MP number for the CCD size on the S5is is 2.7MP and for the G9 it is about 4.8MP. That makes the G9 just very slightly closer to the optimal number (as judged by actual pixel size), but both of them are around 3 times the optimal number. Finally, while the G9 is expensive, I could afford it but I couldn't afford a dSLR PLUS all the lenses etc. (and I didn't want to carry them around anyway).
There's my story of how I ended up the a G9.
At this point I would eliminate the A720is and the A650is because they don't have manual exposure control, and I would add the A570is because it does have it. Soooooo, since you have the time to work with, you could get the cheaper A570is, practice and learn while the other cameras continue to improve, then step up to the S7is or G11 before your trip.
Best Wishes, Larry
What about practice and learn with the G9 instead of buying one for practice and then change to the G9?
Here, where I live (Perù) the digital cameras cost 100% more than in US, (G9 costs 850 dollars) so I am planning to buy only one!
And if I travel to US next March I of course buy it there.
Thanks for your reply.
I just sent an e-mail to Canon asking if the guarantee is worldwide and if it works in Perù too.
Larry and James, I appreciate your help.
Happy New Year!!!
BTW - If you're happy with the answer you received, you can simply click on "Mark for best answer" bubble and it will place the question in the "Answered" category for all to see. Thanks for posting it and Good luck!
Thanks to all, Larry
On sluggishness issue, I agree with A720is being sluggish if you use the flash since it only uses 2AA batteries, but for A650is which uses 4AA, sluggishness should not be an issue, I may be wrong, but that's the general performance different caused by 2AA vs 4AA for Canon Powershots.
On the 12MP (G9) and 8MP (S5) causing noise. Well, as pointed out by Larry, since G9 has a bigger CCD sensor, it will be able to get shots with higher optimum MP than the S5. I'm guessing Canon builds their cameras equally in these terms, MP vs CCD size, if they bump up the MP, then the CCD will inadvertently be bump up as well, so image quality of higher MP cameras will still give you better quality (if you can live with not shooting at the highest size offer by the camera?! If this makes sense)
And kc, if you are seriously thinking of really getting a SLR in a year's time, and considering exchanging your S5, why not consider pushing up your 1 year's time to now? Exchange your s5 for the SLR now?!You won't regret the photo quality boost a SLR will give you! Unless you intend to use your P&S as a make shift viewcam, you should seriously consider a SLR now. There'll be plenty of upgraded new models in a years time, but then again, there'll always be upgrades. You'll safe on your money now and get quality from the SLR...
On that note, both S5 and G9 are good cameras with their distinctive pros and cons.If you want higher quality pics and you can afford it, get the G9! If you want a high quality view cam backup, then S5.
Thanks, Tigervyh for catching my error!
Larry
Function-wise, both camera are almost identical. The major difference between the two are: -
S5: 1. Longer zoom (12x, which incidentally is a Canon Ultrasonic Motor lens = quite operation = ability for optical zooming during movie mode = faster zooming experience)
2. Bigger camera body (ie, more SLR-like = more buttons)
3. 2.5" Varied-angle LCD (Flip and twist, this is not essential, but it could be very useful for certain cases like taking photos at high or low positions)
4. Uses AA type batteries (if you like to take hundreds of shots in a single outing, this would probably be a more economical choice as spare rechargeable NiMH are relatively much cheaper than the Li-Ion counterpart in G9, and you could just get some AAs from the stores if you need them a.s.a.p.)
G9: 1. Only 6x normal zoom, but if you don't really need the 12x telephoto, then it is quite sufficient.
2. More compact size, but you would still be unable to chuck it in your pants' pocket, the built is more solid though, and you would not have the lens cap issue of S5.
3. 3.0" LCD, bigger LCD (not varied angle).
4. Uses Li-Ion battery (charging will have to be via the camera)
5. The CCD is slightly larger in the G9, thus giving it an advantage in terms of less-noise photos.
6. You can shoot in RAW! This is a great PLUS! Although you will need a lot of post processing time for the RAW photo, you essentially get the full detail as per what the camera and you shot, not what the camera thinks you shot and throw out all the other not so essential details! So if you are a person who like post processing, ie getting higher details in your shots and also editing your photos to B&W or any other type of photos, RAW is the way to go. You need to spend a hell of a lot more time, but it could be fun. A minus on this is you would need about 2-3 times the storage space for RAW files though, and since the larger file size, shooting speed will be slower. And to try to compensate this, you should get the higher speed memory card, like Class 6 types which will essentially cost you more!
For all the other shooting essentials for a semi-pro camera, both offer about the same things, the "creative-zone" shooting as Canon describe it are all there on both cameras, ie - Av, Tv, Manual. So you essentially get all the control you'll get with a SLR, apart from the exchangeable lens. Either camera will do find in any camera/photography classes in terms of functionality, only set back is the quality of the photos if compared to a SLR. And on this note, some people will prefer S5 for the zoom lens, and other will prefer G9 for its' more compact size and bigger LCD. Photo quality, you'll have to print A3 sizes prints to maybe notice any difference, unless you're a person who like to crop little area and print them as a photo?!
Since you essentially would like to upgrade to a SLR sometime soon, I guess you won't mind the size of the S5. How does it feel in you hands now? is it comfortable for you? Do you like the photos taken by it? Do you like the zoom ability of it now? Since you have it now, play around with it and see how you like it. Then go to the shop and try out G9. Compare how both cameras' feel to you.
As for the difference in MP, I think you can get away with enlarging to 11x14 with an 8MP. But I wouldn't go larger. Just make sure you take shots that don't rely on high ISO settings as the noise levels above 800 ISO will probably make an 11x14 rather icky, IMHO.
If you do intend to capture a lot of outdoor, bright and sunlit photos directed at the sunlight etc. You should also get the lens adapter which comes with the lens hood, and also a compatible lens caps, these few parts are usually inexpensive and you will have a choice to attached some lens filters (i.e. UV filter, etc). This will also solve the lens cap issue and it's an almost full-proof protection for your lens! And again, the filters can be also use for your future SLR unit!
Just some points on accessories if you do get serious! THe adapter and hood are inexpensive, you can get it for around US$10-20 from ebay. So if you like to chuck your camera into your all purpose carry bag like most ladies, it's an effective way to protect the lens! Filters are cheap and if scratched, it easy to just get another one for replacement, and lens cap to the adapter/filter will not be the jumpy type since the lens mechanism even extended to the full won't touch it, hence no need for the popping safety measure!
The only exceptions are a polarizing filter and a 1A Skylight filter. Reason being? Insurance. They will take any impact damage and spare your lens. I can't tell you many times I have thrashed a 1A filter and saved my camera lens. It's well worth the $20 or so, believe me.
This camera does come with a Macro mode, so that is perfect for the types of shots you're looking to take. I had an earlier version of this camera, the S2 IS, and it worked great for Macro photography. I would definitely recommend getting a good tripod with the camera for these extreme closeups to avoid any camera shake. No matter how still you hold, the camera will still pick up the slightest movement. If this camera is in your budget for these types of photos, I'd say its a great buy. Good luck and happy shooting.
Andrew
A720is and SX100is.
With any camera taking extreme macro close-ups you will do well with a tripod AND using the built in camera self timer (set at 2 seconds to save time compared to setting it to 10 seconds). The self timer eliminates the camera motion caused when you push the shutter button.
Larry
That said, the S5 super Macro mode is simply awesome! But then again, you shouldn't need a camera like this if your main aim is just to get Macro shots. And Larry and Andrew are exactly right, for the best possible shot, a tripod and a short timer is a definite help!
I want to buy a camera in the next days, and this is what I care the most when making the decision
1. Image quality
2. Good lenses (I like cameras with wide angle, but I am not ready to pay for digital SLR)
2. Zoom
3. Standard batteries, memories cards, etc. I don't like camera that require propietary stuff.
Can anyone help me decide? The S3 is about $50-60 cheaper than the S5. I like Canon (I purchased a S3IS for my parents) but I can consider other brands...
As for image quality, for comparison, you may want to check out this resource ( imaging-resource.com/IMCOMP... ). It takes pictures with each and you can compare them side by side.
I checked and with the exception of the S3 having a slightly better macro range, the pictures look pretty similar.
You could get teleconverters for the camera, but they screw on top of the lens and as such, you end up with losing about a stop in speed and the clarity will suffer some. Zoom is about the same.
But in comparing the S3 and S5 there is an argument that more MP isn't necessarily better.I came across an interesting article today about how more mega pixels is not necessarily a good thing. According to Image Engineering ( 6mpixel.org/en/? ) – a company that does testing of digital cameras for photo magazines in Germany – the quality of digital pictures has steadily decreased since the state of the art was six megapixels back in 2004. And because they don’t have a “dog in this hunt,” they put forth a compelling argument for buying new digital cameras with less mega pixels and not more.
It's worth a good read.
What's a photographer to do?!?!
And until point and shoots start using the CCDs that DSLRs use (and the good news is that according to recent news articles, that's coming) this will be an ongoing issue.
dpreview.com/reviews/canons...
The reviewer sees it and I do too. though its hard to imagine it would be visible even on a 5X7. Plus, ISO 800 (just like ISO 800 in a point and shoot film camera) just isn't going to look good -- acceptable under difficult circumstances maybe, but not good.
The face detection is a very nice new feature on the S5, worth mentioning.
You can get great outdoor pics with this camera. I used to have the S2 IS, and took some great outdoor photos with it (see the links below). While I now use a Canon Rebel XTi ( digitalcamera-hq.com/digita... ), I would still recommend this style of camera to the casual photographer that wants a little more power in their shots, and it will definitely out-perform your Mavica FD95 in picture quality. While the Rebel line is a great set of cameras, you have to have some budget built up for the lenses you'll want to get.
One thing to note though, the lens on your Mavica was a 6-60mm optical lens, while the S5's ( digitalcamera-hq.com/digita... ) is a 36-432. They are 10x and 12x respectfully, but you have to look at the widest angle of the lens to calculate the maximum focal length (60 is 10 times greater than 6 and 432 is 12 times 36).
I hope this has helped. Good luck and happy shooting.
Andrew
dpreview.com/reviews/canons...
Note that in regular macro mode you can get a better picture by using some telephoto (instead of wide angle) and move a little farther away from the object (but still getting the same magnification or even slightly more).
In super macro mode it will focus right down to the front of the lens!
The sample photos at the above URL are useful to show the capabilities of this wonderful camera.
The Super Macro 0cm works just as Canon claims!
Larry has been compiling a list on cameras with optical zoom during movie capture: -
Here is the list of Digital P&S Cameras which zoom optically during video:
Canon PowerShot S5is
Kodak EasyShare Z712is
Casio Exilim EX-V7
Fuji Finepix S700
Sony DSC-H5
Sony DSC-H9
On capturing excellent picture quality in low light, well I'm a Canon S5is owner, and I'll say that S5 won't suit your need in low light settings (i.e. using ISO higher than ISO200), unless you have plenty of time to post-process your JPEGs on a computer.
On this note though, what sort of low light situations are are talking about?
Do you need to shoot in high ISO settings, or will you be ok shooting at longer shutter exposure?
Are you going to shoot with flash?
If your subjects are mostly stationary, then S5 will be ok.
Noise will be very apparent in ISO above 200! But this could be reduced with software. S5 employs very little on camera noise reduction, so noise will be high, but the resolution is also high.
On video quality, S5 is still the best at the moment!
You have hit upon one of the weak spots that applies to all small digital cameras (so called Point and Shoot cameras or non-SLR cameras). Due to the small CCD light sensors they ALL have trouble getting good images in low light. The best reputation for low light still images was the Fuji F31fd but it is no longer being made. If you really want to get good low light images and most of your shooting is in low light, I would suggest at least investigating a good digital SLR camera for the stills and a camcorder for the videos. Otherwise you have to be willing to compromise. Of couse, the only way to know if the camera will do what you want it to is go to the store and try it out in similar conditions to what you expect to encounter. Most camera stores will let you shoot a few stills and some video and see how you like the results. Maybe you can talk them into turning some of the lights off to simulate your situation (or go in the restroom and close the door partway with the light off. Be creative and figure out a way to test them in realistic situations BEFORE buying. AND buy from a store that accepts returns.
Best wishes and good luck, Larry
I would agree with Larry on this. If you want quality video, go with an actual video camera. Point and shoots have the option, but its not their main function.
Andrew
The S5 is having one of the best videos among digicams, and though it doesn't get close to handycam quality it's still better than most of the other models currently available on the market.And its also a great camera in terms of features,build quality,performance etc., even though it suffers from some chromatic aberration(colour fringing) and high noise issues... Low light performance is quite good in terms of focus, colour reproduction, white balance etc...
However, I'm afraid it's impossible to get "excellent" picture quality out of ANY non-dSLR digicam under low-light conditions, and the s5 is no exception in this regard.The reason is the small sensors in these cameras, which are WAY smaller compared to the sensors in SLRs.A small sensor(and more megapixels stuffed into it) obviously means weaker signal(lesser light) per pixel, and thus the picture gets noisier as the signal-to-noise ratio worsens... So for low light scenarios, a SLR is the only way to get really standard pictures, and a non-SLR may, at most, give you "acceptable" quality pictures depending on your level of acceptation... U can only combat noise a bit by using lower manual ISO, increasing aperture size, and using image-stabilized long exposures(slower shutter speed), and the S5, though will give you pretty bad pictures, they will NOT be much WORSE than what any other "compact" camera will give you...
