Hey! You should know that this product has been discontinued. Here are our current recommended cameras in the Mirrorless Digital Cameras category.
Olympus PEN E-P3:
A look at the new Olympus PEN E-P3, their latest top-of-the-line Micro Four Thirds camera.
By Liam McCabe
- E-P3 Big Picture
Last updated on 01/18/2013
Olympus just announced their new flagship Micro Four Thirds shooter, the PEN E-P3. This rangefinder-esque beauty is built for the photo-enthusiast niche, sporting a well-rounded control scheme on its sturdy metal chassis and a price tag (including a kit lens) up at a healthy $900. It shares many of the specs and design details of its predecessors, but in practice, the E-P3 is a brand new machine.
While the E-P3 is on the small side by system-camera standards, it’s too big to fit in a pocket, even when it’s equipped with a low-profile pancake lens. But it’s still lighter and easier to tote than a dSLR, especially factoring in the light and compact nature of Micro Four Thirds lenses.
The E-P3 retains the same rangefinder look of its predecessors, but there are some significant changes. The chassis is all-metal this time around, and the textured left-hand grip is removable: On for a classy rangefinder look, off for sleek (slippery?) system chic. It also comes with a built-in pop-up flash like the E-PL1 and E-PL2 before it.
The real cherry on top is the 3-inch touchscreen OLED screen on the rear. OLED is incredibly vibrant by nature, and this 614,000-pixel screen has an anti-reflective coating. It should be a boon for shooting in bright conditions where LCDs would wash out. Oly’s never attempted a touchscreen interface before, but it looks like they’ve wisely followed the course set by their MFT co-captains at Panasonic, leaving most of the controls to external keys.
All three new PENs (including the consumer-oriented E-PL3 Lite and E-PM1 Mini models) are built around a new 12.3 megapixel Live MOS Four Thirds sensor and TruePic VI processor, as well as a reengineered autofocus system. Prior PENs received widespread praise for their sensor/processor combo (outperforming the affordable end of the competing Panasonic G series). Since there are relatively few samples online so far, it’s tough to see what degree of difference the new sensor and processor make, but the anecdotes seem to indicate that the latest PENs are indeed the greatest.
It’s impressive that Olympus continues to squeeze better results from the Four Thirds format, and seeing a top ISO setting of 12800 is noteworthy, even if it ends up looking a bit sloppy. Oly’s JPEG engines have a great track record, too, so that should help to control noise and handle the dynamic range judiciously.
As for the new autofocus system, Olympus touts it as the “world’s fastest.” It runs through 120 focus cycles per second (up from 60), so it is functionally faster than previous PENs. The maximum burst rate, curiously, is stuck down at 3 frames per second, while the lower-cost Lite and Mini models can churn out 5.5. But in any case, this is arguably the most important update to the PEN range. Slow autofocus has been the chief complaint about mirrorless systems, and as long as this compares to the output from a dSLR, it’ll be a huge boon to the format.
It should be interesting to see how the E-P3 plays with consumers. At $900, it’s clearly meant for the enthusiast niche. It doesn’t have a clear, 1-on-1 competitor like the consumer-oriented PENs do, but it does fall somewhere in the midst of the Sony NEX-5, Panasonic G3 and Panasonic GH2. Each has its advantages, but they’re all great cameras, and it’ll pretty much boil down to personal taste.
Crystal ball-gazing is usually a worthless endeavor, but things are looking up for mirrorless system cameras, especially the Micro Four Thirds format. There are plenty of cameras for everyone from casual shooters up through enthusiasts. The MFT lens selection has really matured with plenty of primes, pancakes, and superzooms from both Panasonic/Leica and Olympus/M. Zuiko. Plenty more are on the way now that a number of third party manufacturers have begun production on MFT glass. Just about any lens ever made can fit onto the MFT mount with an adapter, too. It’ll be fun to see how the landscape for system cameras changes in the next year.
Official Press Release:
New PEN flagship rewrites category rules
PEN E-P3 boasts record-breaking FAST AF and touch display
Hamburg, 30 June 2011 – When Olympus launched its PEN Micro Four Thirds system cameras, it created a whole new camera category. Now it has launched a visionary new PEN flagship that defies categorization altogether. The PEN E-P3, or simply ‘PEN’, has the fastest* auto-focus of any camera with interchangeable lenses. With its world-beating FAST AF (Frequency Acceleration Sensor Technology) , timeless metal design and state-of-the-art touch-sensitive OLED display, it’s a genuine alternative to bulkier and more expensive SLRs. Leading a three-strong generation of new PEN range cameras, it owes its amazing focussing speed to a powerful new processor: The TruePic VI image engine designed especially for mirror-less cameras. In addition to the new FAST AF, TruePic VI serves as the motor for ten Art Filter special effects and the large, tap-sensitive OLED display that previews and plays back in photo quality. In combination with a faster and more sensitive 12.3 Megapixel sensor, TruePic VI ensures outstanding picture quality, especially in low light. For experienced users, the PEN has more special treats in store – two dials on the back for making quick adjustments to exposure and aperture, plus in-body image stabilisation that counteracts camera shake irrespective of the attached lens. The PEN E-P3 14-42 lens kit is available from August 2011 for £799.