If you use a smaller ISO setting, like 100 or 200, you will greatly reduce your noise. Using a tripod and lights for your Macro photography should work just fine for either camera then. An external flash hooked directly to the shoe can cause some shadows and glare in areas you don't want them for macro photos (depending on the camera's distance from the subject). If you have some external lights or a light box, you should be fine without a flash. Good luck and happy shooting.
Andrew
Lighting objects for eBay can be very tricky. You might want to even try placing 3 lights -- one left, one right, and one above. This worked well for me.
At many stores you can also find a "photo box" which is just a frame covered with light white cloth (easy to make one yourself too). This diffuses the light sources so as to avoid any bright spots and reflections. I used a couple of tea towels from the kitchen and it worked great.
digital-photography-school....
wikihow.com/Create-an-Inexp...
photographyboard.net/photog...
One important suggestion was to use a Florescent bulb not regular (would cause yellow tint)
I am going to try a large white sheet to diffuse the light.
Thank you for your suggestions. I'm off to buy a 4GB SDHC card so I can take a long video when my camera arrives. Any suggestions on getting the best Video out of the Canon S5 SI ? not many sites mention the Video of this camera and for me this was a good selling point.
Great work on the light tent instructions!
You'll find your camera has different settings for different light sources (fluorescent vs incandescent vs daylight etc.)
I've found that mixing incandescent and fluorescent 50-50 gives a nice result. I also tried all the different settings for
light source on my G9 and chose the best one for the lighting setup I had made. It really makes a lot of difference too.
For eBay pictures, adjust your exposure setting to be a little too light since the pictures get slightly darkened when
eBay puts them online (I don't know why). eBay even says to do this so your pics won't be too dark when viewed online.
I'm not up on the video aspect so much.
I would have loved to purchase the G9 but would have had to also get a video camera. I really don't need RAW because I wont be printing many of the pictures I take, but would have enjoyed playing with it. I have all my pics in folders ready to scan into the computer and put on disk, watch on T.V. or computer.
I will be looking for some local camera classes as I'm not sure about - adjust your exposure setting - I do know enough to know this is a basic 101 camera knowledge and if I don't know this I need help. Plus I love Photo people they are so outgoing and seem to have a different eye for the world maybe I'll make some new friends.
Thank you Teri
Your S5is camera manual will clear up a lot of your "basic 101" questions. Adjusting exposure setting is a simple way to tell the camera that you want the pictures to be lighter or darker. That way, even when using automatic exposure settings, you can retain control of the light/dark aspect of the photo. You camera will also have exposure settings for the flash unit to accomplish the same thing -- light/dark. Beyond that, you will get to have manual exposure control if you choose to go outside the automatic settings to Aperture or Shutter control. I would suggest getting used to the P (for programmed) and A (for automatic) settings first before moving on to the A (or Av for Aperture) and T (or Tv for time value or shutter time). You'll have a lot of fun AND make a lot of friends with your photography hobby. You're right when you write that we all enjoy helping each other out. I certainly get a "kick" out of it. Just take it slow and steady so you don't get frustrated. There is a lot to learn so just remember that it will take time and experience. The goal is to have lots of fun along the way.
I have a feeling all the things I need to sell on Ebay to pay for this camera are going to remain sitting on the shelves while I enjoy taking photos and videos of my Shih-Tzu. hehe
Enjoy!
I would suggest avoiding the cameras which show noise at ISO 100, but keep in mind that all on them show noise by ISO 400 and most at ISO 200 when viewed at full image size which is how dpreview is showing you the ISO comparison images. The ISO comparison pictures on dpreview are NOT taken with a flash unit, but they are taken with the idea in mind to find any noise that can be found so that you know what you are getting. In other words, they test at extreme conditions with the idea that if your camera is as good as or better than the competition in extreme conditions then it should be even better under less extreme situations (such as an 8 X 10 picture).
thanks a lot for your previous reply
thanks a lot for your previous reply
Try going to this URL and look at the two basketball pictures right next to each other part way down the page.
forum.digitalcamerareview.c...
You'll notice the horrible noise from high ISO on the second picture which is just an enlargement of the first picture which at that smaller size looks just fine.
So from the typical 4X6 size picture point of view, ISO 800 and even 1600 don't look quite so silly anymore.
thanks again for your help.
If you want to get into some of the details of this high MP - high ISO problem with point and shoot cameras look here
6mpixel.org/en/?
With the size CCD sensor on the Canon S5is the theoretical limit for pixels would be 3MP to result in optimum image quality for "ISO greater than 400". Never the less, it makes great pictures at higher ISO's IF you have lots of light available. (Right -- that's when you don't need the higher ISO setting). And it makes nice pictures at lower light levels at ISO 100 with flash. Low light pictures is a definite weakness of all point and shoot cameras. Some do better than others. The Fuji F31fd had the best reputation for low light images and they quit making it. I have the Canon G9 which does about as well as the S5is despite having 12MP because the G9 has a proportionally larger sensor as compared to the 8MP S5is.
Because of the much larger sensor sizes on dSLR's they really don't bump into this problem very much except some report it on el cheapo "entry level" dSLR's.
Glad I could be of help. Best wishes and I hope you continue to enjoy your d40 in low light while you consider adding the very nice P&S Canon S5is. If you really want a good low light P&S camera, the rumor has it that the manufacturers are going to step up the sensor size on P&S cameras in 2-3 years. I couldn't wait and bought the G9 which I am enjoying very much.
Thanks again for your help.
just checkout this link, i must say nikon d300 is the father of all cameras
photographyblog.com/reviews...
by the way are you a professional photographer? if ur can i see your images if you uploaded somewhere on the net.
Thanks for the link to the d300 review. It was awesome.
i just bought olympus e-300 which is a old model (2004), i went to the shop to but s5is and suddenly i saw e300 at the lower price than canon, canon is a bit expensive. i must say its an excellent camera its have noise only on ISO800 and 1600 in low light, if ur using falsh there a very little noise on ISO800 which is usable but ISO 1600 is not usable but u can do fine in smaller pirnts like 4x6. i cant understand one thing this camera is 8 megapixel and its an old model still the result is excellent rather that new 8 mega pixel cameras. are they cutting edges on image quality by cutting prices and competition which each other.
well one thing is more that images are a bit soft but it can be view only ppl like us so i have to takje pictures in raw mode for perfect result which is very slow other than is its an excellent and ur the only one to whom i shared this news :).
well sorry i forgot to introduce myself. im Hasan and i live in Pakistan, im 28 years old and i started this new hobby, im much into rock and metal music though and i also play guitar and make music :)
I am possibly going to invest in a camera. However, I would be in the mid-range price between $200-$300. I am curious what would be the best in this price range for what I need?
Last thing you want is to try and save some money but sacrificing the quality you want by going with a point and shoot. IMHO of course.
I would agree with James on this. Unfortunately that won't come anywhere close to your budget. You might be able to find a used camera and lens on eBay, but still doubt you'll keep it under $300. I had a Canon S2 IS for a while, and the macro function on that wasn't that bad. You can get the next generation of that camera in the Canon S5 IS ( digitalcamera-hq.com/digita... ). It has a macro mode and the 8MP resolution is more than enough for your online business. I would recommend getting a tripod to ensure your photos don't get blurred. Macro photography can pick up the slightest camera shake. Good luck.
Andrew
I'm glad we could be of assistance. Please come back with any other questions or issues.
Andrew
Since your camera is still under warranty, the best thing you can do is have Canon fix it.
If you aren't getting the e18, then the next thing I would do is reset the camera. This is a fairly easy procedure which involves either going into your setup menu and choosing "reset" (or intialize), holding down the menu key for 5 seconds, or, removing the batteries for a few minutes. It may be that the firmware loading got corrupted and the camera just needs to be "rebooted," which is something that turning it on/off won't accomplish. But after which, you should have the camera reset to factory default settings.
Another tip is to go to Canon's website ( usa.canon.com/consumer/cont... ) and look for firmware updates. Download and install them.
Its not giving the E18 message and before 1 day ago I could explore the lens and then it got jam again!! Now the lens is open and I cant close it. I already reset the camera both manually and removing the batteries also. but no result. So I decide to back it to Thailand for servicing. But m a Bangladeshi and so communication is a great problem. Do u have any idea that how much will be the servicing charge? Would they refuse to do proper servicing?
i would greatly appreciate some help... thanks
There is no official release of any firmware upgrade from Canon. THere is an alternative choice though. There's an open software circulating the internet now for upgrade of firmware for Canon P&S camera with DIGIC II and DIGIC III chip called "CHDK", do a search with google and you'll find it. Seems that the functions of the cameras are restricted by software and not by hardware, so by utilizing this CHDK, you'll be able to get all sorts of usefule upgrades, i.e. RAW, jackup the aperture and shutter limits, etc... Since this is not sanction by Canon, it's used it at your own risk, although CHDK developers insist that it's a none pervasive upgrade, meaning it's not permanent, and can revert back to the original firmware anytime... have a read at the CHDK sites!
* Shooting in RAW, with RAW Average, RAW Sum, and RAW Develop features
* Live histogram (RGB, blended, luminance and for each RGB channel)
* Zebra mode (blinking highlight and shadow exposure limits)
* DOF-calculator
* Battery indicator
* RAW and Video space-remaining gauges with custom low-limit alerts
* Scripts execution (exposure/focus/bracketing, intervalometer and more)
* High-speed continuous Tv, Av, ISO, and Focus bracketing (unlimited shots)
* 99 constant bit-rate and 10 constant-quality video compression levels
* 1 Gig video-size limit removed in earlier cameras
* Zoom during video for cameras without
* Shutter, Aperture, and ISO Overrides (shutter speeds of 64" to 1/10,000" and higher)
* High-speed Flash Sync at all speeds up to 1/64,000 second (even faster in some cameras)
* Custom framing, cropping, and alignment viewfinder Grids (user editable)
* File browser
* Text reader
* Calendar
* Some fun tools and games :)
* Custom CHDK User Menu
* And other features too numerable to mention here. See the CHDK Firmware and Allbest Firmware usage pages for a more complete overview.
so when i dont want the CHDK i just have to remove it from my SD Card.
@ Tiger ...thank u once again !!
thanks.
If the IS is on, then you might even get away with a handheld shot. So don't worry, just shoot and experiment.
I was very happy to activate the time lapse function, battery, memory, etc, but I still have not managed to override the SHUTTER SPEED.
Can somebody help me? Is there a way to activate some sort of "BULB" mode , so I could make
"unlimited" exposures like 5min-10min?
Thank you
Is S5 IS simply worth for wider shots (family/landscapes) or i must Opt for the lens..? And if i have to, then which ones...?
First of all, u must have a clear idea of what a wide angle lens is. It is a lens that is actually having a wider "angle of view" than the normal 35mm view. A larger angle of view means, obviously, more subject matter can be covered in a picture.For example, when u are standing close to a very large subject, like a mountain or a large building, u won't be able to get the entire subject in a single picture by using a normal lens, as parts of the subject will remain out-of-view of the lens. Using a wide angle lens can be the solution, it has wider viewing angle and will cover more of the subject.Extreme wide lenses, known as fish-eye lenses, even allow 180 degrees angle of view. In optics, as you decrease the angle of view, you move from the wide end towards the telephoto end of the viewing angle, and you end up magnifying a particular part of what you were originally viewing, but naturally the outer parts of that view gradually keep going out... In the extreme end, you will be taking a big and magnified picture of a small or distant subject.In professional photography, this is done by using a seperate telephoto lens.
However, to make things easier,special lenses called "zoom lenses" are designed, where the angle of view can be changed by moving internal parts of the lens.This eliminates the need to use seperate wide and telephoto lenses for different angles of viewing, and using the same lens u can move either from wide-to-normal or normal-to-telephoto or moderate-wide-to-moderate-telephoto. A single lens that allows u to zoom throughout the entire range of viewing angle, that is from extreme wide to extreme telephoto, is only theoretically possible, as it is practically impossible to manufacture such a lens due to optical constraints and factors such as distortion. Since there is no such thing as a "perfect" lens, all lenses suffer from issues like distortion and aberration. The most common distortion for wide angle is the barrel distortion in which straight lines tend to bend outwards, that is in a direction away from the centre of the photo, and that for the telephoto angle is the pincushion distortion in which straight lines tend to curve inwards towards the centre of the photo. However lenses which are meant for a particular viewing angle only can be more specifically designed to combat a particular type of distortion. since zoom lenses have a long range of viewing angle it suffers from different types of distortions, and is also very difficult to overcome them as you can not design the lens keeping only one viewing angle in mind.So almost all of the megazoom cameras like the S5IS suffer from distortion problems more or less.The S5 is otherwise a very good camera, and Canon's(also Nikon's) picture QUALITY is very good, but if you really want such a long zoom range(12x), I'm afraid u'll have to compromise on these factors a bit. And if you don't want that, then my advice will be to go for a lower zoom one.There are many nice models in canon with zoom <= 6x.
As for a seperate wide angle lens, u won't be needing that for NORMAL conditions, but u can try one sometimes later, depending on other factors- your need, your budget etc... But for amateur photography, if you want REALLY REALLY good pictures, then these "point-and-shoot" cameras are of no use, and you MUST go for a SLR. They are a bit bigger , heavier, and are difficult to carry, and also cost a bit more, but there's absolutely no comparison in picture QUALITY. In case u are interested, Canon's lowest priced model, the EOS350D is a GREAT camera, and is also very good for beginners. And a wide lens does NOT reduce picture quality, for heaven's sake NOOOOO!! but about the "worth" part, well, these extra lenses are quite costly, for obvious quality reasons, and what's the use of a great and costly lens without an equally great camera to benefit from its powers?? Buddy, these small consumer cameras speak no quality, and if you must invest on such great lenses, getting a SLR first is the obvious criteria, otherwise, I don't think its worth the money...
I hope I've been able to answer your query, at least to some extent....
Happy camera hunting... :)
In case u are interested in an SLR, Canon's cheapest and simplest model, the EOS350D(also known as the RebelXT in the U.S.) is a GREAT camera.
I hope I've been able to answer your query, maybe to some extent.
Happy camera hunting... :)
-Abhi.
That was an awesome(great Technical) reply.... Appreciate for ur time...
LOADS OF THANKS :)
Bharath
I don't have much practical knowledge about these things, I don't even own a camera(I'm planning to buy a SLR...), but I have great interest in these things and these are just some concepts that I have aquired from various sources from various helpful and knowledgeable people...
I have just gone through some sites about "RulesofThirds (ROT)" ( as said by one of the members here) and i really found great info about Learning Basic Photography.
However, there is one link which say how to make/edit Pictures to place them under "Classifieds" (Last link).
To Learn RulesOfThird-
1.silverlight.co.uk/tutorials...
2.tlc.ousd.k12.ca.us/~acody/d...
3.(Good One)
photoinf.com/General/KODAK/...
4.(Good One)
photocritic.org/2007/the-ru...
lunacore.com/photoshop/tuto...
Happy to see these ones helpful to everyone.
Thanks for Info :).
Keep Posting good and smart Informations.
Have a Great photography,
BJ
Adding to it, I recommend anyone contemplating doing serious photography or even pursuing it as a hobby should take a basic photography course at a local Junior/Community college. You would be amazed at how much better your every day snapshots will become once you learn composition and how to see the world through a photographer's eyes.
I am not aware of the current street price in India, but I know thhis shop called Mercy Electronics(Adyar,Thiruvanmiyur signal, and other locations) which provides really good prices... However, this is if you want it "without papers" , for waranteed product, I think the prices are going to be similar in all shops, and for that you can try out the various shops at Spencer plaza...
And I hope you have read well all the reviews and resources available on the net before deciding on your product... Because specs are not everything, and should not be relied entirely upon...
Hope I cud help...
-Abhi.
Canon service center is in Mylapore, (opp to Mylapore MRTS railway station). You will get S5-IS over there. Phone number for u 4210 1331.
- Remote control of the shutter from pc; you can control the zoom lever, aperture and shutter time, and many more controls from your pc
flickr.com/photos/rogersmit...
Looking at them, especially the still life shots blown up to max so you can really see details, I would say that they're pretty dead even in photo quality. Having used the SP550UZ personally, I can vouch for how much fun it us to use the myriad of presets and that focal length. It's down right fun.
I appreciate your time.
Jackie
I like the Canon S5 IS ( digitalcamera-hq.com/digita... ) better for a number of reasons:
- Higher resolution (8MP vs 6MP)
- Newer DIGIC III Image Processor
- Higher ISO capability
- External flash shoe (like a SLR)
These features do make the S5 a more attractive camera. If you like your S3 ( digitalcamera-hq.com/digita... ) though, and budget comes into question, you might just stick with it. If you want to expand your photography skills and try some new things you can try the S5 ( digitalcamera-hq.com/digita... ) or even move up to a dSLR ( digitalcamera-hq.com/digita... ). Good luck and happy shooting.
Andrew
You will still get beautiful shots with the S5 ( digitalcamera-hq.com/digita... ). I had an S2 for a while and got some beautiful photos with it (linked below). The newer options of the ability to attach an external flash to the S4, and the better processer make it very attractive if you don't want to move up to a dSLR yet.
Andrew
S2 Photos:
- Sunrise ( gallery.blackdoorphotos.com... )
- Lawn Jockeys ( gallery.blackdoorphotos.com... )
- Yellow Building ( gallery.blackdoorphotos.com... )
- Courthouse Fisheye ( gallery.blackdoorphotos.com... ) (using a fisheye adapter lens)
This is mostly due to the very small sensor size in this range of cameras, where the CCD would require much more "effort" to capture sufficient light source. So in order to try and reduce this deficiency, the camera makers introduce higher ISO capabilities, but all this does is let you capture more and more noise in your photos.
If you are serious in learning photography and wish to be able to take great photos in a wider range of shooting conditions, even an entry level dSLR is well worth the money if you could afford it. The Nikon D40x with a kit lens would only set you back less than double the cost of getting the Canon S5IS.
Benefits the S5IS would give you over dSLR for now are: -
1. Higher Zoom range (36mm - 432mm equivalent)
2. Movie recording with stereo sound, and optical zooming during recording
3. A swivel LCD
4. Very good Macro shooting (you would require a dedicated Macro Lens for dSLR)
My experience with my S5 so far is that it takes great picture outdoors with good light (I should say when ever the camera can shoot without flash at ISO 80 hand held). It's also good for enthusiasts who like to shoot at high zoom like shooting the moon etc (but that is not usually why people buy a camera for).
Well, it depends on what you need, if say you do not need the 12x optical zoom and the zooming while taking video, and you would not want to spend too much on a dSLR for now, I would suggest you go for the Canon G9! That camera will give you much better photographic results!
On the other hand, there have been a few reviews out there that pointed out some bad points about A650IS, so it would seem to be better to keep away from this model if you don't mind not having the swivel LCD.
If you can afford the G9, it's one of the best point and shooter in the market (if not the best!) Only a dSLR can beat it for the photo quality!
Andrew
I love the S2 IS's natural color quality and sharpness when taking sunny, outdoor pictures. They're simply beautiful. I love the zoom, because I get close to the action without scaring the kids away or interfering with the spontaneity of the moment. The movie quality is nice, especially the stereo sound. I really like the rotating LCD - I can get to the kids' level without having to bend - I just hold the camera low and turn the LCD towards me. For real sunny beach days, the LCD is almost useless, so I use the internal viewfinder. This camera has given me many beautiful shots.
Now, for the things I don't like. I'd like a camera with higher than 5 MP, for enlargements, but I've been reading that high MP on a non-SLR camera creates lower quality pics. Also, my pet peeve about this camera is the quality of low-light pictures - in my situation, indoor pictures not directly near a sun filled window. With the flash the person is too bright with the background too dark. Without the flash it has a lot of noise. The outdoor pictures could win prizes, but the indoor pics are barely presentable. Also, one thing that I found with myself is that as much as I'd like to learn all about how to take creative manual shots, I never have the time, so I really rely on the camera's auto mode to decide on the right settings to take in a given, uh, setting. The size is okay, I'd like for it to be smaller, but if the only camera that fits my needs is not small, I'll get it.
Canon is willing to give me a refurbished S3 IS at $185, including shipping. I was also looking into the S5 IS and Canon's new SX100. But I'll consider any camera that may meet my needs.
Order of priorities, rated 1 to 10:
Outdoor quality - 10
Extended zoom - 9
Indoor quality - 8
Good indoor auto mode - 8
MP (maybe 6.5 or 7) - 7
smaller size than S2 IS - 5
Good quality movie with sound - 6.5
Each camera has different pros and cons, and I'm confused about higher MP and quality, which has beautiful image quality, including good flash for indoor. I think S5 has a hot shoe. But SX100 is smaller. And S3 has only 6 MP but no face detection. I've read and experienced that Canon has beautiful image quality, so that's why I'm sticking with them. Anybody have advice? Thank you very much!
Also, again from the reviews, indoor low light pictues on "auto" aren't good, but can be if you use manual mode. The same goes for outdoor shots with some sun and a lot of shade.
I was in about the same situation as you. I really wanted the SX100 because of the price, but went with the S5 for a few dollars more.
Thanks so much!!
P.S. What are you guys doing up so late? Go to sleep! (Just kidding. I guess being a mother, I just can't resist!;)
1. S5IS uses the same lens as S3 and S2 (12x optical USM),
2. SX100IS uses the same processor as S5IS (Canon's Digic III), S3 uses Digic II (hence no face detection)
3. True that the camera now go up to ISO1600, great for low light conditions (theoretically), but the amount of noise present in shots shoot with anything above ISO 200 would make you cry if you look at it in the computer screen, or if you make larger prints.
4. High MP makes lower quality photos? Well, that's not really the case, but it is the normal occurrence, for the camera makers tries to sell more cameras by boasting higher MP! What is really needed is higher MP with larger CCD! but sadly, due to cost, it's not the case. But not to worry, if you do get a higher MP camera, just shoot the more difficult shooting condition shots with a lower resolution setting, which will solve this whole "high MP lower quality" issue.
Ok. On the high ISO issue, Aditya is right in saying Fuji is best is the point and shoot segment. Why, because Fuji put in a slightly larger CCD than its competitors. But apart from giving better high ISO shots, everything else that the Fuji gives you may leave you wanting (especially if you've got use to Canon, which is a lot more user friendly and logical).
On other higher ISO cameras, the panasonic actually give a smoother (less noise) shots at high ISO. This is due to its processor employing a higher software noise reduction in-camera. SO if you like to get high ISO shoots, and would not have time to edit your pics with a computer afterwards, then, the panasonic would be a faster option for you.
I own the S5, and I'm actually appalled with the "high" ISO shots quality, high as in anything higher than ISO200! I ended up spending a lot of time post-processing these shots with various noise reducing software on my computer. Or when possible, I try to take my shots at ISO80 (which is usually not a good idea in low light/indoor shots, unless of course you like your subjects to have trails around them! haha!)
I'll be truthful here, the S5IS produces the noisiest images on the Canon lineup! I'd spent some time reading through review sites after I bought the camera! haha! But apart from that, every other thing on this camera is top notch!
And for the movie taking with Stereo sound, this is the only Digital camera in the market that has it (I mean this series of camera, S2, S3, S5IS)
Oh, and the flip-out swivel screen, if you think that you can't live without it, than SX100IS is out of the equation for you! haha! The 2.5" swivel LCD on the S5IS is actually much better now compared to even S3 (which only have a 2.0" LCD), and in sunny conditions, it is still quite usable!
The only personal idea I'd like to share is that the SX100 is probably even noisier than the S5 with noise and NR artifacts sometimes showing up at as low as ISO80!!! That's terrible!! But the lens of the SXC100 is probably somewhat better than that of the S series, showing better distortion and aberration characteristics... The lens aberration(chromatic) on the S5 is really bad, with frequent instances of bad fringing, and this is probably the only drawback of the S5... The noise can be handled by using low ISO and wider apertures, but the aberration and fringing is very difficult to control, though post processing would help a little...
On other similar range cameras, go to popphoto.com/ for some reviews, this review site give some pretty detail pros and cons of the cameras.
popphoto.com/cameras/4837/p...
Fuji-finepix-s700 is in a similar range to S5IS, you'll have to look at it for the comparison, which inadvertently, Canon will always win out for user-friendliness.
On the HOTSHOE. Well it's a great option to have. If you have the money to get the Flash unit, that is! HA! The EX430 unit costs about the same as the camera, if not more! But if you could afford it, then you lowlight shooting options changes dramatically! But then again, people who have to money to get one of these flash units will probably be shooting with dSLR! ha!
Which will be better for you? Well, if low light shots for you are not in the equation, S5 will do nicely for outdoor shots. The zoom range might not be the best (i.e. the wide angle is a bit short, as it only starts at 36mm equivalent), most of the other superzoom cameras start their zoom at around 28mm, which is much better for scenery.
Have a read at the review sites I suggested above. (I'll attach some other camera review on the next entry, the server not letting me post to many links in one submission)
popphoto.com/cameras/4664/c...
popphoto.com/cameras/4421/c...
Speedlite EX series 220EX, 430EX, 580EX, 580EX II, are suggested by Canon. I would say you should get at least the 430EX. The 220EX is not a tilt-able type. I did an ebay search for price and it's around US$260-270, sometimes you maybe able to get your hands on a second hand unit.
There are some work-arounds to manipulate the use of the built in flash, but that is with varying results. You could attached some form of DIY diffuser (ie tissue paper, etc), you could even try to redirect the flash with some white colour cards. If you do these, you'll have to shoot with the creative zone modes so that you can adjust the power of the flash. It'll be a lot of trial and error and I'll have to say that it's has a low rate of success. I've tried some of these trick a couple of time but very seldomly get anything useful! ha!
But since you say you usually shoot auto and couldn't bother with the manual settings, I would say that even if you get a speedlite, you would still get bright subject and dark background! THe simple truth is, if you don't move into the "creative" shooting modes, you won't be able to get what you want.
But if you do decide to get the camera, then get the camera first. Use the built-in flash for your shots. And then only decide whether you'll need a speedlite after you get loads of shots.
Yes, noise reduction is employ (some consider this excessive, some consider this time saving!) I mean if time constraint on post editing is an issue, then in-camera automated noise reduction will be a life saver!