Pick up the new PEN and you realize you’re holding a potential style icon. The craftsmen at Olympus have managed a rare feat, drawing on the charm of the golden era of camera design some 50 years ago to create a camera that will still turn heads 50 years from today. If their vision was a timeless classic, that’s exactly what they achieved.
With its compact design, user-friendly features and first class picture quality, Olympus’ award-winning PEN system camera range is already a firm favourite with both ambitious amateur photographers and professionals looking for a practical second camera. Led by the E-P3, the new PEN generation significantly enhances that reputation. One of the PEN’s most striking – and useful – characteristics is the sheer speed and versatility of the record-breaking autofocus. Driven by the new and powerful Olympus TruePic VI processor, the FAST AF focuses quicker* than any other camera with interchangeable lenses, giving PEN owners the very best chance of capturing fast-moving shots. What’s more, it offers 35 separate focus points, spread over nearly the whole sensor, making it possible to focus on small subjects, no matter where they appear in the picture. In low light conditions, the built-in AF Illuminator compensates for potential loss of accuracy while new AF tracking technology ensures subjects stay sharp even when they move in and out of the frame. Another potentially shot-saving bonus is Full Time AF – the focus is always active so the image is always in focus and the camera doesn’t waste time focusing when the user applies pressure top the shutter release.
Unique to the flagship PEN is the three-inch, touch-sensitive OLED display. It’s not only intuitive and practical to use, but also delivers a superb, photo-quality picture, regardless of ambient light conditions. Compared to similar LCD screens, an OLED display generates superior contrast, deeper blacks and a broader spectrum of colours. It is brighter, the angle of view is wider and it uses less power. The PEN’s display offers fingertip scrolling and enlarging of photos as well as control of the shutter release, AF points and the pop-up Live Guide – the celebrated PEN assistant that makes it easy for less experienced users to get crucial parameters such as aperture and depth of field exactly right. Even professionals will be glad to note that there’s now direct access to Live Guide in P, S, M and A modes, if need be. Unlike with some of PEN’s rivals, Live Guide is available for both movies and stills.
But for most serious photographers, experimenting with settings is half the fun – and they don’t want to scroll through endless menus to make their adjustments. That’s why Olympus has incorporated two additional dials on the back of the PEN. With just their thumb, users can fine-tune aperture and exposure time in an instant – without having to switch between menu sections. The chosen settings appear bright and clear on the OLED screen, or in the optional electronic viewfinder. Fans of hands-on shooting will also love the three customisable buttons they can assign to their favourite functions. The buttons, dials and new FAST AF help users react quicker to spontaneous situations and capture fleeting scenes or fast-moving subjects before the opportunity is lost.
A wide choice of creative Art Filters and effects is a bonus for ambitious users and pros alike. The PEN offers ten different filters for adding special effects without the hassle of computer software. Several of these can be combined with additional effects, such as new Starlight and White Edge. Users can choose from the Pop Art, Soft Focus, Pale & Light Colour, Light Tone, Grainy Film, Pinhole, Diorama, Cross Process, Gentle Sepia and Dramatic Tone Art Filters. All ten filters can be applied to both still shots and movies.
The PEN records movies with a stereo soundtrack in radiant 1080i Full HD quality at 60fps – and in a choice of formats. For playing back on TV, users can choose AVCHD, which generates a smaller file size. If they want to edit their movies first, the 720p HD Motion JPEG format is ideal. It generates larger files but is easier to handle with PC editing software.
At the heart of every new PEN is the powerful TruePic VI image engine. Like the processors in computers, TruePic VI is essentially two units in one, with one half dedicated purely to image reproduction. The result is outstanding quality, colour and detail, with light sensitivity boosted to an impressive ISO 12800. TruePic VI also shortens recovery time and reduces noise noticeably during movie recording.
Like every other PEN, the PEN E-P3 is a system camera. The moment users purchase it, they gain instant access to more than 500 Micro Four Thirds, Four Thirds and other lenses (via a adapter), including Olympus’ legendary M.ZUIKO DIGITAL range of high-quality optics. Highlights of the range are two new fast-aperture lenses. The M.ZUIKO DIGITAL ED 12mm 1:2.0 (24mm**) wide-angle ‘Street Photography’ lens is ideal for capturing broad subjects such as landscapes, especially in low-light conditions. By contrast, the M.ZUIKO DIGITAL 45mm 1:1.8 (90mm**) portrait lens delivers remarkable portraits with beautiful background blurring. Another first-class option is the re-sculpted M.ZUIKO DIGITAL 14-42mm (28-84mm**) 1:3.5-5.6 II R. All three lenses are specially designed for near-silent operation, so users can shoot HD movies in stereo without the background whir. Their metallic casing and compact, lightweight design makes them a perfect match for the PEN. Irrespective of the specifications of the lens users attach, thanks to built-in Image Stabilisation they can be confident of capturing blur-free shots. And thanks to Accessory Port 2, they can also select from the ever-growing family of PEN-dedicated accessories, including the Bluetooth®-compatible PENPAL that automatically reformats still photos for wireless transfer to other compatible devices and social media.
The PEN E-P3 14-42 kits is available with the body in classic black, white or silver from August 2011, for [$900]