Don't worry about well lit pics being noise reduced, the noise reduction (or amount of it) is based on the ISO setting when shooting, so this means that in well lit / bright shooting environment, most likely the ISO (chosen by the camera if set to auto) will be low, i.e. in the region of 100 - 200, hence noise reduction would not really kick in! AND ONE MAJOR ADVANTAGE OF the FZ18 is that it has RAW mode! (RAW entails post processing, but with the RAW + JPEG mode (optional), i.e. every shot you take will be save in both formats, you will have the choice of processing your RAW file if needs be, just keep in mind the RAW will take up huge amount of memory, hence will require more time when saving the file after shooting.
Yes, Canon's clarity and vividness is usually one of the best, but not for the S5 when it comes to low lit shots. Many of the review/test sites also mention that the exposure had to be boost up one notch in most condition when shooting with S5, (it's not a worry, just require more trial and error to get the right combination).
Did you have a look at the photos taken by the cameras at the review sites? Compare them and see how you feel about the quality. Panasonic camera should be ok on this area. The only other major camera vendor that I found a problem with colour is SONY! Sony usually give out photos with colours which are too vivid!
Yep, Zoom while taking movie is a one of the advantages of the S5.
this is another review site of the FZ18:
imaging-resource.com/PRODS/...
read some of the noted disadvantages and see if any of them "speaks" to you!
Well, you'll have to deliberate between the features of the 2 cameras, what you need/like about each. Go to a camera shop and have a feel of each camera. Take some trial shots and see the comparisons, maybe even get the vendor to develop a few of the comparison shots for you, compare indoors and outdoors shots. Sometimes, actually, the feel of the camera in your hands will very likely eliminate any camera for you (no matter how good the photos will be, you wouldn't want to contort your hands to shoot the pics!)
You should enlarge your deciding factor when it comes to buying a camera though, both camera you are considering have many different pros and cons!
Thanks a lot everyone...all the answers have helped. I have ordered this camera now..all the advise will help me with battery downs...
Hope u all have a great shooting..
Thanks and Regards
I must mention that Canon does not recommend using Lithium AA's for their cameras! Only go for NiCd, NiMH or normal AA batteries.
Sadly, just about every point and shoot has to deal with shutter lag. But there are ways to combat it.
1. Prefocus. Hold down the shutter half way to get a prefocus of the image you're shooting. When it changes, prefocus again. This will speed up your camera's performance during picture taking since it won't have to autofocus before it shoots the shot.
2. Use faster SD cards. Yes, there are faster cards and it does make a difference in writing the image file to the card. This is especially key if you're taking multiple or burst images.
3. Fresher batteries. Use alkalines at least. But I recommend using high energy batteries designed for digital photography. Varta is a good brand. They are usually sold in camera shops, are long lasting (because they are sold in small quantities) put out alot of energy.
4. Pan with the action. You can create some pretty cool shots by panning with your shot, focusing on your subject. This will create the effect of your subject in sharp contrast to the blurry background.
6. Stick with 100-400 ISO. Going higher will cause more noise/grain in your shots, particularly in darker settings.
Doing these, particularly prefocusing and panning with the action will cut your shutter lag by as much as 80%.
The good news is that according to recent news articles, many camera companies will be incorporating the CCD chips they use in their SLR lines (which give no shutter lag) into their point and shoot cameras. So look for it within the next few years.
You can use sports modes, sure. But I'm afraid the continuous shooting option isn't all that great, being about 1.5 frames per second. You still have write speeds to the card itself, which you can speed up using faster cards.
And just pointing and shooting, you'll have to deal with shutter lag no matter what camera you use.
check this out and you will find the best camera,
popphoto.com/cameras/4836/s...
with regards,
upendra sharma
digitalcamera-hq.com/digita...
I want a decent point and shoot camera, with manual override to replace my SLR Canon AE-1.
It needs to be smallish though not necessarily pocket-size.
I'd like to be able to do some macro photography as well.
Large MP not important as I don't plan on enlarging photos past 8x10.
May consider a swivel LCD IF they are more readable in the sun and only if I can't have a viewfinder.
I can only spend around $300 or less. Thanks in advance.
Donna
Landscape photography, S5 will do fine for this. Sports/action, well it should be ok, if you are not planning on having burst modes of faster than 1 frame per second.
The viewfinder in this model is a electronic, it means that it show exactly what is shown in the LCD - i.e. it's just a smaller LCD. This camera is definitely not pocket-size, you would probably require a camera bag to carry it around if you don't want it dangling around your neck or shoulder.
About cameras doing away with viewfinders, hmm, it's actually cameras in another segment! The range of cameras in the S5 segments, the so call "superzoom EVFs" all have electrical viewfinders. So no worries there.
Thanks for the answer. I realized after I posted and did some more research that the S5 would be out of my price range. I know that I want a lot of camera for a little bit of money (don't we all?). I do have a Kodak that I've been using for my digital shots. It's been fun, but very limiting. Of course, I have to admit to not having spent time learning how to use it either. In the past I was better about learning about the equipment, but lately I see something interesting and just want to get it in print. I see people looking at their LCDs for some time before snapping a shot. That's not for me.
I did a lot more thinking about what I need in a camera. I'm just getting into watercolor and want to be able to capture beautiful compositions or scenes and do so quickly. I'm now thinking that maybe due to my limited funds and needing something portable that maybe the Canon A720IS is the answer? Do you have any experience with that one? I know I'll give up much of the telephoto capability, but maybe I can live with that. Do you think that camera does faster sports shots? I'll have to check that out. I get overwhelmed with data in all of my readings and then one day just give up and buy something which is how I ended up with the Kodak. :) The A720IS is on sale right now at Office Depot...
Donna
On the other hand, A720 is a very capable little camera. It has most of the functions similar to S5 anyways, so the shooting capabilities is similar, apart for the optical zooming while taking movies, and the shorter zoom length.
One of the major downside of the A720 is it only uses 2 AA batteries. What this cause is slower operations! There'll be a short downtime after every shot, and if flash is fired, then there'll be a roughly 10s downtime where the camera needs to wait for the power to recharge! And there are users out there that find the batteries drains fast in this camera, only able to get around 50 shots, but these are minorities. What you should do is get reputable rechargeable NiMH AA like the Sanyo Eneloop. And there is a useful battery indicator in A720 letting you know the estimated amount of power remaining. This is a new feature for Canon's AA cameras. The S5 still only employs the low power warning when the batteries are about dried!
Apart from the power issue, the A720IS should be plenty useful enough for your requirements (that is if you can really live with the shorter zoom). Shooting modes wise, unless you are super particular on setting up the shooting modes, the A720 is good enough, if not better. And photo quality, well, I would say that it maybe better than the S5!
Just remember, you should factor in the NiMH rechargeable batteries (get a charger with 4 AA, so that you'll have a backup set where ever you go) and some SD cards (it's a good idea to get 2 SD cards instead of 1, for example, if you think you need 2 GBs worth of memory, then get TWO 1GB cards instead of ONE 2GB card, just in case you card gets cranky while you are shooting).
More great information. Thanks. I think for the price I may just need to try it out and see how well the A720 will work for my needs. In the meantime maybe the manufacturers will come up with a camera that is ideal for me or maybe I'll just figure that I'll need an additional camera down the road.
Sometimes, at least for me, I don't know what I truly need until I don't have it. I have learned while using the Kodak (that I currently have) that macro photography is something that I need. Of course, I didn't realize this until I saw the horrible macro shots from my Kodak. :) And it only has a 4x zoom and many times I would have liked a closer shot. I don't know how much closer though.
I DO know that I need a viewfinder and I think I'll be happier with something portable because several times I wished I'd brought my camera. The Kodak is lighter than my old SLR cameras, but heavier than the A720 and not something I think to always have with me.
Thanks also for the battery information and the SD card advice. I'll let you know how it goes.
Donna
in your price range the best camera is the panasonic fz8 with 12x zoom.
panasonic build quality is very good.
Question is, can I take the camera out on it's own to do an auto time lapses or does it only do it with a PC program and USB cable? I only own a desktop computer and don't want a laptop just so I can do time lapses. I just want to mount the camera on the tripod and go.
Canon does make cameras such as the SD850is that will take up to two hours of time lapse photography. It only gives you a choice of one picture every minute or one every 30 seconds (if I recall correctly. it could be one every two minutes, but in any case there are only two choices).
Time Lapse functions are available with the newer Canon models though, starting from A720IS, I think... most of the models that came out or are coming this year should have the time lapse function as well.
On the matter of functions for cameras, the best place to check it out would still be at the camera's website. Canon provides good details on their cameras and you can also download the manuals to read! That way you shouldn't be mislead by review sites such as dpreview! haha!
Malcolm
My vote is for the Canon S5 IS ( digitalcamera-hq.com/digita... ). While the resolution is a little lower, 8MP still renders great photos. The 12x zoom on it far outweighs the Nikon's 3.5x. This zoom will help get you much closer to your subject. Good luck and happy shooting.
Andrew
The only reason I can think of for choosing the P5000 is its small size (assuming cost of each is acceptable as you have indicated).
You can find used and discount cameras on eBay for both the G9 ( search.ebay.com/search/sear... ) and the G7 ( photography.search.ebay.com... ). Good luck and happy shooting.
Andrew
1. Prefocus. Hold down the shutter half way to get a prefocus of the image you're shooting. When it changes, prefocus again. This will speed up your camera's performance during picture taking since it won't have to autofocus before it shoots the shot.
2. Use faster SD cards. Yes, there are faster cards and it does make a difference in writing the image file to the card. This is especially key if you're taking multiple or burst images.
3. Fresher batteries. Use alkalines at least. But I recommend using high energy batteries designed for digital photography. Varta is a good brand. They are usually sold in camera shops, are long lasting (because they are sold in small quantities) put out alot of energy.
4. As mentioned above, shoot in "sports" modes when you're in situations that require action. Night or available light modes when in night time settings. These presets can help in speeding up your shots, rather than the camera taking a split second to evaluate the conditions of the lighting.
5. Go manual. If you are manually focusing, particularly in darker settings, you can constantly refocus the image as things happen. Also, the infrared does have a range and if your image is out of that range you can end up with the camera's "best guess" or infinity setting which may not help. You can also go manual on fstops and shutter speeds as well, getting more light faster when you choose.
6. Go with a shallow depth of field.
7. Pan with the action. You can create some pretty cool shots by panning with your shot, focusing on your subject. This will create the effect of your subject in sharp contrast to the blurry background.
8. Use a flash - even in day time. This will "freeze" the image and cause your subject to "pop" in the shot. However, flash is only designed for limited range and can dissipate outside of about 20-25 feet unless you're using a zoomable flash.
9. Stick with 100-400 ISO. Going higher will cause more noise/grain in your shots, particularly in darker settings.
You've basically found the way to make it take up less space. I would recommend getting an external DVD/CD RW. You can get them attached through your USB port now.
Andrew
On the storage issue, I would say Andrew's suggestion on getting a DVD/RW is the best option. But I would suggest to you instead to go for an internal model, it's way cheaper (although you'll need some minor knowledge on how to install it into your pc). Some vendors might just install it for you for free, but I think most would charge a fee for it, find out the charges and costs.
Using USB flash is just NOT the way to go, the cost would add up, prices nowadays, a 4GB USB flash drive would get you like 50 DVD +/- R disk... and not many players on the market would take a USB flash drive and play your movie on your TV!
Then the question of showing your movies on TV. There's a few ways to achieve this. 1stly, you can recode your avi files into a DVD or VCD movie using various software on the market, something like NERO would do nicely. This will depend on what movie player you have. Some movie players nowadays accept DivX file! Now if you have this type of player, then it'll be much easier! All you have to do is recode your movie into a DivX file from your avi file, of course you'll need a avi to divX converter, do a search on google on this subject and see what you can get, some softwares are free to use!
Another thing, if you can afford storing your files with USB flash drive, why not just get more SD cards... prices aren't that much different! Ha!
Do get yourself some 4GBs SD cards if you are really into shooting movies with your S5! You need the capacity! But don't go for those 8GB SD cards, I've asked Canon before and they'd informed me that our S5 was not design to accept 8GB SD cards, if we use 8GB SD cards, then most likely we'll experience speed issues!
D40x is a great camera, but lenses will be expensive as this is a cheaper body from Nikon which lacks some serious components. You'll need to get more expensive lens to compensate... and if you get too into it, it'll cost you a pretty significantly large sum of money.
I would say it's more like what you'll need to use the camera for! SLR will always give better quality photos with a wider range of shooting options, but price comes into play. So if a point and shoot camera meets your needs, you won't need to go the SLR road. One of the major disadvantage of a SLR will be the bulk!
As a designer myself, I bought the S5 and still have a 20D and haven't regretted it one bit. You can sink a couple hundred into some wide angle and zoom accessories and surprise people all the time that the photos weren't taken with a $1500 camera.
amazon.com/Opteka-58mm-HD2-...
Hope this helps, if you have any other questions feel free to ask.
Thanks in advance.
So I have been trying to review cameras, SX100, S5, FZ8, TZ3,(no Sony please) and comparable units, on the various sites and like most common users I'm blown away by all the tech stuff. I would be the standard guy with a camera-point -zoom-shoot. I would preferr a camera with a optical viewfinder.I am open to any camera to about $350.
My primary goal- I run retrievers-Labradors. I would like to get some shots of the dogs working. These dogs are not walkin, they are going all out on land, shallow water, and swimming. The most beautiful time in the marsh is when the sun is just breaking and everything is golden, but we are also out alot on overcast days. Low light capabilities(dawn,pre-dawn) will be a huge factor. The dogs could be out as far as 20-30 yards, but I understand I won't get shots at this distance in the low light times.
After the dogs I would be just the average picture taker.
So I guess I'm looking for my best option, if there is one for my purpose.
If you plan on taking some video of the dogs in action, I would recommend the Canon S5is since you will be able to zoom during video which the FZ18 will not do.
Function > Recording Pixels > Post card
Step two sets the date to on/off :
Record Menu > Date off/on.
But it's a feature that's kinda fallen on hard times in the point and shoot world. you can't really get that feature anymore unless you do it in a software utility like photoshop. In film cameras, date backs would expose light the film in the form of date and time so it was literally burned into the negative image.
As the digital file is marked by a date and time when it's saved, the use of a date stamp feature in digital cameras has lost popularity amongst camera manufacturers as a feature. Sorry, but the AS710A's postcard feature may be the best you can do unless you're willing to add the date/time after the fact.
Date stamp is set to off by default and there is no way to remove the date once it is stamped on the picture.
Check out MAGTIME - filedudes.com/MagiTime-down... it's an application which adds date/time to the picture. But beware, once you do it, it can't be undone.
But there is hope, here is some software that can put a date on your photo by reading it from the EXIF info in the photos file.
Its called DateMeNow. Here is the link: ketara.ca/date-photos.html?...
Its only $14.99. Since circuit city has this camera on sale now for 314.99, I'm going to buy it again. I wasn't impressed by the kodak 10.1MP, its too cheaply made and the shutter delay is horridly slow. Check out the software its just what I needed.
It has a trail version so you can try it out for yourself.
Too bad Canon can't do a firmware update to this camera and fix this problem. No wonder there are so many of these on e-bay!
And just remember, Joe, that using software like DateMeNow or Magtime means it can't be undone.
Other than that, postcard mode should be the place to go for it, but I'm not sure, since I never go for date stamp in a shot. It's easy to date stamp a photo in post process, but it a hell of a lot more difficult to remove date stamp in post process! Go over to Flickr, I'll bet you'll be hard pressed to find a nice and beautiful photo there with a date stamp!
Add the date stamp in post processing.
Trading a canon for a kodak because of a lack of this feature... seems a little odd to me. Obviously the kodak was recognized as the inferior camera. It is.
S5 is probably on Ebay because there are a few upgrades that are newer, and, it's possible that some camera owners are moving up into the dslr realm.
Thanks for your help.
That said, if you really want it invisble, then the programs mentioned would work for all cameras because jpeg is almost universal.
* Shooting in RAW, with RAW Average, RAW Sum, and RAW Develop features
* Live histogram (RGB, blended, luminance and for each RGB channel)
* Zebra mode (blinking highlight and shadow exposure limits)
* DOF-calculator
* Battery indicator
* RAW and Video space-remaining gauges with custom low-limit alerts
* Scripts execution (exposure/focus/bracketing, intervalometer and more)
* High-speed continuous Tv, Av, ISO, and Focus bracketing (unlimited shots)
* 99 constant bit-rate and 10 constant-quality video compression levels
* 1 Gig video-size limit removed in earlier cameras
* Zoom during video for cameras without
* Shutter, Aperture, and ISO Overrides (shutter speeds of 64" to 1/10,000" and higher)
* High-speed Flash Sync at all speeds up to 1/64,000 second (even faster in some cameras)
* Custom framing, cropping, and alignment viewfinder Grids (user editable)
* File browser
* Text reader
* Calendar
* Some fun tools and games :)
* Custom CHDK User Menu
* And other features too numerable to mention here. See the CHDK Firmware and Allbest Firmware usage pages for a more complete overview.
so when i dont want the CHDK i just have to remove it from my SD Card.
2. Since you state you want to "get better" I'm going to assume you want to be able to move eventually from automatic exposure to some manual control. In that case you don't want the TZ3,4 or 5 because they don't have the ability to set the aperture or shutter speed.
3. Check here for a complete review of the FZ18
imaging-resource.com/PRODS/...
4. Check here for the S5is
imaging-resource.com/PRODS/...
I prefer the S5is, but you'll need to check them out thoroughly to decide which one fits your style of photography better. Be certain to test drive them both in a store where you can feel the controls as well as size and weight. The S5is allows you to zoom while shooting video which is very convenient if video is part of your use. Be sure to check out the sample images and note that the Panasonic images are typically softer than Canon due to overprocessing. This gives a smoother image but loses detail, IMHO. They are both incredibly good cameras so all you have to do is figure out which one you prefer and go for it!
Can somebody please help me setup the camera in such a way that these photos will not come blur. (When I tried taking pics using my friend's Sony DSC H7 the pics come pretty stable. Is there a difference in the quality of IS used in SONY and Canon ?)
Of course, using a flash will also freeze the subjects, but I assume this is unacceptable in the dance/drama situations you are working with.
As regards the quality of IS used, nobody makes better IS than Canon. The trick is to get your camera to use a faster shutter speed and that is what all the above "tricks" forces your top of the line camera to do. AUTO mode is just too generic and doesn't let the camera know the exact purpose of your shot.
Let me know how this works out for you, and good luck. Be persistent. You have a great camera. Typically the better and more versatile a camera is the longer it takes to learn to use it so hang in there.
You can find it on page 7 of the Advanced User Guide. Looks like no RMA required as mine it does not show up in either the photos or the videos.
If it's always at the same spot, then it should be a dead pixel... which mean if you view the video or photo in your computer, you won't see the spot... but then you say it doesn't show up for pictures, which is strange...
I think it does show in photos, maybe not as apparent... maybe you can test it some how, say take a photo in total darkness without flash, then it will be easier to see whether it's there!
you can't do much on dead pixel, maybe you can check with Canon Service whether it is covered with the warranty
Just curious as to why you're wanting to replace your existing S2?
As to yoru question, I have had my S2 IS since mid-2005 and have worn the labels off of several of the buttons. My wife and I are fulfilling our dream to see as much of the world as we can before we get too old to travel. In the process I have taken probably 25,000 pictures with the camera and it is showing its age. In fact the photos from the last trip do not seem to be as sharp as earlier ones, so I want to replace it before it quits in a location where it cannot be replaced and I will have only my backup camera (Powershot SD550). Besides, with the S5 IS or a successor, I will have an increased ISO range, a larger LCD, a flash hot shoe and SDHC capability. I considered upgrading to a DSLR, but really like the compactness of the S- IS series as well as the zoom range.
Thanks for responding James--your interest is appreciated.
I did somet checking and there's no sign of an S6 on the horizon. But with Christmas coming and CES coming in January, it's could be anytime between the Christmas season and next Feb/March.
btw a heavier body makes for less hand shaking so don't expect Canon to lighten it too much.
One trend that I find disconcerting is the shrinkage of the size of the cameras... pretty soon you.ll have to take photograghs by asking your kids to hold them! As far as I'm concerned, they're getting too small (and I have small hands).
The fold-out screen and the AA battery power source do add weight, but the mega advantages of both features just make this about the perfect camera for my needs (construction photos, short video clips and even arty photos).
Selecting a camera is difficult at best. The on-line independent review web-sites are just superb resources.
To get comparisons, you may want to check out this resource ( imaging-resource.com/IMCOMP... ). It takes pictures with each and you can compare them side by side.
Someone already mentioned imaging resource as a good source. Another good sources is digitalcamerareview.com.
Not to mention that it does not record audio in stereo (like a similar priced kodak z812is does) nor does shoot in high definition.
The lens is not even a wide angle (like it is on the 10x Panasonic tz4).
I have a feeling that the people giving this such high ratings are either first time digital camera owners or people who are fuji fanboys because based on the camera's specs and merits it is way out of its league with the competition.
I would love to hear some reasons why this camera is worth the money.
When compared to similar cameras with a longer zoom and high megapixel count, this camera isn't as expensive. Being that it is new, there are only 3 user reviews written on it (as of me answering this question).
As for the camera's functionality, I would personally go with something like the Canon S5 IS ( digitalcamera-hq.com/digita... ) if I was in the market for an extended zoom camera like this. It comes with the optical image stabilization and the newer Digic II Processor.
Andrew
I've heard Kodak has some issues with their digital cameras in regards to build quality, so that may not be your best choice. If you like the specs on the Sony H3 ( digitalcamera-hq.com/digita... ) better than this choice, I would go with that camera.
I would also recommend going into a retailer to see how the cameras feel in your hand. A shop like Wolf, Penn, or Ritz will often let you shoot a couple practice shots in the store to see if you like them. Good luck and happy shooting.
Andrew
Thanks for the reply. I agree that Canon seems to be worth the extra money but I am just really curious about why this model is so highly regarded by its owners. I actually think there may be something that I am missing out on and so that is why I posted this question to try and gather input as to why the owners of this Fuji are so satisfied especially considering the weak specs.
As for the H3... honestly I may never buy another Sony camera again after my ownership experience with an H7. The pictures are lowsy when looking at the pixel level and the hyper noise reduction scheme really is not the way that a semi pro camera should be tackling picture quality.
I know the H7 gets glowing review from users but honestly they must only be looking at 4x6 prints without even examining the pictures in detail on the computer. Either that or they have been blinded by the Sony logo.
I remember even reading one users comments that the Sony Bionz engine is the greatest thing for picture quality because the Sony DSLRs use it... guess what? The Bionz is the cause of all that noise reduction in the first place!!! If only sony would allow the user to select the noise reduction level then all the problems would fade.... knowing Sony though, they will introduce that option on a later (and higher priced) model.
With only 13 user reviews (as of May 26th, 2008), I would still be cautious about saying that the camera is getting glowing reviews. Yes, the reviews are consistent, so that may help.
What do you plan on using your new camera for? That might help lead us down a better path.
Andrew
I totally agree with you that 13 reviews is not a significant sample population to draw conclusions. I was just hoping that one of those 13 would take the time to state the glories they perceive or at least discuss certain issues that I see.
As for me, well I own a Sony H7 and I just recently bought the Panasonic TZ4. I tried both out on a trip to New York so I will make some conclusions when I have the time to examine all the photographs in detail (with over a 1000 photos that is going to take some time!!).
Thanks for the update. I'm looking forward to hearing about the photo comparisons. Let us know when you're done going through them.
Andrew
But I can't figure out why I used to get a wide angle picture in the "C" mode and now its the same "non-wide" image that all the other modes are capable of.
I do like the 40X telephoto with digital help, got some pretty nice pictures of eagles in the Grand Tetons this week, both stationary and a couple in flight.
Great photos! My views on the camera are based on some experience with Fuji cameras and their non- optical stabilization. While Fuji makes some great lenses and they also have very good color, the problem I found was that many of the shots were blurry. This was due to the lack of stabilzation. If you are getting great pictures with the camera then that is wonderful, but from my experience the Fuji cameras take great pictures... but it will be 1 great photo out of several blurry ones. That is the deal killer for me.
I forgot to mention... 10 megapixels are not necesarily better than 8. Most would agree that more megapix on a small sensor leads to more noise so 10 megapixels is actually a negative when compared to the Cannon.
As for the metal body... well quite frankly if you drop a camera with a metal body it will break just the same as the one with the plastic body. The metal may seem better to touch but if I can have a lighter plastic bodied camera that would be worth a lot more than the metal "feel."
Yeah the Cannon can be a handful to the novice photographer. I too have had a hard time with all the features on my Sony h7. I still prefer it but it just takes a lot of practice to get all the finer points down.
anyway i got a few questions .hope some one out there can help me.
1. are u sure u cant compress pics taken to get more space on the card , im sure i read it in one of the reviews .. maybe i was wrong .somehitng called image resizefunction .
2 is stich assist the same as panorama?
3.can u apply my colors effect to saved pics ? recently took some on my nikon and the colors were too vibrant , cant dial down now .
4. does the image stabilzin really work on ur G9... dunno if i read it wrong but i went to dpreview as u advised and the S5is seems to fare better in the IS area compared to the G9
5. this thing called ISAPS does the G9 have it and does it work ... actaully waht does it do ?
6. hows the flash recharging on the G9 ....im a big fan of the nikon brand as u are of the canon ..... and my only complaint with m E4600 is that the flash recharging takes wayyyyyyyyy too long ,anywhere between 5- 30 seconds depending on light and battery ........ its the only thing that drove me crazy .but then again thats an old camera .
7. can u tell me the type of cards compaltible with the G9 ....... and the max capacity complatible .. SD is 1 gb right ? what abt the rest ?
8. whats the histogram used 4 , do u use it to make ur shots betteror something ? and if so how ? .......... this is way more complicated than what i own at the moment . can u explain or direct me to someplce that will explain it to me in laylmen terms ?
9. do u know any site i can go to for tips , i checkd out the pics on dpreview . they were awsome . very SLRish ... but i checkd out the pics for sx100is, s5is, a720is , 650is .............and they all lookd great . guess it has to do more with the person behind the camera too.
10. i know i keep asking this quetion ......... i still dont get what the differnce between the above mentiond models and the G9 is . other than pixels , zoom , raw, lcdsize and battery type and price.....IS THAT THE ONLY DIFFENCE BETWEEN THESE 5 MODELS ? or am i missing out on something ? more of the comparison chart i go to are empty in many coloums ........so i dont get a real i dea of what is basically difrent between thse models .
11. if u were gonna buy an SLR whud u go for a nikon or a canon , and why wud u go for it ?
some one out ther plz help me
thanks , do reply . tc
ann
I see you've come up with some very inclusive questions. I will attempt to answer them in order:
1. You can change the compression of the images, but it will effectively lower the resolution quality at the same time. You can also change the recording pixels while maintaining a higher quality. Either method reduces the size of prints you will get from the photo, but will save room on your memory card.
2. Stitch assist will effectively give you a panoramic shot by "stitching" the images together on their sides digitally into a wider image.
3. You can not adjust the colors after shooting on the camera, but there is a "My Colors" shooting mode where you can adjust the settings for colors (preset and manual settings) and see them on the LCD before shooting.
4. The image stabilization on the Canon S5 IS ( digitalcamera-hq.com/digita... ) is the same technology built into the G9 ( digitalcamera-hq.com/digita... ). The both should work about the same.
5. iSAPS is a Canon technology developed to quicken the autofocus through faster algorithms for determining exposure and white balance settings as well as the focal distance of the most likely subject. You can see a write-up of the technology here ( canon.com/technology/canon_... ). As for the G9 ( digitalcamera-hq.com/digita... ) having the technology, it does. It is listed in the camera's press release ( usa.canon.com/templatedata/... ) from August, 2007.
6. Flash recharge is dependent on a few different factors: how often you use it, how recently you used it, what distance your subject is from the flash (if more flash is needed) and how much power is left on your battery. The more you use the flash, the longer it will take to charge. If your batteries are low, then it will take longer to charge the flash back up too. A mounted flash will charge faster, but can run you well over $100. Either way, you can set the output level of the flash to sync with your photos at different times and possibly save on re-charge time. As a side note, you can get an external battery with more power for an external flash that makes it synch much faster. Average flash recharge time is not listed in the camera's manual.
7. This camera actually works with SD and SDHC cards. SD cards will go up to 2GB while a SDHC (high capacity) card will go up to 8GB. I would recommend getting the larger card if it works in your budget. I would also get one that is a level 2 or 3 write speed. With the 12MP resolution of the camera, a faster write speed will allow you to move to your next photo faster.
8. The histogram really is for more advanced users of the camera. The histogram graphically displays the brightness of the image photographed. If the bars are higher on the left, it is a darker picture. Conversely, if they are higher on the right, the photo is generally brighter. A balanced image will be about even all the way across.
9. You can always come to this site for tips on not only pruchasing cameras and troubleshooting, but for use as well. We will be more than happy to assist you in any way in the use of your camera.
10. What 5 models are you referencing in comparison? I can better answer this portion of your question if you list them out.
11. Personally, I love my Canons (I have 2 Canon SLR bodies). I purchased them originally because of the user interfaces. I find they are more user friendly than the Nikons. I also now own Canon SLR lenses that do not work on Nikons, so I don't want to start from scratch. I would much rather add to my collection. As for your personal choice, I would recommend going into a camera retailer like Penn Camera, Ritz, or Wolf to hold and test the cameras. Most specialty retailers like this allow their clients to hold and test the cameras to get a feel for them. This will let you see what you like better in your hands. If you feel comfortable with the camera in your hands, you're going to take better pictures. Both companies make excellent cameras and lenses.
All in all, you've asked some excellent questions, and I hope I've helped you in some way. Good luck in your search.
Andrew
10. i know i keep asking this quetion ......... i still dont get what the differnce between the above mentiond models and the G9 is . other than pixels , zoom , raw, lcdsize and battery type and price.....IS THAT THE ONLY DIFFENCE BETWEEN THESE 5 MODELS ? or am i missing out on something ? more of the comparison chart i go to are empty in many coloums ........so i dont get a real i dea of what is basically difrent between thse models
the five models i meant were 720is , 650is , sx100is , s5is , g9
ur answere really helpd me to undertsnad the camera better
i just check the release dates of the previous models . its seems that its abt time for canon to release a newer version of the G9 .......do u ahve any idea , coz if it does i'll like to wait and see what thats like before getting the G9 ..... most likely it will be better right ............... i dont want to buy this and then one week later see the latest being released .
also can u tell me where ecxcatly i shud go in this site to read abt how to make the most of the G9 .. im an amature but i love taking pics ..
ann
i just guess im a lil wary . im a die hard nikon fan ..... the one i have , tho its obselete and all now, IS AMAZINGGGG .......
I dislike sony cams.esp.P&S one , and im yet to see a PROFERSSIONAL photgrager with a SONY DSLR in his hands out here ..........
I think canon pics i ahve seen of my friends r good . just as i dont have one i a lil wary tis y i keep asking all the questions .mixed reviews dont help . i just dont want to end up with a cam im not happy with . coz im veryy happy with my nikon .
neway thanks
To build upon what Hal said above, Canon comes out with new cameras once or twice a year. If you wait, something with more features that costs more will come out soon, but that next model is just around the corner, so why not wait for it? You could get caught in a vicious cycle.
As for the comparison between your five listed cameras, what you've listed can be a huge difference between the cameras:
- Resolution: These cameras range anywhere from 8 to 12 MP in resolution. Both resolutions will give you great printouts up to 20x30 inches at the finest resolution. With the 12MP cameras, you will be able to crop more items and keep the high resolution for printouts.
- Zoom: I am a huge fan of optical zoom. The more you can get, the better in my opinion. Often times, you will sacrifice the camera's size for more optical zoom (more zoom=a bigger camera). If you're looking for something very portable, you might have to avoid something like the S5 IS ( digitalcamera-hq.com/digita... ), but the others should fit in a bag easily.
- Flash: If you want to experiment with an external flash or use one to increase your flash range, the G9 ( digitalcamera-hq.com/digita... ) or S5 IS ( digitalcamera-hq.com/digita... ) might be better choices (both have external flash hookups). Most camera flashes only work up to about 13-15 feet, while an external flash can reach over 60 or more feet.
What it all comes down to is what you want to do with the camera, where you want to take it, and how much you're willing to spend. I would also reccomend going into a retailer like Penn Camera, Ritz, or Wolf to test the cameras and see how they feel in your hand. Someone like Hal likes the way the G9 ( digitalcamera-hq.com/digita... ) fits in his hands. While I would prefer the S5 IS ( digitalcamera-hq.com/digita... ) because of the longer zoom capabilities (if choosing between these 5 cameras). What we like and what you might like could be different though. I hope this has cleared things up for you.
Andrew
More to your camera needs... if you are looking for a P&S, canon's are a good (if not the best choice). And I applaud you and others who slams SONY! haha! Sorry for the abuse Sony, I just think their crap... all looks and no substance?! Panasonic P&S is another good choice in the market, they generally cater for the more novice of the users, (i.e. the auto functions are some of the best).
For deciding on a camera purchase, it more important to know what and how you want your photographs to be taken. DOn't go over camera specs and compare which is best to determine your needs! G9 is a great P&S (if not the best P&S in the market, in terms of general affordability and usability, Leica has a P&S out now that produce amazing photos, but that little shooter will cost more than an entry level SLR with Kit Lens and usability is not a major advantage of the camera), but if you don't need the capability of it, then getting it might be overkill for you!
One major advantage of G( over the other 4 cams you mentioned is it's default RAW capture capability. But there is a walk-around to get RAW for all canon P&S now (CHDK, which is another topic).
On new replacement models on the horizon, next model on the G-series might be coming out at the end of the year or earliest by September, although it's more likely that S5's next model is coming out in September (check out canonrumors.com/)
On review site, I say that dpreview is NOT a great site!!! Many times, it gives wrong informations on their reviews! Others like www.popphoto.com , www.imaging-resource.com are better... more precise info with more relevant review... Another way I like to compare cameras now is through flickr.com, everyday users will post their photos there, and there're camera-specific groups there, so it's the best place to browse through to see the type of photos the camera will produce for everyday users like us...
Here's the thing. There will always be something new on the horizon in the world of electronics. According to Moore's Law electronics become more powerful and faster about every 18 months. It happens so fast these days that by the time something comes on the market, it's already obsolete. So, you can wait and hope the S6 comes out, but really, what's the point? Go with the S5, if you like it and when the Ss6 is announced (or rumored to), you can always sell the S5 on eBay to pay for the new toy.
the more the amperage the better it is..
This was not always the case.
This may be a connection issue internal to the camera. I would suggest contacting Canon support ( usa.canon.com/consumer/cont... ) for trouble-shooting and possible warranty repair service. Good luck.
Andrew
If you like the Canon brand, and don't want to spend an extraordinary amount on it, I would recommend trying the Canon S5 IS ( digitalcamera-hq.com/digita... ). The 8MP resolution is more than enough for nice 8x10" prints or high-resolution webphotos, and the camera comes with a decent macro mode if you want close up shots of your flowers. It also has the ability to partner the camera with an external flash to bring more light in to the photo. Good luck and happy shooting.
Andrew
Depending on the effective range of the flash, it might help the problem. The longer the zoom you use, the tigheter the aperture of the lens becomes (less light is let in). Some external flashes will work up to 75 feet or more, while others only work to 20 or 30 feet. If you do go with an external flash, check its range to ensure it will cover what you're looking for.
Another possible way to brighten your pictures is to increase the ISO level. While this will create more "noise" or graininess in the photo, they won't be as dark. You can also use a longer shutter opening. This can lead to camera shake/blurring issues. I wouldn't recommend this unless you have a tripod and your subjects are not moving a lot. Good luck and happy shooting.
Andrew
1. Turn on the camera and press the <MENU> button to open the menu.
2. Using the (->) button, highlight the yellow (Set up) tab.
3. Using the (down arrow) button, select [Reset All..] and press (func. set).
4. Select [OK] and press <SET> button.
I still think there should be a returning mechanism in place even if you got it by redeeming points. Contact the points distributor about it. But if that's not an option and the reset, then I'd follow the instructions given by Canon and ship it in for a warranty repair. Ask them about an RMA repair/replacement. Sorry about that.
here is a link to someone who used this camera in Alaska
flickr.com/photos/capncanuc...
5mp is enough for for large prints up to 16 x 12 in
it is the quality of the lens that matters not how many pixels.
if you want to change your camera my choice would be the panasonic lumix tz3
it is the perfect travel camera . small, light, long zoom.
cameralabs.com/reviews/Pana...
no ,Jackie i do not have a s2is but a tz3!
here is another link to show you the tz3 in action (not mine )
flickr.com/photos/leacayoun...
Thanks for your reply. I will look into the Nikon and Sony you suggested. Haven't had time this afternoon or evening but will explore my options. Like I said--that Fuji was nice and fast but the prints just were NOT good in my opinion!! I am getting a little nervous about learning a new camera so quickly---guess that will have to be my decision--but would definitely like to have a camera with me that reacts a little more quickly.
Thanks.
J
Good points - it takes great night snaps and the battery lasts well, it has 18x zoom.
Bad points - it is horribly slow to react meaning that snaps (out of car, for instance) often miss; the video is truly awful, there is no hot shoe for external flash, you cannot add on lenses etc or, at least, not without some sort of weird contraption.
I would never choose it over the S5 with its flexibility.
Canon's color swap mode is designed to do this. You should be able to get the same wide angle shots in regular photo mode. I wouldn't use color swap for anything but exchanging colors like that.
Andrew
Andrew
In the function menu you can select picture sizes. It's the bottom command in the menu. After you scroll down, you move left or right and you can select wide angle. I believe it's possible in all shooting modes, even automatic; for sure available in the creative zone on the dial.
Color swap does just that- color swap. You meter two different colors and tell the camera to digitall exchange one for the other.
Another tip is to go to Canon's website ( usa.canon.com/consumer/cont... ) and look for firmware updates. Download and install them.
I've heard of how replacing batteries improperly can result in a false power low reading and resetting the camera usually solves this.
You may have also gotten some bad rechargeable batteries I have had other rechargeable batteries for other items that go quickly and soon figured out I had a bad batch of batteries ( long process of elimination) to figure that one out.
I love my S5 and I am sure I will be moving to a Canon DSLR soon to complement the S5 (as well as the a720is I got for my wife, the A570is for one son, the a540 for another and my old A85 that is still going strong.) Guess one could say I am pleased with Canon products .
What NiMH did you get? Did you try them with other appliances? If they work find with other appliances, then it's probably the camera.
The camera being slow on zoom... well did you just pull the zoom level lighter? It's a double setting level, pull hard = zoom fast, pull light = slow zoom... maybe that's the case? If it's not, then send it to Canon for servicing, don't send to the camera shop, unless they send it back to Canon for you? It's best to get Canon to check it for you... they know their camera best.
This (and I would guess the rest of) the Canon SD line do not allow for lens adapters. Sticking with Canon, you would have to go with something like the Canon S5 IS ( digitalcamera-hq.com/digita... ) which can be fitted with an adapter tube ( cgi.ebay.com/Lens-Adapter-f... ) around the lens. Good luck and happy shooting.
Andrew
Is there a replacement tht has a tighter fit?
The obvious work around is to get a lens cap leash. It has sponge tape on one end which affixes to the cap and an elastic loop which goes around the lens assembly itself. And when you don't need the cap, it simply dangles.
To be honest, while you could purchase these options to add onto your existing lens, I don't recommend them because the tradeoffs involved simply outweigh the benefits in my mind.
Go over to the Powershot S5 group in Flickr, and you can see some wonder shoots taken with converters, you won't notice any clarity/barrelling issues at all... (if you have a good quality converter)
my choice is pansonic lumix fz18
cameralabs.com/reviews/Pana...
it is the best camera in your price range
As far as battery life, don't let the idea of something aside from an AA battery slow you down. Nowadays many great cameras are sold with their own proprietary lithium ion type batteries, and those hold charges just great and last a very long time. Even if a camera does take AAs, I HIGHLY recommend buying the rechargeable kind, because regular AAs won't last very long at all. So if you're worried about the price of the battery, by the time you buy rechargeable AAs and a battery charger, the price will be equivalent to a lithium ion anyways... and most cameras that use lithium ion come with the battery and charger. So if battery life is the reason you're avoiding cameras that don't take AAs, I wouldn't worry about it.
I personally think the S5 is a great camera. It's a nice mix of basic camera features (along with a fairly basic price point) and yet enough manual control options to let him get his feet wet with the idea of a pro camera. I consider it a kind of hybrid model. And I consider it the best of its kind; Canon's operating speed, color reproduction, and low light performance aren't to be beaten.
I was going to point you towards the Rebel XT ( digitalcamera-hq.com/digita... ), which is a slightly more "professional" yet still very easy to use camera, but I think it may be out of your price point if you are looking for the one that comes with a lens. The prices quoted if you click on that link, the ones in the 300-400 range, are the body of the Rebel only, with no lens. The price on that camera has dropped drastically, but I think you'd either have to buy it used or wait awhile to get the full camera plus lens.
So, considering that, I'd personally say the S5 is a really nice choice for what you're looking for. Then if he likes it/ wants to pursue the hobby, there'd be plenty of time to buy a full-on pro camera later!
I really need a camera that can handle high detail for professional-looking model/actor headshoots. Besides that I'll be using it for everyday thing like party pics, friends and family gathering.
On the other hand S5 is quite capable, although when it comes to indoor, low light situations, the noise issue will be there... as with all other P&S due to the sensor size...
The G9 is the choice of professional photographers looking for a backup point and shoot, but frankly, even with the larger CCD, I'm not buying that it handles that 12MP any better at higher ISOs.
The argument is essentially this: CCD chips on point and shoot cameras a smaller and as such, fitting in more pixels causes them to lose light sensivity. Sure, there’s more data on the chip, but the chip can’t absorb the light data and what it ends up with is a picture that has more noise than image quality. In addition, the more megapixels a camera has, the larger the lens it needs to provide the clarity it deserves and prevent diffraction due to a loss of detail with smaller apertures. But since we’re talking portable point and shoots here, those large lenses simply aren’t being made.
Finally, with larger mega pixels comes longer saving time due to their requires huge storage capacity, or more compression if not storing images in RAW format. The result is a noisier image and a dissatisfied camera user who thirsts for high quality and speed but fell into the trap of "more must mean better."
In the end, relying on a smaller MP that can balance all these needs may indeed be a better answer.
The S5 gets solid marks. It gets an "A" rating at DHQ. As does the SX100. But the others are simply point and shoots. Sure, the S5 is as well, but you'll also enjoy some manual features which is what you seem to be longing for.
It's where I'd be lookin'.
So I will shortly be able to compare the Panasonic experience with the Canon one.
Reasons based on features: -
1. More zoom on S5
2. Better movie recording features, ie optical zooming while "filming", stereo sound recording
3. Hotshoe for external flash
4. Varied Angle LCD
5. EVF (electronic view finder)
6. 4 AA batteries (instead of 2 AA for the SX100) - this will increase operation efficiency, as the camera uses 2 AA for any operations at one time, hence with 4AA, there'll be less wait time between and after shots.
7. Macro (SuperMacro) mode is one of the best in the market, I mean how often will you get a 0cm Macro camera, and it really is 0cm, you can touch the subject with the screen and the S5 will still zoom properly in Super Macro mode, then again, people will say what the difference if we can get 1cm Macro?! you choice...
One thing though that SX100 maybe be better at is the noise issue... generally through browser through review sites, I found that SX100 performs slightly better on the noise issue...
I would suggest you go to flickr and browse through photo groups of these 2 cameras to see the photos taken by users with these cameras, I find that this is a better way to gauge the quality of photos by cameras compare to looking through review sites...
And lastly, do go to the camera shops and try out the cameras before buying, whatever it may be, you might find that you like the feeling of holding one camera better that the other...
However, from pictures online I got impression S5 IS colours are brigther and in general pictures seem to have more light. Does that impression have any technical explanation or is it just accidental. I would prefer such brigther pictures. I like to play with light and colours and do mainly outside pictures. Advice on which of the two camera's is best for that is welcome!
Each digital camera manufacturer uses a different hardware imaging sensor, and different image processing software. These differences can produce differences in the vividness and bias of the colors produced by their cameras. In addition, most cameras have at least one color setting (generally labeled "saturation" or "vivid", and generally on a slider). By adjusting this, you can change the way the camera records colors.
In other words, it's entirely possible that the S5 IS is actually producing more vivid colors by default, and it's equally possible that the users of those S5 IS's are manipulating the images (in or out of camera) to make them more vivid.
In the end, using in-camera and out-of camera controls, you should be able to make your photos look however you want. :)
Hope this helps!
what i hate about the S5 is the fringing it's just too obvious the lumix dose not have fringing i really like the name of canon much much more than lumix but i think the fz18 is better than the canon s5 is and i've searched alot for both of them and now i've the lumix and i'm in love with it
thank you for your comments. I would like to come back on the very useful comments by Ben. If I understand well, three elements will influence the colour:
-sensor hardware
-camera processing software
-the saturation/vivid setting.
I assume the latter is part of the camera software.
now, to what extent is changing the software or saturation setting easy, in particular making it a standard setting? and to what extent can you reach what you want?
I ask this for two reasons:
-given that online reviews do so much efforts to test amongst other colours, I assume that adjusting them in each camera is not always as easy and flexible. And the hardware sensor may be very defining.
-I have played a bit with colours in Zoombrowser after downloading but wasnt satisfied with that.
Now, I guess you will say Zoombrowser is kid's toys and there is much better software. However, I spend entire working days on computer, so I prefer not adding much to that to play with my photo's. So if Canon would deliver me overall easier the colours I like I may prefer that.
If it is just a little trick to do on the Panasonic in order to get the same result, then I would go for the Panasonic, mainly for the wideangle. (not much interested in video, and while I have some years of digital experience and don't need to be informed that you can hit and delete, James assumed right that I am not in the first instance aiming at very time consuming photo editing so the RAW is neither my priority).
thanks
Stefano
This alone will make your pictures more compelling. But what you can also do is look at a local community college for a weekend digital photography course. It'll change forever the way you take pictures. And for the better too.
But there's no way to change lessen the file size while downloading the pictures.
flickr.com/groups/canonpowe...
YOu might also browse through some photos taken with A640 through flickr.com/groups/powershot...
and decide by yourself what sort of photos and quality can be gotten through these cameras. I find comparing cameras this way is better than looking through review site where the comparison photos is taken through a set standard, instead of photos by everyday users... that might be me, and you might be looking at photographing to a certain criteria, so just my opinion... good luck.
Just my $.02 worth.
If you check you mode dial, you will find half of it is marked with logos and half marked with P,M, S and A, including Auto.
You would have no problem if you turn your mode dial to ' Auto ' , or any of the logos, both for indoor or out door photos, with the exception of the ' flower ' logo which is meant for close ups.
After some experience, you can then venture into manual controls of P,M,S and A.
More details can be found in the camera manual.
Otherwise the situation will remain the same and you will still get over exposed pictures outdoor, unless the person who sold you the camera has found out something is wrong with the camera and quickly pass the ' hot potato ' to you.
In any case, the S5 is a great camera for outdoor photos, so it would be strange for you to get "totally white" pictures...
TIPS TO FASTER CAMERA PERFORMANCE:
Prefocus. Hold down the shutter half way to get a prefocus of the image you're shooting. When it changes, prefocus again. This will speed up your camera's performance during picture taking since it won't have to autofocus before it shoots the shot.
Use faster SD cards. Yes, there are faster cards and it does make a difference in writing the image file to the card. This is especially key if you're taking multiple or burst images.
Fresher batteries. Use alkalines at least. But I recommend using high energy batteries designed for digital photography. Varta is a good brand. They are usually sold in camera shops, are long lasting (because they are sold in small quantities) put out alot of energy.
Shoot in "sports" modes when you're in situations that require action. Night or available light modes when in night time settings. These presets can help in speeding up your shots, rather than the camera taking a split second to evaluate the conditions of the lighting.
Go manual. If you are manually focusing, particularly in darker settings, you can constantly refocus the image as things happen. Also, the infrared does have a range and if your image is out of that range you can end up with the camera's "best guess" or infinity setting which may not help. You can also go manual on fstops and shutter speeds as well, getting more light faster when you choose.
Go with a shallow depth of field.
Pan with the action. You can create some pretty cool shots by panning with your shot, focusing on your subject. This will create the effect of your subject in sharp contrast to the blurry background.
Use a flash - even in day time. This will "freeze" the image and cause your subject to "pop" in the shot. However, flash is only designed for limited range and can dissipate outside of about 20-25 feet unless you're using a zoomable flash.
Stick with 100-400 ISO. Going higher will cause more noise/grain in your shots, particularly in darker settings.
Hope this helps, if you have any other questions feel free to ask.
On the other hand, it's always safer to have a few cards instead of one large capacity card, you never know when a card might go corrupt on you and you'll be left stranded! So best is to get a few 4GB / 8 GB cards instead on having only one large 16GB card whenever you go... And always get reputable brands, better safe than sorry, the initial few bucks saved from buying cheap cards is not worth it if the card suddenly go dead on you after a shoot!
Ya, Class 6 is best, but if you are looking for grabbing normal photo only (ie, not planning to use the CHDK hack to shoot RAW), Class 2 or Class 4 would be sufficient... there really isn't much noticeable difference in speed.
Thank you, this answered my question. The suggestion to get a few smaller video cards instead of one large one makes sense. I appreciate your response. I wasn't sure if there was a significant difference in class, this helped me to decide.
Thank you!
But I wouldn't be popping all that cash for 16GB cards. PNY makes pretty good stuff, but I prefer SanDisk. And having smaller cards isn't really a bad thing. allow me to make an pitch for using several cards, rather than one large one. Reason being, insurance. Any memory card can fail or become corrupted. And when you're on vacation the last thing you want is to lose the opportunity to take pictures until you can recover that media card with a software utility. If your card goes bad, swapping another one for it at that moment is of advantage so you can keep taking pics. Then, later when you're in front of your PC, you can use a utility like "F-Recovery" ( filerecoverytools.com/produ... ) to get back your pictures and recover your card.
No need to lose the moment because you relied on one card one when several can solve that problem. At the very least, you want to get more than one of whatever size you settle on.
Anybody have any ideas?
The concern is not whether the flash can mount on the hot shoe, but rather whether your old Vivitar flash uses high voltage to trigger the flash tube.
If it does, the voltage can go up to as high as 240 volts, and this will literally ' roast ' your S5 IS.
Most present day digital camera accepts only 5 or 6 volt flash gun. If I have a choice, I would rather use the old Vivitar as a slave or at least buy a safe syn to protect the camera.
The Moderator at <a href="forums.steves-digicams.com/... this forum </a> has some good advice on using old flash guns on digital camera. You may want to read about it.
Thanks a lot Mr. James, Mr. Aditya and Mr. Ganesh!!
Bye!
Thanks...
Thanks for posting.
Louisa
I look forward to hearing of a good solution here. - If I get my current S5 problems fixed :(
Have you used it?
What is your experience with it?
What features does it offer?
How long does it take to install?
How much space on a memory card does it take up?
What's your opinion of it?
If all you want is to take pictures, there's little there for you.
Join the S5 IS Users Group at <a href="s3users.com/forum/showthrea... this location </a> and see what others are doing about the subject, including how to make your SD card Autoload CHDK.
For more information, you may want to look up <a href="chdk.wikia.com/wiki/CHDK_fo... this site </a> which incidentally has answers for some, if not all, of your original question.
Canon PowerShot SX110 IS
Canon PowerShot SX10 IS
Canon Powershot SX1 IS
Canon Powershot S5 IS
Please compare all 4 of these models.
8 mp, 12x optical zoom.
Fully auto to fully manual shooting modes.
15 sec to 1/3200 sec.
F2.7-f8.0
super macro 0-4 cm
SX1/SX10
10 mp, 20x optical zoom.
Menus look to be the same, but I don't own one. Difference between SX1 and SX10 are the sensor, SX10 has the same CCD type that S5 and many others have; SX1 will have CMOS which is the same as DSLR cameras but it is smaller. However, the CMOS sensor in the SX1 will allow it to shoot 4 fps and record hi-def video.
Not sure about the SX110, less zoom than the S5 and I think smaller pixels. review.com should have a pretty good review on if you search. The S5 is on that site also, but they don't have a good review on the SX models yet.
SX10 and SX1 are replacement models for the S5IS.
SX110 a more compact model, zoom up to 10x optical... that's about 35mm to 350mm
Operation-wise, should be relatively the same between these models.
I own a S5IS, it's a good camera, plenty of zoom, and it does amazing Macro. The video is also quite useful (ie. optical zooming is available + stereo sound).
On that note, the SX1 / SX10 builds on the S% platform and gives you higher resolution, better zoom (28mm to 560mm) same Macro and video capabilities, etc... Although comments are that the control buttons are not as ergonomic, but I mean, you'll probably get use to them.
SX110, only get this if you cannot afford the above models! You'll miss out on some of the capabilities.
That said, the pricing for a SX10 is not that good, for a few more dollars, you can get the EOS 1000D with the 18mm-55mm kit lens. So it's up to you whether you want to dwell on a Point and Shoot or go straight into an Entry level DSLR... pros and cons there, you pretty much get all you need in functionality with the SX10, but you won't be able to get the speed and quality of a DSLR.
But if you can still find a S5IS in a store near you, you might be able to get a good offer since it's replacement model (SX10) is out! It's still a very capable camera!
SX1, this will only be sold in Japan for now... and even if it eventually get sold where ever you are, the price might shock you! haha!
I'd also recommend the use of a tripod if possible, and maybe shooting in cloudy light.
If you have several images of the same scene with only slight differences, you can use PhotoStitch to connect the images together to make a panoramic image. This explains how to use this program to stitch images. You can make it easier to stitch images together by using the camera's Stitch Assist mode to shoot them (available on most PowerShot models).
1. Click [Edit] in the Main Window, followed by [Stitch Photos].
2. Confirm that [1. Select Images] is selected, and select the series of images in the Browser Area.
3. Click [2. Open PhotoStitch].
- If you open PhotoStitch from the [Start] menu, you can follow this procedure to bring images into PhotoStitch instead.
4. The PhotoStitch Window will open with the selected images displayed. Follow the instructions at the top of the window.
- If an image was brought into PhotoStitch by accident, select the image, click the [Clear] button and select [Clear Selected Image(s)].
- You can zoom in or out on the displayed images. Click the [Enlarge] button to zoom in and the [Reduce] button to zoom out.
5. Click the [2. Merge] tab , then the [Start] button to start stitching the images.
6. The images will be merged, and the newly created panoramic image will be displayed.
- You can zoom in or out on the displayed image. Click the [Enlarge] button to zoom in and the [Reduce] button to zoom out.
- If you have trouble merging, you can adjust the merge results. Click here for detailed instructions.
7. Click the [3. Save] tab, and click on the [Save] button to save the file.
- To adjust the image before saving it, click [Adjust Image...] prior to clicking [Save].
8. The Save As dialog will display. Input or select the file location, format and name, then click the [Save] button.
9. A message asking if you wish to view the saved image will appear after you save a merged image. Click the [Yes] button to view the image.
10. Close PhotoStitch to return to ZoomBrowser EX.
- To merge another set of images after you have finished merging the first set, you must first clear all of the open images from the window. Click the [Clear] button and select [Clear All] to clear all the images.
Additional Detailed Information
Bringing images into PhotoStitch without using ZoomBrowser EX
1. Click the [Open] button to display the Open dialog.
2. Select the images you wish to merge and click the [Open] button. To open multiple files, hold the [Ctrl] key while selecting files.
Arranging the images before merging
1. Click the [Arrange] button and select a merge order setting.
2. Drag and drop the images into the correct order for merging. Clicking the [Switch] button reverses the order of all the images.
* When the merge order is set to [Horizontal], [Vertical] or [360 Degrees], you can drag and drop an image between two others to insert it into that position.
* When the merge order is set to [Matrix], dragging an image over another causes them to exchange positions. You can also drop an image into an empty image slot.
Rotating images before merging
You can use the following procedures to rotate images shot with the camera held on end (portrait orientation versus landscape).
1. Click on an image to select it.
2. Click the [Rotate] button, select [Rotate 90 Degrees Counterclockwise] or [Rotate 90 Degrees Clockwise], and click [Rotate Selected Image(s)].
To rotate all the images, click [Rotate All] after you select the rotation direction.
Amending the Merge Results
To amend the merge results, you must first specify the areas that did not merge well and then amend those areas.
1. Click [Display Seams] to select the areas to amend. The image seams are indicated by a green frame.
2. Click a seam that requires improvement. The Amend Merge Results window will display the two images adjoining the clicked seam.
3. Choose the [Specify Overlapping Areas] or [Specify 2 or More Corresponding Areas] button and specify how the two images overlap. Click [OK] when finished.
To amend the merge results by specifying the overlapping areas:
a. Select [Specify Overlapping Areas] in the Amend Merge Results window and place a check mark in the [Auto Adjust Overlap] checkbox.
b. Drag and drop one image over another to the approximate extent of their overlap.
c. Click the [OK] button. The two images will merge and the resulting image will display with the amended seam.
Hint: This method of amending the merge results automatically searches the optimal fit for the two images based on the specified overlap. If you wish to have PhotoStitch focus specifically on the overlap you select, remove the check mark from the [Auto Adjust Overlap] checkbox.
Continue to next step
To amend the merge results by specifying two or more corresponding areas:
a. Select [Specify 2 or More Corresponding Areas] in the Amend Merge Results window.
b. Find distinctive areas that appear on both images.
c. Place the cursor over one of these areas on an image and drag and drop it on the other image in the corresponding position.
d. Repeat Step 2 and Step 3 at least two or three times. If possible, select areas that are relatively far apart to better the chances for merging.
e. Click the [OK] button. The two images will merge and the resulting image will display with the amended seam.
Hint: To delete a corresponding area that you have specified, drag the frame outside the image. Specifying two areas will merge the image at the indicated position, while specifying three or more areas will merge them at the position where the correspondence is strongest.
[Specify 2 or More Corresponding Areas]
4. The two images will merge and the resulting image will display with the amended seam.
5. Click the [Hide Seams] button to hide the seams on the resulting image.
Adjusting the Merge Settings
Set the merge settings before starting to merge by clicking the [Merge Settings] button to open the Merge Settings window. If you are merging images that have been taken with a camera, input the shooting technique and focal length setting. If the focal length setting is included in the image data, it will automatically appear in the settings box, eliminating the need to input it.
Setting the Shooting Technique Setting
Select one of the following shooting technique settings:
1. [Panning (Scenery, etc.)] - This technique involves the camera remaining in one spot and being panned up or down or left to right to shoot scenery and other images.
2. [Parallel Camera Movement (Documents, etc.)] - This technique involves moving the camera at a set distance from an object, such as a document, to capture it in sections.
3. [Images Scanned in Sections] - In this case, images that are too large to be captured in one scan are scanned by a scanner in sections.
Hints:
- Use setting 1 or 2 if you are merging photographs captured with a film camera using technique 1 or 2 and later scanned with a scanner or film scanner.
- All images must be of the same size for merging if setting 1 or 2 is selected.
- Images of varying sizes can be merged if setting 3 is selected.
- Click [Use as Default] to have PhotoStitch automatically merge using this setting the next time the software is used. This feature is convenient if you set it to a technique that you use often.
Inputting the Focal Length Setting
Select the appropriate setting from the [Focal Length] list box if you are merging images shot by a camera. The focal length settings are listed as the 35mm film camera equivalents. For a description of focal length settings, please read the documentation for your camera. If your camera automatically includes the focal length setting in the image data, it will automatically appear in the settings box, eliminating the need to input it. If the focal length setting used by your camera is not included as one of the default settings in the [Focal Length] list box, additional settings can be added to the list.
To add a focal length setting to the list:
1. Click the [Add] button. The Add Lens window will display.
2. Input a focal length and lens name and click the [OK] button.
Hint:
If the camera shooting the image is equipped with a zoom lens but does not record the focal length setting with the image data, you are recommended to add the camera's longest and shortest focal length settings to the list and select one of these settings to obtain the best results when merging.
The focal length setting will not automatically appear in the settings box when a mixture of images with and without the focal length settings data are included or when images with different focal length settings are included.
Lens settings added to the list can be deleted. Select a setting from the list and click the [Clear] button.
File Formats
PhotoStitch can save files in the following formats: BITMAP, JPEG, TIFF, Photoshop, and Flashpix.
The merged image can be saved in the QuickTime VR format if you obtain and install QuickTime 3 or 4. However, images cannot be saved in the QuickTime VR format under the following circumstances when:
a. [Parallel Camera Movement (Documents, etc.)] has been selected as the Shooting Technique setting in the Merge Settings window;
b. [Images Scanned in Sections] has been selected as the Shooting Technique setting in the Merge Settings window;
c. [Vertical] or [Matrix] have been selected after clicking the [Arrange] button;
d. [Wide] has been selected as the Display Format section in the Adjust Image window.
NOTE : Please select the package that includes all the files when downloading the QuickTime software. The QuickTime VR program and the program for saving QuickTime format files must be installed together to save images in the QuickTime VR format.
Adjust Image
You can adjust the following settings to suit your preferences before saving the merge results.
Crop: uneven edges are cropped with this option selected or left untouched without it.
PhotoStitch automatically calculates the optimal position to crop a merged image to eliminate the uneven edges. When you proceed to [Step 3 - Save] after merging the images, the crop frame will be superimposed right on the merge results window. To change the crop lines, drag the crop frame with the mouse cursor and drag it. The cropping will occur as the image is saved.
To turn off the crop function:
1. Click the [Adjust Image] button in Step 3 to display the Adjust Image window.
2. Click the [Crop] checkbox to remove the check mark.
3. Click the [Close] button to close the Adjust Image window.
Hint:
* To turn the crop function back on, click the [Crop] checkbox to insert a check mark.
* To reset the optimal crop setting calculated by PhotoStitch, click the [Reset] button in the Adjust Image window.
Saved Image Size: this option allows you to reduce the size of an image if the merge results are too large.
When the merge results produce too large an image, you can reduce the size of the image. The size of the merge results appears in the status bar at the bottom of the window after the images have been merged and you proceed to [Step 3 - Save].
To save the image at a reduced size:
1. Click the [Adjust Image] button in Step 3 to open the Adjust Image window.
2. Input a percentage that will reduce the image size in the [Reduction Ratio] box. The actual size at which the image will be saved is shown in the Image Size column.
3. Click the [Close] button to close the [Adjust Image] window.
Display Format: this option allows you to change the format in which the image is displayed.
PhotoStitch supports the following two display formats for the merge results. Display the merged image in both formats to decide which one you prefer. The choice of formats is only available when [Panning (Scenery, etc.)] is selected in the Merge Settings window.
Normal
This format is for displaying images that have a broad perspective. It is appropriate for viewing an image that has been merged from a large number of images. However, objects with straight lines, such as buildings, will appear rounded.
Wide
This format displays buildings and other objects with straight lines without distortion or bending. It is best suited to subjects with many prominent straight lines. However, the field of view that can be encompassed in this format is limited. Parts of large merged images may extend beyond the area shown by this format.
To change the display format:
1. Click the [Adjust Image] button in Step 3 to open the Adjust Image window.
2. Select [Normal] or [Wide] from the Display Format section.
3. Click the [Apply] button in the Display Format section.
4. Click the [Close] button to close the Adjust Image window.
But... if you are talking about attaching to that one, I think there is a teleconverter.
It should be available in eBay.
Alan.
You can see the picture of the adapter in <a href="cgi.ebay.com/0.5X-WIDE-ANGL... this advertisement </a>
The discussion in <a href="photography-on-the.net/foru... this thread </a> probably will be helpful.
Probably not the answer your looking for, but I thought I'd pass it along. I'm sure someone will give you a much more technical camera answer.
Have fun and try lots of different zany things with your zoom lens at first as experience will teach you what works and what doesn't (or really what you like and what you don't like).
If you're willing to experiment, search for chdk, you can hack your S5 and have it run a script for that, and a number of other things.
For the same situation where you get an out of focus picture, zooming out to the maximum wide angle probably will bring the subject into focus.
The tradeoffs simply aren't worth it. If you want to make an extra wide picture, take several, overlapping the edges, and then use photo software to stitch them together.
However there are people who opt for Raynox lens as a cheaper alternative. See <a href="photography-on-the.net/foru... this thread </a> for more information on the subject.
If the cost of repairing it is too much, I'd suggest maybe replacing it with a newer model, like the SX10 which is very close in price to this camera when new, or maybe an even newer power zoom model by another company.
Alternatively, if you are apt at DIY, you can change it yourself.
The LCD can be obtained at <a href="cgi.ebay.com/CANON-S5-IS-LC... this location </a> for $62 and just make sure you don't lose any tiny screws when you open up the camera.
I Was a teensy bit ...okay. Overwhelmingly Distraught when I found out I'd cracked it, I actually cried.
But Between myself, and my internet-savvy dad, we found a replacement LCD for $30, with shipping, that's STILL Nearly Half the amount I found everywhere else.
Again, I say: THANKYOU THANKYOU THANK YOU SO SO MUCH!
Computer software after downloading the video AVI file can convert it to other formats.
With a 8GB SDHC flash card it can record up to about 1hour,30min of 640x480 30fps video and much more if 15fps or 320x240 format is used. About 3hours total if a 16GB SDHC card is used.
However each video clip is limited to 1GB or 1 hour length whichever comes first.
As for battery consumption, if you're constantly zooming, that does beat down the batteries. You may not even be aware you are over using it.
Press Menu button; scroll right one time to Set Up Menu (picture of tools); Scroll down to "Reset All"; Select OK; press SET button.
Note: Does NOT reset the C (Custom) setting unless you are in the C mode when resetting.
Note: Does NOT reset everything. Some items can not be reset. See page 36.
Batteries are 4 AA's either alkaline or NiMH
FYI: Canon lists no firmware updates for this camera.